An anthology of classic poems by twenty-seven New Zealand poets, accompanied by two CDs on which the poets themselves read the poems. The recordings have been selected from the Waiata Recordings Archive (collected in 1974) and the Aotearoa New Zealand Poetry Sound Archive (completed in 2004).

This paperback and 2 CDs collects the work of 27 poets who came of age during the 1960s and 1970s, stamping their mark irrevocably on the New Zealand poetic scene and introducing new forms, new language and new freedoms. We hear the instantly recognisable, laconic but swaggering voice of Sam Hunt as he performs one of his 'road gons' and more.

"From Anne Kennedy to Andrew Johnston, Jenny Bornholdt to Glenn Colquhoun, New New Zealand Poets In Performance celebrates the rich jangle of clashing ideas, voices and genders that combine to make contemporary culture. It collects the work of 28 young and mid-career poets - who came to prominence in the 1980s, 1990s and early 2000s - notable for their variety, their fresh approaches to poetic form and subject, and their distinctive but complementary voices. This book is a follow-up and companion to the bestselling Classic New Zealand Poets in Performance and Contemporary New Zealand Poets in Performance. Editors Jack Ross and Jan Kemp have selected and presented on two CDs material largely from the Aotearoa New Zealand Poetry Sound Archive, completed in 2004. There are more than two hours of poets reading their own work and the accompanying book prints the texts of the poems as they have been read. Selected bibliographies and short biographies for each poet are also included, as well as an appendix of variant readings." --Book Jacket.

Discussing the work of more than 60 poets from the US, UK, Ireland, Australia, New Zealand and the Caribbean, from Sujata Bhatt to M. Philip NourbeSe and from John Ashbery to Eliot Weinberger, Nerys Williams guides students through the key ideas and movements in the study of poetry today. With reference to original manifestos and web-based experiments, as well as the role of information culture in shaping and distributing poetry globally this book engages with the full vitality of the contemporary poetry scene.Key Features* Wide topic range - from performance to politics, from lyric expression to ecopoetics and from multilingual poetries to electronic writing - enables provocative thematic links to be made * Discussion of global Englishes, dialects and idiolects aimed at those studying poetry on postcolonial literature and contemporary poetics courses* Contemporary relevance: relates poetry to reporting on global conflict, including the impact of the Iraq War* Student resources include a chronology, web resources, a glossary, questions for discussion and a guide to further reading

An illuminating new study of modern Polish verse in performance, offering a major reassessment of the roles of poets and poetry in twentieth-century Polish culture. WhatÕs in a voice? Why record oneself reading a poem that also exists on paper? In recent decades, scholars have sought to answer these questions, giving due credit to the art of poetry performance in the anglophone world. Now Aleksandra Kremer trains a sharp ear on modern Polish poetry, assessing the rising importance of authorial sound recordings during the tumultuous twentieth century in Eastern Europe. Kremer traces the adoption by key Polish poets of performance practices intimately tied to new media. In Polish hands, tape recording became something different from what it had been in the West, shaped by its distinctive origins behind the Iron Curtain. The Sound of Modern Polish Poetry reconstructs the historical conditions, audio technologies, and personal motivations that informed poetic performances by such luminaries as Czes_aw Mi_osz, Wis_awa Szymborska, Aleksander Wat, Zbigniew Herbert, Miron Bia_oszewski, Anna Swir, and Tadeusz R—_ewicz. Through performances both public and private, prepared and improvised, professional and amateur, these poets tested the possibilities of the physical voice and introduced new poetic practices, reading styles, and genres to the Polish literary scene. Recording became, for these artists, a means of announcing their ambiguous place between worlds. KremerÕs is a work of criticism as well as recovery, deploying speech-analysis software to shed light on forgotten audio experimentsÑfrom poetic Òsound postcards,Ó to unusual home performances, to the final testaments of writer-performers. Collectively, their voices reveal new aesthetics of poetry reading and novel concepts of the poetic self.

Post-it notes and shopping lists, Japanese monks and children's lungs: AUP New Poets 6 is a deep dive into the rich diversity of New Zealand poetry today.Relaunched under the editorship of Anna Jackson in 2019, AUP New Poets 6 includes substantial selections from the poetry of Ben Kemp, Vanessa Crofskey and Chris Stewart. We move from Kemp's slow-paced attentive readings of place and people, in a selection moving between Japan and New Zealand, to the velocity of Vanessa Crofskey's fierce, funny, intimate and political poetry, which takes the form of shopping lists, Post-it Notes, graphs, erasures, a passenger arrival card and even *poetry*, and finally to Chris Stewart's visceral take on the domestic, the nights cut to pieces by teething, the gravity of love and the churn of time.AUP New Poets 6 is an arresting introduction to the rich diversity of contemporary New Zealand poetry.

Featuring a variety of lyrical poems, this remarkable new collection illustrates the allegorical and philosophical while still gesturing towards the ecstatic. Constantly finding new ways to express wonder, this anthology begins with a springtime &“shout of green&” and ends with an &“invisible reader.&” Traveling from Athens to Mexico and dictating the thoughts of Marco Polo and Emily Dickinson, each piece underscores the imaginary, cultivating patience, anticipation, and even regret. Fans and aficionados of poetry will delight in this exploration's assured voice and consistent element of surprise.