Post-it notes and shopping lists, Japanese monks and children's lungs: AUP New Poets 6 is a deep dive into the rich diversity of New Zealand poetry today.Relaunched under the editorship of Anna Jackson in 2019, AUP New Poets 6 includes substantial selections from the poetry of Ben Kemp, Vanessa Crofskey and Chris Stewart. We move from Kemp's slow-paced attentive readings of place and people, in a selection moving between Japan and New Zealand, to the velocity of Vanessa Crofskey's fierce, funny, intimate and political poetry, which takes the form of shopping lists, Post-it Notes, graphs, erasures, a passenger arrival card and even *poetry*, and finally to Chris Stewart's visceral take on the domestic, the nights cut to pieces by teething, the gravity of love and the churn of time.AUP New Poets 6 is an arresting introduction to the rich diversity of contemporary New Zealand poetry.

Lilting bees and unidentifiable birds, long-division problems and continental cornflakes: three remarkable voices arrive in AUP New Poets 8. In AUP New Poets 8, Lily Holloway, Tru Paraha, and Modi Deng come together to produce a volume of remarkable inventions and intoxications. Lily Holloway leads off with her collection 'a child in that alcove,' using an inventive approach to form to lead the reader into the ordinary extraordinary events of daily life, her poetry filling them with dazzle and dread, questions and memories. Then Tru Paraha takes us inside 'my darkling universe'—a world 'perpetually astral' and 'utterly spaghettified,' a poetic universe of unexpected letters and words and forms, where te reo Maori collides with atomic chemistry. Finally, Modi Deng travels through time and space into the lives of Brahms and backpackers, where uneasy conversations between mothers and children, between 'the subjects and myself,' between Beijing and London, provide beauty and solace. Three new voices, three compelling visions, all bound together in AUP New Poets 8.

A remarkable anthology of queer New Zealand voices. We became teenagers in the nineties when New Zealand felt a lot less cool about queerness and gender felt much more rigid. We knew instinctively that hiding was the safest strategy. But how to find your community if you're hidden? Aotearoa is a land of extraordinary queer writers, many of whom have contributed to our rich literary history. But you wouldn't know it. Decades of erasure and homophobia have rendered some of our most powerful writing invisible. Out Here will change that. This landmark book brings together and celebrates queer New Zealand writers from across the gender and LGBTQIA+ spectrum with a generous selection of poetry, fiction, creative nonfiction, and much, much more. From established names to electrifying newcomers, the cacophony of voices brought together in Out Here sing out loud and proud, ensuring that future generations of queers are afforded the space to tell their stories and be themselves without fear of retribution or harm.

Over 80 contemporary Māori writers explore a vast array of issues that challenge, stimulate and intrigue. With originality and insight, these poems and short stories express compassion, concern, curiosity, suffering and joy. Te Awa o Kupu is a companion volume to Ngā Kupu Wero, which focuses on recent non-fiction. Together these two passionate and vibrant anthologies reveal that the irrepressible river of words flowing from Māori writers today shows us who are want we are.

This landmark collection of poetry, fiction, and essays by emerging writers is the first-ever anthology of Asian New Zealand creative writing. A Clear Dawn presents an extraordinary new wave of creative talent. With roots stretching from Indonesia to Japan, from China to the Philippines to the Indian subcontinent, the authors in this anthology range from high school students to retirees, from recent immigrants to writers whose families have lived in New Zealand for generations. Some of the writers—including Gregory Kan, Sharon Lam, Rose Lu, and Chris Tse—have published books; some, like Mustaq Missouri, Aiwa Pooamorn, and Gemishka Chetty, are better known for their work in theatre and performance. For many, A Clear Dawn is their first-ever print publication. The 75 writers explore the full range of human experience: from the rituals of food and family to sexual politics; from issues around displacement and identity to teen suicide and revenge attacks; from political chicanery to social activism to childhood misadventures. Funerals, affairs, accidents, friendships, crimes, jealousy, small victories, devastating losses, transcendent moments: all are here.

Post-it notes and shopping lists, Japanese monks and children's lungs: AUP New Poets 6 is a deep dive into the rich diversity of New Zealand poetry today. Relaunched under the editorship of Anna Jackson in 2019, AUP New Poets 6 includes substantial selections from the poetry of Ben Kemp, Vanessa Crofskey and Chris Stewart. We move from Kemp's slow-paced attentive readings of place and people, in a selection moving between Japan and New Zealand, to the velocity of Vanessa Crofskey's fierce, funny, intimate and political poetry, which takes the form of shopping lists, Post-it Notes, graphs, erasures, a passenger arrival card and even *poetry*, and finally to Chris Stewart's visceral take on the domestic, the nights cut to pieces by teething, the gravity of love and the churn of time. AUP New Poets 6 is an arresting introduction to the rich diversity of contemporary New Zealand poetry.

In poems by Sarah Lawrence, harold coutts and Arielle Walker, three fresh, vivid voices arrive.In ‘ Clockwatching' , Sarah Lawrence hurtles us into a world full of friends and homes and things, and wonders what they all might leave behind: ‘ If it' s toothache or budget / margarine or perhaps / another world altogether.' harold coutts' ‘ longing' reflects on gender (‘ if gender is a taste i am cutting out my tongue' ), bodies (‘ pubelessness' ) and the rest (‘ there isn' t a manual on when you' re writing someone a love poem and they break up with you' ). And in ‘ river poems' Arielle Walker steps right into the water – because ‘ a poem is a fluid thing all wrapped up in fish skin' – and finds stories of sealskins, harakeke and thistle, kanuka and manuka, alder and elder.Brimming with vivid beauty, the contemporary and the inflections of memory, AUP New Poets 9 shows just what new writing can open up.

AUP New Poets 7 is a deep dive into the rich diversity of New Zealand poetry today.Relaunched under the editorship of Anna Jackson in 2019, AUP New Poets 7 includes substantial selections from the poetry of Rhys Feeney, Ria Masae and Claudia Jardine. From Apia to Parnell, Ancient Rome to dreams of Venus, Aro Park to the furthest reaches of the internet, the poems of Rhys Feeney, Ria Masae and Claudia Jardine take us places &– including the darkest reaches of emotional geographies lit up in startling new ways. Each poet writes with a rich vocabulary and distinct sense of rhythm, as they bring us mutilated barbie dolls, indestructible pumpkins, fat-soluble poisons, jelly-fish, seagulls, eight-tala jugs of cocktails, loom weights, unseasonable journeys, deep-fried bananas, pet rabbits, destructive chickens, scars and tattoos, parataxis and ellipses, instructions on how to make toast, and more, so much more.

Written by a former managing editor who is also a distinguished writer, this book charts the origins of the Auckland University Press up to its formal recognition in 1972. It provides a valuable document in the history of the book in New Zealand, an intriguing view of university politics and administration, and glimpses of New Zealand culture in the making.

The generation of writers that came to prominence in the 1930s laid down the framework for modern New Zealand literature. This book looks at the beginnings of those writers' careers, at the influences of events like the Depression and the onset of war, and at the role of cultural institutions. Ultimately, it is about the myths that surround the 1930s writers, and the myths they made.