This book is about ways to understand masculinity as systemic and corporeal, structural and performative all at once. It argues that the tension between an understanding of “masculinity” in the singular and “masculinities” in the plural poses a problem that can better be understood in relation to a concomitant tension: between systems on the one hand, and bodies on the other - between abstract structures such as patriarchy, kinship or even language, and the various concrete forms taken by gendered, individuated corporeality. The contributions collected here investigate how masculinities become apparent, how they take shape and what systemic functions they have. What, they ask, are the relations between the abstract and corporeal, metaphorical and metonymic manifestations of masculinity? How are we to understand masculinity as a simultaneously systemic and corporeal, performative concept?

Masculinities in Contemporary American Culture offers readers a multidisciplinary, intersectional overview of masculinity studies that includes both theoretical and applied lenses. Keith combines current research with historical perspectives to demonstrate the contexts in which masculine identities have come evolved. With an emphasis on popular culture -- particularly film, TV, video games, and music -- this text invites students to examine their gendered sensibilities and discuss the ways in which different forms of media appeal to toxic masculinity.

This book assesses the construction of masculinities in relation to appearance, embodiment and emotions by drawing on perspectives in psychology, sociology, gender studies and public health. Brendan Gough questions conventional assumptions about masculinity and men’s health and responds to recent trends in critical studies of masculinities which discuss ‘positive’ or ‘healthy’ masculine identities. The book showcases discursively inflected qualitative research using data sources where men’s own accounts are prioritised: in-depth interviews and online discussion forums. Chapters discuss men’s appearance concerns and activities and examine male mental health, focusing on vulnerability and its management. Current trends and key concepts, including intersectionality, inequalities and embodiment are also considered throughout. This book will appeal to students and academics within social sciences and humanities interested in gender issues in general and masculinity in particular.

This book takes a fascinating tour through the problems and opportunities facing teenage boys and young men, addressing one of the most important questions of our time: what does 'masculinity' mean today?

Across history, the ideas and practices of male identity have varied much between time and place: masculinity proves to be a slippery concept, not available to all men, sometimes even applied to women. This book analyses the dynamics of 'masculinity' as both an ideology and lived experience - how men have tried, and failed, to be 'Real Men'.

Most documentaries deal with men, but what do they actually say about masculinity? In this groundbreaking volume Sara Martín analyses more than forty 21st-century documentaries to explore how they represent American men and masculinity. From Jennifer Siebel Newsom’s The Mask You Live In to Raoul Peck’s I Am Not Your Negro, this volume explores sixteen different faces of American masculinity: the good man, the activist, the politician, the whistleblower, the criminal, the sexual abuser, the wrongly accused, the dependent man, the soldier, the capitalist, the adventurer, the sportsman, the architect, the photographer, the musician, and the writer. The collective portrait drawn by the documentaries discloses a firm critical stance against the contradictions inherent in patriarchy, which makes American men promises of empowerment it cannot fulfill. The filmmakers’ view of American masculinity emphasizes the vulnerability of disempowered men before the abuses of the patriarchal system run by hegemonic men and a loss of bearings about how to be a man after the impact of feminism, accompanied nonetheless by a celebration of resilient masculinity and of the good American man. Firmly positioning documentaries as an immensely flexible, relevant tool to understand 21st-century American men and masculinity, their past, present, and future, this book will interest students and scholars of film studies, documentary film, American cultural studies, gender, and masculinity.

This book is the first comprehensive account of the changing role of men and the construction of masculinity in contemporary Japan. The book moves beyond the stereotype of the Japanese white-collar businessman to explore the diversity of identities and experiences that may be found among men in contemporary Japan, including those versions of masculinity which are marginalized and subversive. The book makes a significant contribution to our understanding of contemporary Japanese society and identity.

This book explores ideas of masculinity in the maritime world in the nineteenth and the first half of the twentieth century. During this time commerce, politics and technology supported male privilege, while simultaneously creating the polite, consumerist and sedentary lifestyles that were perceived as damaging the minds and bodies of men. This volume explores this paradox through the figure of the sailor, a working-class man whose representation fulfilled numerous political and social ends in this period. It begins with the enduring image of romantic, heroic veterans of the Napeolonic wars, takes the reader through the challenges to masculinities created by encounters with other races and ethnicities, and with technological change, shifting geopolitical and cultural contexts, and ends with the fragile portrayal of masculinity in the imagined Nelson. In doing so, this edited collection shows that maritime masculinities (ideals, representations and the seamen themselves) were highly visible and volatile sites for negotiating the tensions of masculinities with civilisation, race, technology, patriotism, citizenship, and respectability during the long nineteenth century.

Football has traditionally been an institution hostile toward sexual minorities. Boys and men in the sport have deployed high levels of homophobia for multiple reasons. However, the ground-breaking research within this book shows that intolerant attitudes toward gay men are increasingly being challenged. Based on unprecedented access to Premier League academies, Inclusive Masculinities in Contemporary Football: Men in the Beautiful Game explores these changing attitudes toward homophobia in football today. Revealing a range of masculine identities never before empirically measured at this level of football, this book discusses the implications for the complex and enclosed structures of professional sport, and extends our understanding of contemporary masculinity. It also offers fresh insights to the importance of "banter" in the development of relationships and identities. This culture of banter often plays a paradoxical role, both facilitating and disrupting friendships formed between male footballers. As the first title in the Routledge Critical Studies of Men and Masculinities Series, this book is fascinating reading for all students and scholars interested in football and the study of gender, sexuality and the sociology of sport.

This book addresses Irish identity in Irish literature, especially masculinity in some of its forms through an interdisciplinary methodology. The study of language performance through literary analysis and corpus studies will enable readers to approach literary texts from both quantitative and qualitative perspectives, to take advantage of the texts’ full potential as well as examining these same texts through the perspective of gender identity. This will be carried out through a specialised corpus composed of 18 novels written by twentieth- and twenty-first-century male Irish authors. Thus, the language and behaviour patterns of contemporary Irish masculinity can be found as part of these male characters’ performance of identity. This book is primarily aimed at undergraduate and graduate students who wish to introduce themselves in the study of gender and identity in an Irish context as well as researchers looking for interdisciplinary methodologies of study. What is more, it can present researchers with varied options of analysis that corpus studies have not yet touched upon so thoroughly such as masculinity and Irish literature. As a monograph meant to show analysts new fields of study in Irish literature, this book will sell to academic libraries and can be used in MA courses.