A survey of building techniques & architecture from the 3rd century B.C. through the fifth century A.D., this volume explores how the Greeks of the classical period & later the Romans created a complex & innovative built environment.

Recipient of the Jo Anne Stolaroff Cotsen Prize Scholars from Aristotle to Marx and beyond have been fascinated by the question of what constitutes value. The Construction of Value in the Ancient World makes a significant contribution to this ongoing inquiry, bringing together in one comprehensive volume the perspectives of leading anthropologists, archaeologists, historians, linguists, philologists, and sociologists on how value was created, defined, and expressed in a number of ancient societies around the world. Based on the basic premise that value is a social construct defined by the cultural context in which it is situated, the volume explores four overarching but closely interrelated themes: place value, body value, object value, and number value. The questions raised and addressed are of central importance to archaeologists studying ancient civilizations: How can we understand the value that might have been accorded to materials, objects, people, places, and patterns of action by those who produced or used the things that compose the human material record? Taken as a whole, the contributions to this volume demonstrate how the concept of value lies at the intersection of individual and collective tastes, desires, sentiments, and attitudes that inform the ways people select, or give priority to, one thing over another.

Encountering an ancient text not only as a historical source but also as a literary artifact entails an important paradigm shift, which in recent years has taken place in classical and Oriental philology. Biblical scholars, Egyptologists, and classical philologists have been pioneers in supplementing traditional historical-critical exegesis with more-literary approaches. This has led to a wealth of new insights. While the methodological consequences of this shift have been discussed within each discipline, until recently there has not been an attempt to discuss its validity and methodology on an interdisciplinary level. In 2006, the Faculty of Bible and Biblical Interpretation at the Hochschule für Jüdische Studien, Heidelberg, and the Faculty of Theology at the University of Heidelberg invited scholars from the U.S., Canada, the Netherlands, Israel, and Germany to examine these issues. Under the title “Literary Fiction and the Construction of Identity in Ancient Literatures: Options and Limits of Modern Literary Approaches in the Exegesis of Ancient Texts,” experts in Egyptology, classical philology, ancient Near Eastern studies, biblical studies, Jewish studies, literary studies, and comparative religion came together to present current research and debate open questions. At this conference, each representative (from a total of 23 different disciplines) dealt with literary theory in regard to his or her area of research. The present volume organizes 17 of the resulting essays along 5 thematic lines that show how similar issues are dealt with in different disciplines: (1) Thinking of Ancient Texts as Literature, (2) The Identity of Authors and Readers, (3) Fiction and Fact, (4) Rereading Biblical Poetry, and (5) Modeling the Future by Reconstructing the Past.

Greek pottery was exported around the ancient world in vast quantities over a period of several centuries. This book focuses on the Greek pottery consumed by people in the western Mediterranean and trans-Alpine Europe from 800-300 BCE, attempting to understand the distribution of vases, and particularly the reasons why people who were not Greek decided to acquire them. This new approach includes discussion of the ways in which objects take on different meanings in new contexts, the linkages between the consumption of goods and identity construction, and the utility of objects for signaling positive information about their owners to their community. The study includes a database of almost 24,000 artifacts from more than 230 sites in Portugal, Spain, France, Switzerland, and Germany. This data was mapped and analyzed using geostatistical techniques to reveal different patterns of consumption in different places and at different times. The development of the new approaches explored in this book has resulted in a shift away from reliance on the preserved fragments of ancient Greek authors’ descriptions of western Europe, remains of monumental buildings, and major artworks, and toward investigation of social life and more prosaic forms of material culture. ADDITIONAL E-RESOURCES FOR THIS BOOK ARE AVAILABLE: https://digitalcommons.chapman.edu/art_data/1/

The Colossus of Rhodes, the majestic Pyramids of Giza, the Lighthouse of Alexandria, the spellbinding Statue of Zeus at Olympia, the breathtaking Temple of Artemis in Ephesus, the Mausoleum at Halicarnassus, the Hanging Gardens of Babylon. Just one of them survives today. But with the book How the Wonders of the World Were Built you can go back in time and learn the secrets of how these gems of ancient architecture were created. They shine from the past... and their light is not diminishing. The gems of antiquity are proof of human endeavours to cope with the wonders of nature. People have always wanted more: to improve existing process and methods and find new opportunities. They want to create something new, something that evokes a feeling of amazement and admiration. A masterpiece that will provide the creators with immortality and fame during their lives.

Describes the technology used by ancient societies to create such monumental structures as temples, pyramids, walls, arches, and bridges, including the ancient civilizations of China, Greece, Rome, India, and the Middle East.

Provides description and analysis of Egyptian building practices.

This abundantly illustrated volume explores the genesis and flourishing of Uruk, the first known metropolis in the history of humankind. More than one hundred years ago, discoveries from a German archaeological dig at Uruk, roughly two hundred miles south of present-day Baghdad, sent shock waves through the scholarly world. Founded at the end of the fifth millennium BCE, Uruk was the main force for urbanization in what has come to be called the Uruk period (4000–3200 BCE), during which small, agricultural villages gave way to a larger urban center with a stratified society, complex governmental bureaucracy, and monumental architecture and art. It was here that proto-cuneiform script—the earliest known form of writing—was developed around 3400 BCE. Uruk is known too for the epic tale of its hero-king Gilgamesh, among the earliest masterpieces of world literature. Containing 480 images, this volume represents the most comprehensive and up-to-date assessment of the archaeological evidence gathered at Uruk. More than sixty essays by renowned scholars provide glimpses into the life, culture, and art of the first great city of the ancient world. This volume will be an indispensable reference for readers interested in the ancient Near East and the origins of urbanism.

This book provides an innovative analysis of the conditions of ancient Egyptian craftsmanship in the light of the archaeology of production, linguistic analysis, visual representation and ethnographic research. During the past decades, the "imaginative" figure of ancient Egyptian material producers has moved from "workers" to "artisans" and, most recently, to "artists". In a search for a fuller understanding of the pragmatics of material production in past societies, and moving away from a series of modern preconceptions, this volume aims to analyse the mechanisms of material production in Egypt during the Middle Bronze Age (2000-1550 BC), to approach the profile of ancient Egyptian craftsmen through their own words, images and artefacts, and to trace possible modes of circulation of ideas among craftsmen in material production. The studies in the volume address the mechanisms of ancient production in Middle Bronze Age Egypt, the circulation of ideas among craftsmen, and the profiles of the people involved, based on the material traces, including depictions and writings, the ancient craftsmen themselves left and produced.

Since ancient times, technological advances have increased man's chances for survival. From the practicality of a Roman aqueduct to the art of the written word, man has always adapted his environment to meet his needs, and to provide himself with sustenance, comfort, comfort, leisure, a higher quality of living, and a thriving culture. This concise reference source takes a closer look at six technological events that significantly impacted the evolution of civilization, from the Palaeolithic age to the height of the Roman Empire. As he touches on the common elements of ancient technology—energy, machines, mining, metallurgy, ceramics, agriculture, engineering, transportation, and communication—Humphrey asks questions central to understanding the impact of ancient tools on the modern world: What prompts change? What cultural traditions inhibit change? What effect do these changes have on their societies and civilization? Humphrey explores technologies as both physical tools and as extensions of the human body, beginning with the invention of the Greek alphabet and including such accomplishments as early Neolithic plant cultivation, the invention of coinage, the building of the Parthenon, and Rome's urban water system. Detailed line drawings of tools and machines make ancient mechanics more easily accessible. Primary documents, glossary, biographies, and a timeline dating from the Palaeolithic age to the Roman Empire round out the work, making this an ideal reference source for understanding the tools of the ancient world.