BOOK #1 of the bestselling Consequences series:From New York Times and USA Today bestselling author Aleatha Romig comes a suspenseful thriller about secrets and deception, passion and love, choices and consequences.Every action has consequences.Waking in an unfamiliar bedroom in a luxurious mansion, Claire Nichols is terrified to discover that a chance encounter led her into the cruel hands of her abductor, Anthony Rawlings. Claire has no understanding of why she's there, but it's been made abundantly clear-she is now his acquisition and every action has consequences.Learn the rules to survive.Facing incomprehensible circumstances, Claire must learn to survive her new reality-every aspect of her livelihood depends upon the tall, dark-eyed tycoon who is a true master of deception. Driven by unknown demons, he has no tolerance for imperfection, in any aspect of his life, including his recent acquisition. Anthony may appear to the world as a handsome, benevolent businessman, but in reality Claire knows firsthand that he's a menacing, controlling captor with very strict rules: do as you're told, public failure is not an option, and appearances are of the utmost importance. Captivate the captor.To fit together the pieces of the puzzle, Claire must follow his rules. Will her plan work, or will Anthony become enthralled by Claire's beauty, resilience, and determination, changing the game forever? If that happens, will either of them survive the consequences? Nobody ever did or ever will escape the consequences of his choices.-Alfred A. Montapert

Kristine Stiles has played a vital role in establishing trauma studies within the humanities. A formidable force in the art world, Stiles examines the significance of traumatic experiences both in the individual lives and works of artists and in contemporary international cultures since World War II. In Concerning Consequences, she considers some of the most notorious art of the second half of the twentieth century by artists who use their bodies to address destruction and violence. The essays in this book focus primarily on performance art and photography. From war and environmental pollution to racism and sexual assault, Stiles analyzes the consequences of trauma as seen in the works of artists like Marina Abramovic, Pope.L, and Chris Burden. Assembling rich intellectual explorations on everything from Paleolithic paintings to the Bible’s patriarchal legacies to documentary images of nuclear explosions, Concerning Consequences explores how art can provide a distinctive means of understanding trauma and promote individual and collective healing.

School's back in session and there's a lot of unfinished business to handle. As Lena prepares for her wedding day, she can't help but think about Denise, her sexy b-ball roommate who almost stole her away. A summer isn't enough time to get over a true love. Denise just can't shake the feelings she developed for soon-to-be-married Lena. Should she go for what she wants or leave well enough alone? Cooley let Misha walk away, but she can't take no for an answer. Will her determination to win back her first love bring Misha back or push her further away? Carmen worked hard to get her life back on track. . .but will fears of the past wreck her future with new love Nic? This fast-paced sequel to Choices will leave you on an emotional roller coaster you won't want to get off.

Was our country’s economic success before the Crash of ‘08 built on false pretenses? Did we simply borrow and spend too much, or was something else really going on? The conventional wisdom now accuses Wall Street and the mortgage industry of using predatory tactics to seduce homeowners. Meanwhile, average Americans are blamed for increasing consumption to unsustainable levels by borrowing recklessly. And the tax policies of the Reagan and Bush administrations are blamed for encouraging reckless risk-taking. Edward Conard disagrees. In an attempt to set the record straight he presents a fascinating new case for how the economy really works, why the U.S. has outperformed other countries, what caused the financial crisis, and what improvements might better protect our economy without damaging growth.

This award-winning, raucous debut novel follows young Minnie Panis, performance artist and existentialist, as she tries to refuse success and fame.

A foundational text of the modern conservative movement, this 1948 philosophical treatise argues the decline of Western civilization and offers a remedy. Originally published in 1948, at the height of post–World War II optimism and confidence in collective security, Ideas Have Consequences uses “words hard as cannonballs” to present an unsparing diagnosis of the ills of the modern age. Widely read and debated at the time of its first publication, the book is now seen as one of the foundational texts of the modern conservative movement. In its pages, Richard M. Weaver argues that the decline of Western civilization resulted from the rising acceptance of relativism over absolute reality. In spite of increased knowledge, this retreat from the realist intellectual tradition has weakened the Western capacity to reason, with catastrophic consequences for social order and individual rights. But Weaver also offers a realistic remedy. These difficulties are the product not of necessity, but of intelligent choice. And, today, as decades ago, the remedy lies in the renewed acceptance of absolute reality and the recognition that ideas—like actions—have consequences. This expanded edition of the classic work contains a foreword by New Criterion editor Roger Kimball that offers insight into the rich intellectual and historical contexts of Weaver and his work and an afterword by Ted J. Smith III that relates the remarkable story of the book’s writing and publication. Praise for Ideas Have Consequences “A profound diagnosis of the sickness of our culture.” —Reinhold Niebuhr “Brilliantly written, daring, and radical. . . . It will shock, and philosophical shock is the beginning of wisdom.” —Paul Tillich “This deeply prophetic book not only launched the renaissance of philosophical conservatism in this country, but in the process gave us an armory of insights into the diseases besetting the national community that is as timely today as when it first appeared. [This] is one of the few authentic classics in the American political tradition.” —Robert Nisbet

These exquisite stories are mostly set in the 1980s in the small towns that surround Fresno. With an unflinching hand, Mu&ñ oz depicts the Mexican and Mexican American farmworkers who put food on our tables but were regularly and ruthlessly rounded up by the migra, as well as the everyday struggles and immense challenges faced by their families.The messy and sometimes violent realities navigated by his characters— straight and gay, immigrant and American-born, young and old— are tempered by moments of surprising, tender care: Two young women meet on a bus to Los Angeles to retrieve the men they love who must find their way back from the border after being deported; a gay couple plans a housewarming party that reveals buried class tensions; a teenage mother slips out to a carnival where she encounters the father of her child; the foreman of a crew of fruit pickers finds a dead body and is subsequently— perhaps literally— haunted.In The Consequences, obligation can shape, support, and sometimes derail us. It' s a magnificent new book from a gifted writer at the height of his powers.

Proposes a system of discipline based on natural and logical consequences.

R. C. Sproul surveys history's greatest philosophers and thinkers, helping readers understand the ideas that have shaped the world--and continue to shape nearly everything we think and do.