Connecting Art Markets
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Author |
: Sandra van Ginhoven |
Publisher |
: BRILL |
Total Pages |
: 298 |
Release |
: 2016-11-14 |
ISBN-10 |
: 9789004334830 |
ISBN-13 |
: 9004334831 |
Rating |
: 4/5 (30 Downloads) |
Synopsis Connecting Art Markets by : Sandra van Ginhoven
Based on Guilliam Forchondt’s surviving business documentation in Antwerp and applying an aggregate and data-driven approach, Connecting Art Markets focuses on the role of art dealers in mediating the supply and demand for art, behaving in particular ways as to influence the markets for artworks in which they were strategically invested. Van Ginhoven presents her findings on Guilliam Forchondt’s workshop production volumes and transatlantic art trade flows, and evaluates the relationship between the production of paintings in the Southern Netherlands, their local, regional and overseas distribution channels, and the markets for these works in Europe and the Americas during the seventeenth century.
Author |
: Adriana Turpin |
Publisher |
: Bloomsbury Publishing USA |
Total Pages |
: 417 |
Release |
: 2021-05-06 |
ISBN-10 |
: 9781501348884 |
ISBN-13 |
: 1501348884 |
Rating |
: 4/5 (84 Downloads) |
Synopsis Art Markets, Agents and Collectors by : Adriana Turpin
Art Markets, Agents and Collectors brings together a wide variety of case studies, based on letters and detailed archival research, which nuance the history of the art market and the role of the collector within it. Using diaries, account books and other archival sources, the contributions to this volume show how agents set up networks and acquired works of art, often developing the taste and knowledge of the collectors for whom they were working. They are therefore seen as important actors in the market, having a specific role that separates them from auctioneers, dealers, museum curators or amateurs, while at the same time acknowledging and analyzing the dual positions that many held. Each chronological period is introduced by a contextual essay, written by a leading expert in the field, which sets out the art market in the period concerned and the ways in which agents functioned. This book is an invaluable tool for those needing a broader introduction to the intricate workings of the art market.
Author |
: Claartje Rasterhoff |
Publisher |
: MDPI |
Total Pages |
: 156 |
Release |
: 2020-03-16 |
ISBN-10 |
: 9783039219704 |
ISBN-13 |
: 3039219707 |
Rating |
: 4/5 (04 Downloads) |
Synopsis Art Markets and Digital Histories by : Claartje Rasterhoff
This Special Issue of Arts investigates the use of digital methods in the study of art markets and their histories. As historical and contemporary data is rapidly becoming more available, and digital technologies are becoming integral to research in the humanities and social sciences, we sought to bring together contributions that reflect on the different strategies that art market scholars employ to navigate and negotiate digital techniques and resources. The essays in this issue cover a wide range of topics and research questions. Taken together, the essays offer a reflection on what takes to research art markets, which includes addressing difficult topics such as the nature of the research questions and the data available to us, and the conceptual aspects of art markets, in order to define and operationalize variables and to interpret visual and statistical patterns for scholarship. In our view, this discussion is enriched when also taking into account how to use shared or interoperable ontologies and vocabularies to define concepts and relationships that facilitate the use and exchange of linked (open) data for cultural heritage and historical research.
Author |
: Susanna Avery-Quash |
Publisher |
: Getty Publications |
Total Pages |
: 306 |
Release |
: 2019-08-06 |
ISBN-10 |
: 9781606065952 |
ISBN-13 |
: 1606065955 |
Rating |
: 4/5 (52 Downloads) |
Synopsis London and the Emergence of a European Art Market, 1780-1820 by : Susanna Avery-Quash
Showcasing diverse methodologies, this volume illuminates London's central role in the development of a European art market at the turn of the nineteenth century. In the late 1700s, as the events of the French Revolution roiled France, London displaced Paris as the primary hub of international art sales. Within a few decades, a robust and sophisticated art market flourished in London. London and the Emergence of a European Art Market, 1780–1820 explores the commercial milieu of art sales and collecting at this turning point. In this collection of essays, twenty-two scholars employ methods ranging from traditional art historical and provenance studies to statistical and economic analysis; they provide overviews, case studies, and empirical reevaluations of artists, collectors, patrons, agents and dealers, institutions, sales, and practices. Drawing from pioneering digital resources—notably the Getty Provenance Index—as well as archival materials such as trade directories, correspondence, stock books and inventories, auction catalogs, and exhibition reviews, these scholars identify broad trends, reevaluate previous misunderstandings, and consider overlooked commercial contexts. From individual case studies to econometric overviews, this volume is groundbreaking for its diverse methodological range that illuminates artistic taste and flourishing art commerce at the turn of the nineteenth century.
Author |
: Li Ma |
Publisher |
: Springer Nature |
Total Pages |
: 247 |
Release |
: 2023-11-01 |
ISBN-10 |
: 9783031346057 |
ISBN-13 |
: 303134605X |
Rating |
: 4/5 (57 Downloads) |
Synopsis China's Art Market since 1978 by : Li Ma
This book examines the rising global prominence of China’s art market throughout the twentieth and twenty-first centuries. To understand the far-reaching impact of Chinese art on global consumption, this book traces the shift from regional markets to global markets. It asks how the Chinese art market re-emerged from its politicized past, innovated within the private economy boom, remained resilient despite the global financial crisis, and flourished on the global stage despite the COVID-19 pandemic. Ultimately, it argues that cultural entrepreneurship enabled Chinese art professionals to reinvent their space and to participate in the global artworld.
Author |
: |
Publisher |
: BRILL |
Total Pages |
: 336 |
Release |
: 2023-08-07 |
ISBN-10 |
: 9789004680432 |
ISBN-13 |
: 9004680438 |
Rating |
: 4/5 (32 Downloads) |
Synopsis The Art Market and the Global South by :
This book examines the art markets of the Global South while questioning, based on the heterogeneity of the selected contributions, the very idea of its existence in the context of the global art market. Gathering new research by recognized scholars, you will discover different markets from the so-called Global South, their structure, the external determinants affecting their behavior, their role in the art system’s development, and how they articulate with other agents at the local, regional, and international level. In this publication, an important wealth of research on various African countries stands out, providing an unprecedented overview of the markets in that region. This volume originates from the TIAMSA conference The Art Market and the Global South: New Perspectives and Plural Approaches, held in Lisbon in 2019.
Author |
: Arlene Dávila |
Publisher |
: Duke University Press |
Total Pages |
: 160 |
Release |
: 2020-07-24 |
ISBN-10 |
: 9781478008859 |
ISBN-13 |
: 1478008857 |
Rating |
: 4/5 (59 Downloads) |
Synopsis Latinx Art by : Arlene Dávila
In Latinx Art Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore the problem of visualizing Latinx art and artists. Providing an inside and critical look of the global contemporary art market, Dávila's book is at once an introduction to contemporary Latinx art and a call to decolonize the art worlds and practices that erase and whitewash Latinx artists. Dávila shows the importance of race, class, and nationalism in shaping contemporary art markets while providing a path for scrutinizing art and culture institutions and for diversifying the art world.
Author |
: Helmer J. Helmers |
Publisher |
: Cambridge University Press |
Total Pages |
: 453 |
Release |
: 2018-08-23 |
ISBN-10 |
: 9781107172265 |
ISBN-13 |
: 1107172268 |
Rating |
: 4/5 (65 Downloads) |
Synopsis The Cambridge Companion to the Dutch Golden Age by : Helmer J. Helmers
An accessible introduction to the political, economic, literary, and artistic heritage of the Dutch Republic in the seventeenth century.
Author |
: |
Publisher |
: BRILL |
Total Pages |
: 596 |
Release |
: 2020-06-22 |
ISBN-10 |
: 9789004431041 |
ISBN-13 |
: 9004431047 |
Rating |
: 4/5 (41 Downloads) |
Synopsis Florence, Berlin and Beyond: Late Nineteenth-Century Art Markets and their Social Networks by :
On the basis of extensive archival research, the essays in this volume examine the minutiae of object transaction in the late nineteenth-century art market within its social network and broader historical context.
Author |
: Sharon Hecker |
Publisher |
: Routledge |
Total Pages |
: 298 |
Release |
: 2022-04-29 |
ISBN-10 |
: 9781000575101 |
ISBN-13 |
: 1000575101 |
Rating |
: 4/5 (01 Downloads) |
Synopsis Posthumous Art, Law and the Art Market by : Sharon Hecker
This book takes an interdisciplinary, transnational and cross-cultural approach to reflect on, critically examine and challenge the surprisingly robust practice of making art after death in an artist's name, through the lenses of scholars from the fields of art history, economics and law, as well as practicing artists. Works of art conceived as multiples, such as sculptures, etchings, prints, photographs and conceptual art, can be—and often are—remade from original models and plans long after the artist has passed. Recent sales have suggested a growing market embrace of posthumous works, contemporaneous with questioning on the part of art history. Legal norms seem unready for this surge in posthumous production and are beset by conflict across jurisdictions. Non-Western approaches to posthumous art, from Chinese emulations of non-living artists to Native American performances, take into account rituals of generational passage at odds with contemporary, market-driven approaches. The book will be of interest to scholars working in art history, the art market, art law, art management, museum studies and economics.