Over the past few years more and more people have bacome interested in colonial furniture and an illustrated guide to identifying forms, styles and manufacturers has become increasingly necessary. This price guide fills the gap in the market, and focusses particularly on furniture made between 1875 and 1940 in Early American styles ranging from Chippendale and Tudor to Empire.

New Perspectives on Boston Furniture gathers together nineteen essays first delivered at the Winterthur Museum’s 2013 Furniture Forum. It amply illustrates how research concerning one of America’s most productive centers of furniture-making has diversified in the forty years since the Colonial Society of Massachusetts published Boston Furniture of the Eighteenth Century (also distributed by Virginia), the proceedings of a similar conference held in 1973. The essays place less emphasis on connoisseurship and instead devote greater attention to techniques of construction and the social uses to which these objects were put. The roster of contributors includes not only some of the best-known names in the field (Edwin S. Cooke Jr., Wendy A. Cooper, J. Ritchie Garrison, Morrison Heckscher, Robert Mussey, and Richard Nylander) but also a number of skilled furniture makers and emerging scholars. Some of the subjects addressed include the construction of turret-top tea and card tables, japaning techniques, how pigeonholes functioned as a record-keeping device for merchants, and the making of Windsor and "elastic" chairs. A particular strength of the volume is that it carries the examination of Boston furniture forward into the understudied nineteenth and early twentieth centuries, with essays on piano making, the Grecian furniture of Isaac Vose, the frames and mirrors of John Doggett, and the furniture making of the east Cambridge firm of Ellis & Davenport, who did so much to satisfy demand for Colonial Revival furniture in the half century following the Philadelphia Centennial Exposition in 1876. Distributed for the Colonial Society of Massachusetts

Issued in connection with an exhibition held June 7 through Nov 6, 2011, at the Museum of the City of New York.

A guide to classic colonial style for the modern home covers fabric, furniture, and finishing touches and features photographs of examples of colonial decorating.

This book is published on the occasion of the exhibition "Revivals! Diverse Traditions 1920-1945", American Craft Museum, New York, October 20, 1994 - February 26, 1995.

The drama and beauty of historic homes in California are studied and displayed here in a deeply researched text and over 350 stunning colour and over 50 black and white photographs. Southern California's Spanish Revival monuments are pictured here-such as Hearst Castle at San Simeon, the Adamson House in Malibu, Casa del Herrero in Montecito. You will enjoy Rancho Revival landmarks like the Lummis House on Pasadena's arroyo, and Will Rogers' ranch near Pacific Palisades. These are all different portrayals of the California Colonial, its romantic past and its manner of settling into California's climate and landscape. Vernacular and religious structures built between 1769 and 1848, during the Spanish Mission and Mexican Rancho eras, gave California its unique character; a look that was subsequently fictionalised in the revival architecture produced since those colonial days. Particularly influential on residential work, the colonial styles have indulged in the rich associations with Spain's culture-employing styles and ornament from the country's provincial Andalusian, Plateresco, Churrigueresco, and Desornamentado styles and its ever-present Mudéjar crafts -- or burrowed into its rustic pioneer roots and depicted as individual visions of earthy rancho haciendas.

This book shows all types of chairs, tables, sofas, and beds made in America from the seventeenth century to the mid-twentieth century.

Over 1700 of Skibinski's line drawings present a visual approach to the identification of antique furnishings. The book is arranged in chronological sequences (17th century through the early 20th century) by type of furniture, from tables and settees to desks and bookcases. Butler and Johnson have included some important information for the novice and the experienced collector: the sources of furniture used as models for the illustrations; lists of museums, art galleries, and special displays of outstanding collections of furniture; a selected bibliography and a glossary; the anatomy of a piece of furniture; and a brief history of the periods of furniture and furniture makers. Highly recommended for public libraries and other subject collections.