New Perspectives on Boston Furniture gathers together nineteen essays first delivered at the Winterthur Museum’s 2013 Furniture Forum. It amply illustrates how research concerning one of America’s most productive centers of furniture-making has diversified in the forty years since the Colonial Society of Massachusetts published Boston Furniture of the Eighteenth Century (also distributed by Virginia), the proceedings of a similar conference held in 1973. The essays place less emphasis on connoisseurship and instead devote greater attention to techniques of construction and the social uses to which these objects were put. The roster of contributors includes not only some of the best-known names in the field (Edwin S. Cooke Jr., Wendy A. Cooper, J. Ritchie Garrison, Morrison Heckscher, Robert Mussey, and Richard Nylander) but also a number of skilled furniture makers and emerging scholars. Some of the subjects addressed include the construction of turret-top tea and card tables, japaning techniques, how pigeonholes functioned as a record-keeping device for merchants, and the making of Windsor and "elastic" chairs. A particular strength of the volume is that it carries the examination of Boston furniture forward into the understudied nineteenth and early twentieth centuries, with essays on piano making, the Grecian furniture of Isaac Vose, the frames and mirrors of John Doggett, and the furniture making of the east Cambridge firm of Ellis & Davenport, who did so much to satisfy demand for Colonial Revival furniture in the half century following the Philadelphia Centennial Exposition in 1876. Distributed for the Colonial Society of Massachusetts

Isaac Vose was well known in his day among style-conscious Bostonians, his name synonymous with furniture of the highest quality and advanced design. His shop, the "first on Boston Neck," was in a prominent location and served as a familiar landmark in his South End neighborhood. Throughout the 1820s, 1830s, and as late as 1843, some nineteen years after Vose's death, auction advertisements explicitly cited his name as the maker of select furniture, with the association connoting quality and calculated to increase its sale price. This book gathers in one volume the known works of Vose as well as those attributed to him, and it is gorgeously illustrated throughout. The authors hope that Isaac Vose's work will gain recognition for its outstanding contributions to an American vision of classicism, albeit in Boston's more conservative, less "dashy" style.

For centuries Boston has been one of the most important furniture-making centers in America. Soon after the town’s founding in 1630, Boston’s joiners and turners were the first craftsmen to make furniture in British North America, and the city’s cabinetmakers contributed to the art and craft of furniture making throughout the elegant colonial and federal periods. Its factories and designers have also been a source of fine furniture, creating major pieces in the various revival styles of the nineteenth and twentieth centuries. Published on the occasion of an exhibition at the Massachusetts Historical Society, The Cabinetmaker and the Carver showcases rare and exemplary pieces from private collections, illustrating three centuries of Boston history through carefully selected examples of furniture that represent the trajectory of this great tradition.

The fascinating story of Boston's violent past is told for the first time in this history of the city's riots, from the food shortage uprisings in the 18th century to the anti-busing riots of the 20th century.

A "must" introduction to significant African-American events & people in Massachusetts where so much American history began. The first slaves arrived in Boston in 1638; the first Black gave his life in the Boston Massacre. Entries are dramatic bullet-style cameos set off by more than 100 photographs. Arranged chronologically within a dozen categories--Science, Religion, Government, Creative Arts, among them--the elegantly designed paperback offers instant identification of names & invites follow up research--a catalyst "to find out more." Among the entries: a high school student wins ten dollars in gold for her essay on the "Evils of Intemperance"; a physician fights for the right to deliver babies at the city hospital; Blacks unite in protest against the film BIRTH OF A NATION; a Boston mechanic invents a diving suit & a dentist invents a golf tee. The BOSTON GLOBE calls it a book that explores the "rich heritage & legacy of leaders who lived here but had an impact upon all America--including Frederick Douglass, William DuBois, Phillis Wheatley, Malcolm X, Dr. Martin Luther King, Jr." An executive of Bank of Boston, which funded the publication, calls it "a book about dreams." And the dreams came true. Available through Publisher's Sales Office--666 Boylston Street, Boston, MA 02116, Tele-(617)-536-5400. xt 346.

In preparing a book of etiquette for ladies, I would lay down as the first rule, "Do unto others as you would others should do to you." You can never be rude if you bear the rule always in mind, for what lady likes to be treated rudely? True Christian politeness will always be the result of an unselfish regard for the feelings of others, and though you may err in the ceremonious points of etiquette, you will never be impolite. Politeness, founded upon such a rule, becomes the expression, in graceful manner, of social virtues. The spirit of politeness consists in a certain attention to forms and ceremonies, which are meant both to please others and ourselves, and to make others pleased with us; a still clearer definition may be given by saying that politeness is goodness of heart put into daily practice; there can be no _true_ politeness without kindness, purity, singleness of heart, and sensibility.

Stop, look, and discover—the streets and parks of Manhattan are filled with beautiful historic monuments that will entertain, stimulate, and inspire you. Among the 54 monuments in this volume are major figures in American history: Washington, Lincoln, Lafayette, Horace Greeley, and Gertrude Stein; more obscure figures: Daniel Butterfield, J. Marion Sims, and King Jagiello; as well as the icons of New York: Atlas, Prometheus, and the Firemen's Memorial. The monuments represent the work of some of America's best sculptors: Augustus Saint Gaudens’ Farragut and Sherman, Daniel Chester French’s Four Continents, and Anna Hyatt Huntington’s José Martí and Joan of Arc. Each monument, illustrated with black-and-white photographs, is located on a map of Manhattan and includes easy-to-follow directions. All the sculptures are considered both as historical mementos and as art. We learn of furious General Sherman court-martialing a civilian journalist, and also of exasperated Saint Gaudens’ proposing a hook-and-spring device for improving his assistants' artistic acuity as they help model Sherman. We discover how Lincoln dealt with a vociferous Confederate politician from Ohio, and why the Lincoln in Union Square doesn't rank as a top-notch Lincoln portrait. Sidebars reveal other aspects of the figure or event commemorated, using personal quotes, poems, excerpts from nineteenth-century periodicals (New York Times, Harper's Weekly), and writers ranging from Aeschylus, Washington Irving, and Frederic-Auguste Bartholdi to Mark Twain and Henryk Sienkiewicz. As a historical account, Outdoor Monuments of Manhattan: A Historical Guide is a fascinating look at figures and events that changed New York, the United States and the world. As an aesthetic handbook it provides a compact method for studying sculpture, inspired by Ayn Rand’s writings on art. For residents and tourists, and historians and students, who want to spend more time viewing and appreciating sculpture and New York history, this is the start of a unique voyage of discovery.

Today, Boston is in a uniquely powerful position to make our city more affordable, equitable, connected, and resilient. We will seize this moment to guide our growth to support our dynamic economy, connect more residents to opportunity, create vibrant neighborhoods, and continue our legacy as a thriving waterfront city.Mayor Martin J. Walsh's Imagine Boston 2030 is the first citywide plan in more than 50 years. This vision was shaped by more than 15,000 Boston voices.