This study of Boston's West Indian immigrants examines the identities, goals, and aspirations of two generations of black migrants from the British-held Caribbean who settled in Boston between 1900 and 1950. Describing their experience among Boston's American-born blacks and in the context of the city's immigrant history, the book charts new conceptual territory. The Other Black Bostonians explores the pre-migration background of the immigrants, work and housing, identity, culture and community, activism and social mobility. What emerges is a detailed picture of black immigrant life. Johnson's work makes a contribution to the study of the black diaspora as it charts the history of this first wave of Caribbean immigrants.

A "must" introduction to significant African-American events & people in Massachusetts where so much American history began. The first slaves arrived in Boston in 1638; the first Black gave his life in the Boston Massacre. Entries are dramatic bullet-style cameos set off by more than 100 photographs. Arranged chronologically within a dozen categories--Science, Religion, Government, Creative Arts, among them--the elegantly designed paperback offers instant identification of names & invites follow up research--a catalyst "to find out more." Among the entries: a high school student wins ten dollars in gold for her essay on the "Evils of Intemperance"; a physician fights for the right to deliver babies at the city hospital; Blacks unite in protest against the film BIRTH OF A NATION; a Boston mechanic invents a diving suit & a dentist invents a golf tee. The BOSTON GLOBE calls it a book that explores the "rich heritage & legacy of leaders who lived here but had an impact upon all America--including Frederick Douglass, William DuBois, Phillis Wheatley, Malcolm X, Dr. Martin Luther King, Jr." An executive of Bank of Boston, which funded the publication, calls it "a book about dreams." And the dreams came true. Available through Publisher's Sales Office--666 Boylston Street, Boston, MA 02116, Tele-(617)-536-5400. xt 346.

In many histories of Boston, African Americans have remained almost invisible. Partly as a result, when the 1972 crisis over school desegregation and busing erupted, many observers professed shock at the overt racism on display in the "cradle of liberty." Yet the city has long been divided over matters of race, and it was also home to a far older Black organizing tradition than many realize. A community of Black activists had fought segregated education since the origins of public schooling and racial inequality since the end of northern slavery. Before Busing tells the story of the men and women who struggled and demonstrated to make school desegregation a reality in Boston. It reveals the legal efforts and battles over tactics that played out locally and influenced the national Black freedom struggle. And the book gives credit to the Black organizers, parents, and children who fought long and hard battles for justice that have been left out of the standard narratives of the civil rights movement. What emerges is a clear picture of the long and hard-fought campaigns to break the back of Jim Crow education in the North and make Boston into a better, more democratic city—a fight that continues to this day.

Discusses how activists in Boston upheld their anti-slavery tradition and promoted an equal rights agenda during the years between 1890 and 1920, a period in which African-Americans throughout the country were being deprived of civil and political justice.

Finalist for the Gilder Lehrman Lincoln Prize A landmark and collectible volume—beautifully produced in duotone—that canonizes Frederick Douglass through historic photography. Commemorating the bicentennial of Frederick Douglass’s birthday and featuring images discovered since its original publication in 2015, this “tour de force” (Library Journal, starred review) reintroduced Frederick Douglass to a twenty-first-century audience. From these pages—which include over 160 photographs of Douglass, as well as his previously unpublished writings and speeches on visual aesthetics—we learn that neither Custer nor Twain, nor even Abraham Lincoln, was the most photographed American of the nineteenth century. Indeed, it was Frederick Douglass, the ex-slave-turned-abolitionist, eloquent orator, and seminal writer, who is canonized here as a leading pioneer in photography and a prescient theorist who believed in the explosive social power of what was then just an emerging art form. Featuring: Contributions from Henry Louis Gates, Jr., and Kenneth B. Morris, Jr. (a direct Douglass descendent) 160 separate photographs of Douglass—many of which have never been publicly seen and were long lost to history A collection of contemporaneous artwork that shows how powerful Douglass’s photographic legacy remains today, over a century after his death All Douglass’s previously unpublished writings and speeches on visual aesthetics

History of the Fifty-Fourth Regiment of Massachusetts Volunteer Infantry 1863-1865 is a compelling account of the role of African American soldiers in the Civil War. Written by Luis F. Emilio, a veteran of the regiment, this book provides a firsthand perspective on the challenges faced by African American soldiers during the war. This book is an important contribution to the history of the Civil War and the ongoing struggle for social justice and equality in America. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Blacks in Niagara Falls narrates and analyzes the history of Black Niagarans from the days of the Underground Railroad to the Age of Urban Renewal. Michael B. Boston details how Black Niagarans found themselves on the margins of society from the earliest days to how they came together as a community to proactively fight and struggle to obtain an equal share of society's opportunities. Boston explores how Blacks came to Niagara Falls in increasing numbers usually in search of economic opportunities, later establishing essential institutions, such as churches and community centers, which manifested and reinforced their values, and interacted with the broader community, seeking an equitable share of other society opportunities. This singular examination of a small city significantly contributes to Urban History and African American Studies scholarly research, which generally focuses on large cities. Combining primary source data with extensive interviews gathered over an eighteen-year period in which the author immersed himself in the Niagara community, Blacks in Niagara Falls offers an insightful study of how one small city community grew over its unique history.

The story of African Americans in the visual arts has closely paralleled their social, political and economic aspirations over the last four hundred years. From enslaved craftspersons to contemporary painters, printmakers and sculptors, they have created a wealth of artistic expression that addresses common experiences, such as exclusion from dominant cultural institutions, and confronts questions of identity and community. This generously illustrated volume gathers works by leading figures from the nineteenth century to the present Henry Ossawa Tanner, Jacob Lawrence, Romare Bearden, Lois Mailou Jones, Gordon Parks, Wifredo Lam, Kara Walker, Glenn Ligon, Kerry James Marshall alongside many others who deserve to be better known, including artists from the African diaspora in South America and the Caribbean. Arranged thematically and accompanied by authoritative texts that provide historical and interpretive context, this book invites readers to share in a rich outpouring of art that meets shared challenges with individual creative responses.

"Written by first-rate scholars, these 10 essays give focus to the antislavery movement in Boston, particularly to the significance of African American abolitionists." --Choice "... handsome, lavishly illustrated, and informative... " --The New England Quarterly "... this work is a thoughtful, long overdue discourse on individual and group accomplishments. It is replete with absorbing illustrations, which when accompanied by insightful essays, depict the courage of those who labored for equality in antebellum Boston." --Journal of the Early Republic Until recently little was known of the contributions of African Americans in the antebellum abolition movement. Massachusetts, having granted voting rights early on to black males, was a center of antislavery agitation. Courage and Conscience documents the black activism in 19th-century Boston that was critical to the success of the abolitionist cause.

Updated and expanded in this revised edition to reflect twenty years of new research, when published in 1979 Black Bostonianswas the first comprehensive social history of an antebellum northern black community. The Hortons challenged the then widely held view that African Americans in the antebellum urban north were all trapped in "a culture of poverty." Exploring life in black Boston from the eighteenth century to the eve of the Civil War, they combined quantitative and traditional historical methods to reveal the rich fabric of a thriving society, where people from all walks of life organized for mutual aid, survival, and social action, and which was a center of the antislavery movement. CONTENTS: Profile of Black Boston. Families and Households in Black Boston. Formal and Informal Organizations and Associations. The Community and the Church. Leaders and Community Activists. Segregation, Discrimination, and Community Resistance. The Integration of Abolition. The Fugitive and the Community. A Decade of Militancy.