William Cobbett (1763-1835) was a prolific writer, best known as the anti-Radical founder of Cobbett's "Political Register" which ran from 1802-35. This collection of his writings presents the texts fully reset and annotated with biographical and analytical introductions. Volume 6: Peasant Politics 1828 -1835.

Politician, journalist, reformer, convict, social commentator and all-round thorn in the side of the establishment, William Cobbett cut a swathe through late-eighteenth and early-nineteenth century British society with his copious and acerbic writings on any and every issue that caught his attention. Both a radical and a conservative, and with strong opinions on any given subject, Cobbett had a talent for controversial and pugnacious writing that echoes down the centuries and still rings fresh today. Commemorating the 250th anniversary of Cobbett’s birth in 1763, this book provides a selection of his writings - both published and unpublished - that highlight his talents, obsessions, and concerns. From corruption and Parliamentary reform, poverty and commerce, to patriotism and religion, the selections display Cobbett at his best - sometimes outraged and excoriating, sometimes sympathetic and reasoned - but always honest and witty. Divided into 14 chapters each dealing with a particular theme, the selections are contextualised so as to provide the necessary historical background for any readers who may be unfamiliar with the period. In so doing, the book not only brings to life the dynamic and rumbustious world of Georgian England within which Cobbett moved, but also reveals many uncanny parallels with modern concerns. Whether espousing political reform, promoting rural affairs or decrying a spiralling national debt, many of Cobbett’s opinions seem as relevant today as when they were first written. Certainly modern readers will find much here to educate, amuse and admire.

Serial Forms: The Unfinished Project of Modernity, 1815-1848 proposes an entirely new way of reading the transition into the modern. It is the first book in a series of three which will take the reader up to the end of the First World War, moving from a focus on London to a global perspective. Serial Forms sets out the theoretical and historical basis for all three volumes. It suggests that, as a serial news culture and a stadial historicism developed together between 1815 and 1848, seriality became the dominant form of the nineteenth century. Through serial newsprint, illustrations, performances, and shows, the past and the contemporary moment enter into public visibility together. Serial Forms argues that it is through seriality that the social is represented as increasingly politically urgent. The insistent rhythm of the serial reorganizes time, recalibrates and rescales the social, and will prepare the way for the 1848 revolutions which are the subject of the next book. By placing their work back into the messy print and performance culture from which it originally appeared, Serial Forms is able to produce new and exciting readings of familiar authors such as Scott, Byron, Dickens, and Gaskell. Rather than offering a rarefied intellectual history or chopping up the period into 'Romantic' and 'Victorian', Clare Pettitt tracks the development of communications technologies and their impact on the ways in which time, history and virtuality are imagined.

This account of artisan and working-class society in its formative years, 1780 to 1832, adds an important dimension to our understanding of the nineteenth century. E.P. Thompson shows how the working class took part in its own making and re-creates the whole life experience of people who suffered loss of status and freedom, who underwent degradation and who yet created a culture and political consciousness of great vitality.