Politician, journalist, reformer, convict, social commentator and all-round thorn in the side of the establishment, William Cobbett cut a swathe through late-eighteenth and early-nineteenth century British society with his copious and acerbic writings on any and every issue that caught his attention. Both a radical and a conservative, and with strong opinions on any given subject, Cobbett had a talent for controversial and pugnacious writing that echoes down the centuries and still rings fresh today. Commemorating the 250th anniversary of Cobbett’s birth in 1763, this book provides a selection of his writings - both published and unpublished - that highlight his talents, obsessions, and concerns. From corruption and Parliamentary reform, poverty and commerce, to patriotism and religion, the selections display Cobbett at his best - sometimes outraged and excoriating, sometimes sympathetic and reasoned - but always honest and witty. Divided into 14 chapters each dealing with a particular theme, the selections are contextualised so as to provide the necessary historical background for any readers who may be unfamiliar with the period. In so doing, the book not only brings to life the dynamic and rumbustious world of Georgian England within which Cobbett moved, but also reveals many uncanny parallels with modern concerns. Whether espousing political reform, promoting rural affairs or decrying a spiralling national debt, many of Cobbett’s opinions seem as relevant today as when they were first written. Certainly modern readers will find much here to educate, amuse and admire.

A remarkably perceptive and vivid life of William Cobbett, one of England's greatest radicals. The early years of the nineteenth century were ones of misery and oppression. The common people were thrown into conditions of extreme poverty by enclosures and the Agricultural Revolution, and the long Tory administration of Lord Liverpool saw its task as keeping law and order at all costs. The cause of reform was a dangerous one, as William Cobbett was to find. Cobbett is best known for his Rural Rides, that classic account of early-nineteenth century Britain which has never been out of print. But he was a much greater figure than that implies, being the foremost satirist and proponent of reform of the time. He had an invincible stomach for provoking the deceit and vanity of the supposedly good and great, and had an abiding hatred of the establishment, or 'The Thing', as he christened it.

Politician, journalist, reformer, convict, social commentator and all-round thorn in the side of the establishment, William Cobbett cut a swathe through late-eighteenth and early-nineteenth century British society with his copious and acerbic writings on any and every issue that caught his attention. Both a radical and a conservative, and with strong opinions on any given subject, Cobbett had a talent for controversial and pugnacious writing that echoes down the centuries and still rings fresh today. Commemorating the 250th anniversary of Cobbett’s birth in 1763, this book provides a selection of his writings - both published and unpublished - that highlight his talents, obsessions, and concerns. From corruption and Parliamentary reform, poverty and commerce, to patriotism and religion, the selections display Cobbett at his best - sometimes outraged and excoriating, sometimes sympathetic and reasoned - but always honest and witty. Divided into 14 chapters each dealing with a particular theme, the selections are contextualised so as to provide the necessary historical background for any readers who may be unfamiliar with the period. In so doing, the book not only brings to life the dynamic and rumbustious world of Georgian England within which Cobbett moved, but also reveals many uncanny parallels with modern concerns. Whether espousing political reform, promoting rural affairs or decrying a spiralling national debt, many of Cobbett’s opinions seem as relevant today as when they were first written. Certainly modern readers will find much here to educate, amuse and admire.

Landskipping is a ravishing celebration of landscape, its iridescent beauty and its potential to comfort, awe and mesmerise. In spirit as Romantic as rational, Anna Pavord explores the different ways in which we have, throughout the ages, responded to the land. In the eighteenth century, artists first started to paint English scenery, and the Lakes, as well as Snowdon, began to attract a new kind of visitor, the landscape tourist. Early travel guides sought to capture the beauty and inspiration of waterfall, lake and fell. Sublime! Picturesque! they said, as they laid down rules for correctly appreciating a view. While painters painted and writers wrote, an entirely different band of men, the agricultural improvers, also travelled the land, and published a series of remarkable commentaries on the state of agricultural England. They looked at the land in terms of its usefulness as well as its beauty, and, using their reports, Anna Pavord explores the many different ways that land was managed and farmed, showing that what is universal is a place's capacity to frame and define our experience. Moving from the rolling hills of Dorset to the peaks of the Scottish Highlands, this is an exquisite and compelling book, written with zest, passion and deep understanding.

In 1666, King Charles II felt it necessary to reform Englishmen's dress by introducing a fashion that developed into the three-piece suit. We learn what inspired this royal revolution in masculine attire--and the reasons for its remarkable longevity--in David Kuchta's engaging and handsomely illustrated account. Between 1550 and 1850, Kuchta says, English upper- and middle-class men understood their authority to be based in part upon the display of masculine character: how they presented themselves in public and demonstrated their masculinity helped define their political legitimacy, moral authority, and economic utility. Much has been written about the ways political culture, religion, and economic theory helped shape ideals and practices of masculinity. Kuchta allows us to see the process working in reverse, in that masculine manners and habits of consumption in a patriarchal society contributed actively to people's understanding of what held England together. Kuchta shows not only how the ideology of modern English masculinity was a self-consciously political and public creation but also how such explicitly political decisions and values became internalized, personalized, and naturalized into everyday manners and habits.