In 1966, a year after the Voting Rights Act began liberating millions of southern blacks, New Yorkers challenged a political system that weakened their voting power. Andrew W. Cooper (1927–2002), a beer company employee, sued state officials in a case called Cooper vs. Power. In 1968, the courts agreed that black citizens were denied the right to elect an authentic representative of their community. The 12th Congressional District was redrawn. Shirley Chisholm, a member of Cooper's political club, ran for the new seat and made history as the first black woman elected to Congress. Cooper became a journalist, a political columnist, then founder of Trans Urban News Service and the City Sun, a feisty Brooklyn-based weekly that published from 1984 to 1996. Whether the stories were about Mayor Koch or Rev. Al Sharpton, Howard Beach or Crown Heights, Tawana Brawley's dubious rape allegations, the Daily News Four trial, or Spike Lee's filmmaking career, Cooper's City Sun commanded attention and moved officials and readers to action. Cooper's leadership also gave Brooklyn—particularly predominantly black central Brooklyn—an identity. It is no accident that in the twenty-first century the borough crackles with energy. Cooper fought tirelessly for the community's vitality when it was virtually abandoned by the civic and business establishments in the mid-to-late twentieth century. In addition, scores of journalists trained by Cooper are keeping his spirit alive.

In 1966, a year after the Voting Rights Act began liberating millions of southern blacks, New Yorkers challenged a political system that weakened their voting power. Andrew W. Cooper (1927–2002), a beer company employee, sued state officials in a case called Cooper vs. Power. In 1968, the courts agreed that black citizens were denied the right to elect an authentic representative of their community. The 12th Congressional District was redrawn. Shirley Chisholm, a member of Cooper's political club, ran for the new seat and made history as the first black woman elected to Congress. Cooper became a journalist, a political columnist, then founder of Trans Urban News Service and the City Sun, a feisty Brooklyn-based weekly that published from 1984 to 1996. Whether the stories were about Mayor Koch or Rev. Al Sharpton, Howard Beach or Crown Heights, Tawana Brawley's dubious rape allegations, the Daily News Four trial, or Spike Lee's filmmaking career, Cooper's City Sun commanded attention and moved officials and readers to action. Cooper's leadership also gave Brooklyn—particularly predominantly black central Brooklyn—an identity. It is no accident that in the twenty-first century the borough crackles with energy. Cooper fought tirelessly for the community's vitality when it was virtually abandoned by the civic and business establishments in the mid-to-late twentieth century. In addition, scores of journalists trained by Cooper are keeping his spirit alive.

When Didi discovers that her husband, the Masterji, has been hiding his beautiful lover and their young son Tarun in a nearby city, she takes the Masterji back into her grasp and expels his second family. Tarun's mother, heartsick and devastated, slowly begins to lose her mind and Tarun turns to Didi for the mothering he longs for. But as Tarun gets older, Didi's domination of the boy turns from the emotional to the physical. The damages she inflicts spiral outward, threatening to destroy Tarun's one chance at true happiness.

"An impeccably dark parable, endlessly inventive and utterly compelling" --M R Carey, author of The Girl with all the Gifts Beth's world is falling apart. Then she discovers a hidden London, full of marvels, magic . . . and menace. Perfect for fans of Neil Gaiman's Neverwhere. Hidden under the surface of everyday London is a city where wild train spirits stampede over the tracks and glass-skinned dancers with glowing veins light the streets. When a devastating betrayal drives her from her home, Beth stumbles into the secret city, where she finds Filius Viae, London's ragged crown prince, just when he needs someone the most. For an ancient enemy has returned to the darkness under St Paul's Cathedral, bent on reigniting a centuries-old war. Desperate to find a way to save the city they both love, they find themselves in a desperate race through this bizarre urban wonderland, but when Beth's best friend is captured, she must choose between this wondrous existence and the life she left behind. The City's Son is the first book of The Skyscraper Throne trilogy: a story about family, friends and monsters, and how you can't always tell which is which.

In 'A Son of the City. A Story of Boy Life' written by Herman Gastrell Seely, the reader is presented with a captivating narrative of the protagonist's coming-of-age journey in the bustling city. Seely's descriptive and engaging writing style vividly portrays the daily experiences, adventures, and challenges faced by the young boy, offering a nostalgic glimpse into the urban life of the time. The book is set against the backdrop of late 19th-century urban America, providing valuable insights into the social and cultural dynamics of the period. Through rich character development and vivid settings, Seely skillfully captures the essence of boyhood in the city, making the narrative both relatable and immersive for readers of all ages. Herman Gastrell Seely, drawing upon his own childhood experiences and observations, brings authenticity and depth to the storytelling in 'A Son of the City. A Story of Boy Life'. His keen eye for detail and genuine portrayal of the protagonist's growth and maturation make the book a timeless classic that continues to resonate with readers today. I highly recommend this book to anyone interested in exploring the intricacies of boyhood, city life, and social dynamics in historical fiction.

Brief history of Hereford cattle: v. 1, p. 359-375.