The purpose of this edited volume is to explore the contributions of women to European, Mexican, American and Indian film industries during the years 1900 to 1950, an important period that signified the rise and consolidation of media technologies. Their pioneering work as film stars, writers, directors, designers and producers as well as their endeavors to bridge the gap between the avant-garde and mass culture are significant aspects of this collection. This intersection will be carefully nuanced through their cinematographic production, performances and artistic creations. Other distinctive features pertain to the interconnection of gender roles and moral values with ways of looking, which paves the way for realigning social and aesthetic conventions of femininity. Based on this thematic and diverse sociocultural context, this study has an international scope, their main audiences being scholars and graduate students that pursue to advance interdisciplinary research in the field of feminist theory, film, gender, media and avant-garde studies. Likewise, historians, art and literature specialists will find the content appealing to the degree that intermedial and cross-cultural approaches are presented.

This edited volume explores the contributions of women to European, Mexican, American and Indian film industries during the years 1900 to 1950. Their pioneering work is considered, as well as their endeavors to bridge the gap between the avant-garde and mass culture.

This book explores women’s editorial and salon activities in Southern Europe and provides a comparative view of their practices. It argues that women in Spain, Italy, Portugal and Greece used their double role as editors and salonnières to engage with foreign cultures, launch the careers of promising young authors and advocate for modernization and social change. By examining a neglected body of periodicals edited between 1860 and 1920, this book sets out to explore women’s editorial agendas and their interest in creating a connection between salon life and the print press. What purpose did this connection serve? How did women editors use their periodicals and their salons to create opportunities for cross-cultural exchange? In what ways did women use their double role as editors and salonnières to promote modernization and social progress in Southern Europe? By addressing these questions, this monograph contributes to the recent expansion of scholarship on nineteenth and twentieth-century periodicals and opens new avenues for theoretical reflection on European modernity. It also invites scholars and non-specialist readers to question the center vs. periphery model and to consider Southern European counties as cultural hubs in their own right.

This volume deals with philosophical, scientific, and ideological images of women during the French Enlightenment, examining their emergence in the reflections of the philosophes, in Catholic morality, in biological and medical knowledge, in novels, in periodicals, and in the law. Alongside the appeals for social and intellectual emancipation advanced by the femmes savantes, typical of the eighteenth-century salons, a new conception pertaining to women’s social role related to the affirmation of the bourgeoisie and of its model of the family took place. Codified in a more complex and organized way within the Rousseauian philosophy, this new conception spread in various cultural debates, gaining a real hegemony: women were meant to be excluded from any "public" space, devoid of cultural aspirations, and only devoted to satisfying the needs of the family. The book adopts a multidisciplinary, interdisciplinary, and synthetic approach and at the same time highlights the "roots" of some fundamental ways of considering women that are still active in present-day society. It also addresses researchers in the history of philosophy, sociology, literature, and gender studies, and readers with an interest in women’s issues.

Through the translated stories of twenty Tibetan women of various backgrounds, ages and occupations who were alive in the twentieth century, this book presents broad, under-explored and engaging perspectives on Tibetan culture and politics, ethnicity or mixed ethnicity, art, marriage, religion, education and values. Offering a unique spectrum of primary sources, this book showcases interviews which were recorded in the 1990s and early 2000s which faithfully document Tibetan women telling their stories in their own words and situate these stories in their historical and socio-cultural contexts. These women were historically and religiously significant, such as a tulku (an incarnate), and tribal and local leaders, as well as ordinary women, such as poor peasants, the urban poor and women in polyandrous marriages. An important and unique contribution to the understanding of Tibetan women, this book is a valuable resource for those in the fields of anthropology, women and gender studies, applied history, contemporary China studies and Indigenous studies.

Ida Greaves, who was born in Barbados in 1907, is one of the "missing female voices" of early development economics. This biography, the first for Ida Greaves, attempts to construct her career and era before the past wholly disappears. The biography covers her early years in Barbados, her time at boarding school in England, at McGill University in Canada where she focused on human behaviour under the influence of changing social and political histories and also published an early path-breaking study of black migrants into Canada, and her later research at Harvard and Columbia in the United States and at the London School of Economics. Individual chapters follow her career acting as economic adviser to the Colonial Office in London, where she worked alongside Arthur Lewis, and at the fledgling United Nations in New York. She published in top journals and produced an outstanding study of the influence of colonial monetary systems on poor countries. This accessible biography provides unexpected insights into personalities and institutions during a critical period in late colonial history. The issues it raises of class and race, gender and inequality, poverty and unemployment, are of no less relevance today than they were in her lifetime.

This is the first critical study of Clara Dorothea Rackham née Tabor (1875–1966), a towering figure in the suffrage, labour, co-operative, peace, and adult education movements but virtually forgotten today. This clearly written and engaging study is based on unpublished primary sources including Rackham’s unpublished speeches, letters, diaries, and contemporary media coverage of her work in local and national archives. It reassesses this remarkable woman not only as a politician who changed the face of Cambridge, the university city in which she lived and worked, but also as a public intellectual whose feminist advocacy of a fair, just, and equal society helped pave the way to Britain’s postwar settlement and Welfare State. Rackham came to prominence as Chairman of the National Union of Women’s Suffrage Societies, as a government factory inspector, and championing the rights of unemployed women in the 1930s. An early broadcaster on BBC radio, and among the first women appointed magistrates and councillors, her name became synonymous with enlightened local government. The transformation of women’s lives in Victorian and twentieth-century Britain is crucial to understanding Rackham’s ideals, intellectual formation, and priorities as a Labour Party politician. This book will be of interest to historians and students of gender, history, and women’s lives.

Essays examining the relationships between culture, film, and the audience around the turn of the twentieth century. The current digital revolution has sparked a renewed interest in the origins and trajectory of modern media, particularly in the years around 1900 when the technology was rapidly developing. This collection aims to broaden our understanding of early cinema as a significant innovation in media history. Joining traditional scholarship with fresh insights from a variety of disciplines, this book explains the aesthetic and institutional characteristics in early cinema within the context of the contemporary media landscape. It also addresses transcultural developments such as scientific revolutions, industrialization, urbanization, and globalization, as well as differing attitudes toward modernization. Film 1900 is an important reassessment of early cinema’s position in cultural history. “The capable Ligensa and Kreimeier invited a coterie of renowned Continental scholars and thinkers to reflect on issues of modernity and cinema by harking back to the fin de siècle. . . . Summing Up: Highly recommended. Graduate students, researchers, faculty.” —T. Lindval, Choice

Celebrity Culture and the American Dream, Second Edition considers how major economic and historical factors shaped the nature of celebrity culture as we know it today, retaining the first edition’s examples from the first celebrity fan magazines of 1911 to the present and expanding to include updated examples and additional discussion on the role of the internet and social media in today’s celebrity culture. Equally important, the book explains how and why the story of Hollywood celebrities matters, sociologically speaking, to an understanding of American society, to the changing nature of the American Dream, and to the relation between class and culture. This book is an ideal addition to courses on inequalities, celebrity culture, media, and cultural studies.

Keller has collected biographical information on hundreds of Hispanic actors, directors, cinematographers, screenwriters, producers, animators, and other film professionals who have participated in United States film from its beginnings in 1894 through the contemporary period, as well as filmographic information on the thousands of films in which they have been involved.