Through the translated stories of twenty Tibetan women of various backgrounds, ages and occupations who were alive in the twentieth century, this book presents broad, under-explored and engaging perspectives on Tibetan culture and politics, ethnicity or mixed ethnicity, art, marriage, religion, education and values. Offering a unique spectrum of primary sources, this book showcases interviews which were recorded in the 1990s and early 2000s which faithfully document Tibetan women telling their stories in their own words and situate these stories in their historical and socio-cultural contexts. These women were historically and religiously significant, such as a tulku (an incarnate), and tribal and local leaders, as well as ordinary women, such as poor peasants, the urban poor and women in polyandrous marriages. An important and unique contribution to the understanding of Tibetan women, this book is a valuable resource for those in the fields of anthropology, women and gender studies, applied history, contemporary China studies and Indigenous studies.

Through a lyrical narrative of her journey to Tibet in 2007, activist Canyon Sam contemplates modern history from the perspective of Tibetan women. Traveling on China's new "Sky Train," she celebrates Tibetan New Year with the Lhasa family whom she'd befriended decades earlier and concludes an oral-history project with women elders. As she uncovers stories of Tibetan women's courage, resourcefulness, and spiritual strength in the face of loss and hardship since the Chinese occupation of Tibet in 1950, and observes the changes wrought by the controversial new rail line in the futuristic "new Lhasa," Sam comes to embrace her own capacity for letting go, for faith, and for acceptance. Her glimpse of Tibet's past through the lens of the women - a visionary educator, a freedom fighter, a gulag survivor, and a child bride - affords her a unique perspective on the state of Tibetan culture today - in Tibet, in exile, and in the widening Tibetan diaspora. Gracefully connecting the women's poignant histories to larger cultural, political, and spiritual themes, the author comes full circle, finding wisdom and wholeness even as she acknowledges Tibet's irreversible changes.

When public history was imported from the United States to China around the turn of the twenty-first century, it was introduced as a sub-field within history, and has developed along that path ever since. Professional historians in China, even some forward-looking ones, see public history as merely presenting a change in the patterns of participation in history-making. This book offers a sharply different view. It contends, essentially, that public history represents more than a research domain within history or within any existing discipline, nor does it fit into any established narratives, but rather, a fundamental change of the entire process of history-making in China. In this process, the public is prosuming history. Public history makes obsolete the old structure for building and acquiring historical knowledge: it challenges the old assumptions, supersedes the rigid academic hierarchy, and stirs the imaginations of the multitudes. With an assemblage of case studies, this work makes a case for a system view of public history making, or public history(ing), and launches a concept, complex public history, i.e. public history(ing) as complex adaptive systems.

An exploration of an extraordinary group of female meditation masters from the Buddhist tradition in Tibet whose determination and accomplishments can serve as a great example for meditators the world over. Among Tibetan spiritual biographies there are many life stories of exceptional male wisdom-holders or vidyādharas. But biographies of religious women are few. This book focuses on the hidden world of the great female spiritual adepts who were born into a prominent lineage of the Sakya school of Tibetan Buddhism. For centuries, this family of wisdom holders has been committed to helping others alleviate their suffering and develop a strong dedication to spiritual practice.

Only fifty years ago, Tibetan medicine, now seen in China as a vibrant aspect of Tibetan culture, was considered a feudal vestige to be eliminated through government-led social transformation. Medicine and Memory in Tibet examines medical revivalism on the geographic and sociopolitical margins both of China and of Tibet�s medical establishment in Lhasa, exploring the work of medical practitioners, or amchi, and of Medical Houses in the west-central region of Tsang. Due to difficult research access and the power of state institutions in the writing of history, the perspectives of more marginal amchi have been absent from most accounts of Tibetan medicine. Theresia Hofer breaks new ground both theoretically and ethnographically, in ways that would be impossible in today�s more restrictive political climate that severely limits access for researchers. She illuminates how medical practitioners safeguarded their professional heritage through great adversity and personal hardship.

History and Legacy of the Suffragette Fellowship provides a biographical account of the scope and depth of the memory work of the now-forgotten commemorative group the Suffragette Fellowship, active from the 1920s to the 1970s. The Suffragette Fellowship comprised members from the militant suffrage groups known as the Women’s Social and Political Union, the Women’s Freedom League, and the Actress Franchise League. This research provides a comprehensive analysis of the Fellowship’s attempts to form and sustain a collective Suffragette identity across four decades of activity. It considers the legacy of contested histories attached to militant campaigning that pressured Fellowship leaders to take control of the public memory of suffrage history. With close attention given to a neglected piece of feminist history, this book highlights the cultural and political impacts that the Fellowship enacted in their memory of the women’s suffrage movement. Richly illustrated with images of members, artefacts, and publications, this extensive study of the Suffragette Fellowship adds to transnational suffrage histories in the United Kingdom and Australia and will be of interest to scholars in memory studies and women’s history.

Muslims in Amdo Tibetan Society: Multi-Disciplinary Approaches offers nine case studies from several academic disciplines. The chapters describe the ethnic, cultural, linguistic, and religious diversity within the Muslim communities of Amdo and illustrate complex social interactions with other Amdo communities. While relations between Han Chinese and Tibetans, and between Han Chinese and Muslims in Qinghai and Gansu, have already attracted scholarly attention, this volume has a special focus on Tibetan-Muslim interactions. These are rarely discussed and if so, then mostly in the contexts of trade relations and conflicts. This volume challenges some established stereotypes of Tibetan-Muslim relations and also highlights new facets of cross-cultural contacts and religious and linguistic influences.

(Applause Books). Collects for the first time major lesbian plays from controversial cultural perspectives spanning more than a generation of work in varied theatrical styles representing an amazing gamut of lesbian politics from all over America. Includes: The Quintessential Image (Jane Chambers) * The Postcard (Gloria Joyce Dickler) * A Lady and a Woman (Shirlene Holmes) * Nasty Rumors and Final Remarks (Susan Miller) * Desdemona (Paula Vogel) * and more!

Women’s Amateur Theatre in Rural Britain is the first book-length study of the National Federation of Women’s Institutes’ amateur drama groups, which served as an umbrella organisation for women’s amateur drama. This work addresses a key historical gap by covering the activities, lives, and labour of women in rural England, Wales, and Scotland. It challenges gender-based assumptions about the value of women’s amateur theatre, highlighting the need for leisure opportunities and social connections in rural villages. The rapid expansion of women’s amateur drama groups is assessed in conjunction with major developments of the period, including the effect of post-1918 reconstruction efforts in rural regions, the revaluation of informal adult education schemes, the law’s influences and restrictions on amateur performances, and the impact of the Second World War on the ability of the Women’s Institutes to carve out a space for all-women’s drama groups that empowered women through education and skill-building programmes to aid in personal and community development. The broad scope of this research will appeal to undergraduates, postgraduates, scholars, and non-specialists interested in cultural history and the lives of rural women after the First World War.