Penelope Fitzgerald's fascinating portrait of the tragic poet and her life at the heart of the Bloomsbury set.

First comprehensive biography of inventive, since neglected poet in the 150th anniversary of her birth The British poet Charlotte Mew - whose 150th anniversary falls in 2019 - was regarded as one of the best poets of her age by fellow writers. She has since been neglected, but her star is beginning to rise again. This is the first comprehensive biography, from cradle to grave, and it is written by Faber poet Julia Copus, who recently unveiled a blue plaque on Mew's childhood house in Doughty Street. Mew was a curious mix of New Woman and stalwart Victorian. Her poems speak to us strongly today, in these strangely mixed times of exposure and seclusion: they reveal the private agony of an isolated being who was forced to keep secret the tragedies of her personal life while being at the same time propelled by her work into the public arena. Her poetry transfigures that very private suffering into art that has a universal resonance.

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This collection reveals the full range of Charlotte Mew's work, showcasing the urgency and passion that compelled her to reinvent forms and prosodies to explore her complex pains and loves. With themes at the heart of feminist concerns, these poems illustrate her standing as an experimental modernist and a poet of formal precision.

The 1935 Selected Poems, introduced by T.S. Eliot, bought Marianne Moore's fastidious and inimitable work to the attention of a wider public for the first time.

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Hailed as Newby's 'masterpiece', ‘Love and War in the Apennines’ is the gripping real-life story of Newby's imprisonment and escape from an Italian prison camp during World War II.

One of the very first Persian poets was a woman (Rabe’eh, who lived over a thousand years ago) and there have been women poets writing in Persian in virtually every generation since that time until the present. Before the twentieth century they tended to come from society’s social extremes. Many were princesses, a good number were hired entertainers of one kind or another, and they were active in many different countries – Iran of course, but also India, Afghanistan, and areas of central Asia that are now Uzbekistan, Turkmenistan, and Tajikistan. Not surprisingly, a lot of their poetry sounds like that of their male counterparts, but a lot doesn’t; there are distinctively bawdy and flirtatious poems by medieval women poets, poems from virtually every era in which the poet complains about her husband (sometimes light-heartedly, sometimes with poignant seriousness), touching poems on the death of a child, and many epigrams centered on little details that bring a life from hundreds of years ago vividly before our eyes. This new bilingual edition of The Mirror of My Heart – the poems in Persian and English on facing pages – is a unique and captivating collection introduced and translated by Dick Davis, an acclaimed scholar and translator of Persian literature as well as a gifted poet in his own right. In his introduction he provides fascinating background detail on Persian poetry written by women through the ages, including common themes and motifs and a brief overview of Iranian history showing how women poets have been affected by the changing dynasties. From Rabe’eh in the tenth century to Fatemeh Ekhtesari in the twenty-first, each of the eighty-four poets in this volume is introduced in a short biographical note, while explanatory notes give further insight into the poems themselves.

A PASSIONATE, PAGE-TURNING TALE OF COERCIVE CONTROL AND FEMALE SOLIDARITY, FOR FANS OF THREE WOMEN AND ACTS OF DESPERATION. 'This is the book I have always needed, it is F*****G BRILLIANT and everyone should read it' Nikita Gill 'A beautiful, biting page-turner' Irish Times ********** I believe every word you say. That was always my mistake. Bright, promising Emma is entangled in a toxic romance with her old professor - and she's losing control. Cruel, charming Tom is idolized by his students and peers - confident he holds all the cards. In their small Oxford home, he manipulates and undermines her every thought and act. Soon, he will push her to the limit and she must decide: to remain quiet and submit, or to take her revenge. Written in verse and charged with passion and anger, The Poet is a portrait of a deeply dysfunctional relationship, exploring coercive control, class and privilege. It is also a page-turning tale of female solidarity and survival. 'Brisk, disturbing and very satisfying' Daily Mail