Describes, illustrates, and comment on methods of restoration and replacement of various seatings

CHAIR TIMES takes viewers on a journey through a »sea of chairs:« 124 objects dating from 1807 to the latest 3D printed designs are arranged in the order of their production year to create a timeline of modern furniture design. Which objects would professionals in the design field want to talk about, bringing their expert knowledge to the respective topic? Serving as guide on this excursion into the history of seating design: Rolf Fehlbaum, Chairman Emeritus of Vitra. Film by Heinz Bütler. With contributions by Rolf Fehlbaum, Mateo Kries, Franco Audrito, Ronan Bouroullec, Christian Brändle, David Chipperfield, Antonio Citterio, Pierre de Meuron, Jochen Eisenbrand, Ulrich Fiedler, Susanne Graner, Jacques Herzog, Hella Jongerius, Maira Kalman, Amelie Klein, Serge Mauduit, Peter Noever, Arthur Rüegg, Leonie Samland and Ruggero Tropeano.

This updated edition features designs from 1800 up to present day, and features the biggest names in furniture design, art, architecture and craft.

Have you ever wondered where rocking chairs came from, or why cheap plastic chairs are suddenly everywhere? In Now I Sit Me Down, the distinguished architect and writer Witold Rybczynski chronicles the history of the chair from the folding stools of pharaonic Egypt to the ubiquitous stackable monobloc chairs of today. He tells the stories of the inventor of the bentwood chair, Michael Thonet, and of the creators of the first molded-plywood chair, Charles and Ray Eames. He reveals the history of chairs to be a social history--of different ways of sitting, of changing manners and attitudes, and of varying tastes. The history of chairs is the history of who we are. We learn how the ancient Chinese switched from sitting on the floor to sitting in a chair, and how the iconic chair of Middle America--the Barcalounger--traces its roots back to the Bauhaus. Rybczynski weaves a rich tapestry that draws on art and design history, personal experience, and historical accounts. And he pairs these stories with his own delightful hand-drawn illustrations: colonial rockers and English cabrioles, languorous chaise longues, and no-nonsense ergonomic task chairs--they're all here. The famous Danish furniture designer Hans Wegner once remarked, "A chair is only finished when someone sits in it." As Rybczynski tells it, the way we choose to sit and what we choose to sit on speak volumes about our values, our tastes, and the things we hold dear.

This work provides an insight into the history of Welsh stick chairs and includes instructions on how to make a chair, covering methods of bending the wood for chair construction. Illustrations show each stage in the building process.

Give life to old cane furniture as well as weaving seats and backs for new pieces. Traditional techniques and new shortcuts make caning with wicker, rattan, raw-hide, and other materials easy. Useful charts detail how much fiber to buy and what standard lengths are available. "An excellent purchase for any size library."--Library Journal.

Walter Turpening has been designing and perfecting custom seating for crafters and artistic creators (particularly weavers, knitters, handspinners, and musicians) for 20-plus years. His signature cotton-cord, curved, woven seats on fine woodworked frames are fervently desired by those who have sampled his seating, and he operates on an average two-year waiting list. In recent years, he has expanded his repertoire to include ergonomic office chairs and barstools. In this book, he shares what he has learned in his journey as a chair maker to help you make the bench or chair of your dreams. At the heart of Walter's methods is making each seat specifically to fit the individual while working at their favorite craft or intended use. He teaches how to take the measurements needed for perfect ergonomic comfort, and how to apply them to create your perfect seat. With his step-by-step instructions, photos, and diagrams, you will see how Walter creates his custom seating, and be able to replicate his techniques in your own benches, stools, and chairs.