The culmination of recent restoration and analysis, these richly illustrated essays examine the history and meaning of one of Mesoamerica's surviving documents dating from the 1540s.

A dramatic new interpretation of the encounter between Europe and the Americas that reveals the crucial role of animals in the shaping of the modern world. When the men and women of the island of Guanahani first made contact with Christopher Columbus and his crew on October 12, 1492, the cultural differences between the two groups were vaster than the oceans that had separated them. There is perhaps no better demonstration than the divide in their respective ways of relating to animals. In The Tame and the Wild, Marcy Norton tells a new history of the colonization of the Americas, one that places wildlife and livestock at the center of the story. She reveals that the encounters between European and Native American beliefs about animal life transformed societies on both sides of the Atlantic. Europeans’ strategies and motives for conquest were inseparable from the horses that carried them in military campaigns and the dogs they deployed to terrorize Native peoples. Even more crucial were the sheep, cattle, pigs, and chickens whose flesh became food and whose skins became valuable commodities. Yet as central as the domestication of animals was to European plans in the Americas, Native peoples’ own practices around animals proved just as crucial in shaping the world after 1492. Cultures throughout the Caribbean, Amazonia, and Mexico were deeply invested in familiarization: the practice of capturing wild animals—not only parrots and monkeys but even tapir, deer, and manatee—and turning some of them into “companion species.” These taming practices not only influenced the way Indigenous people responded to human and nonhuman intruders but also transformed European culture itself, paving the way for both zoological science and the modern pet.

Reshaping the World is a nuanced exploration of the plurality, complexity, and adaptability of Precolumbian and colonial-era Mesoamerican cosmological models and the ways in which anthropologists and historians have used colonial and indigenous texts to understand these models in the past. Since the early twentieth century, it has been popularly accepted that the Precolumbian Mesoamerican cosmological model comprised nine fixed layers of underworld and thirteen fixed layers of heavens. This layered model, which bears a close structural resemblance to a number of Eurasian cosmological models, derived in large part from scholars’ reliance on colonial texts, such as the post–Spanish Conquest Codex Vaticanus A and Florentine Codex. By reanalyzing and recontextualizing both indigenous and colonial texts and imagery in nine case studies examining Maya, Zapotec, Nahua, and Huichol cultures, the contributors discuss and challenge the commonly accepted notion that the cosmos was a static structure of superimposed levels unrelated to and unaffected by historical events and human actions. Instead, Mesoamerican cosmology consisted of a multitude of cosmographic repertoires that operated simultaneously as a result of historical circumstances and regional variations. These spaces were, and are, dynamic elements shaped, defined, and redefined throughout the course of human history. Indigenous cosmographies could be subdivided and organized in complex and diverse arrangements—as components in a dynamic interplay, which cannot be adequately understood if the cosmological discourse is reduced to a superposition of nine and thirteen levels. Unlike previous studies, which focus on the reconstruction of a pan-Mesoamerican cosmological model, Reshaping the World shows how the movement of people, ideas, and objects in New Spain and neighboring regions produced a deep reconfiguration of Prehispanic cosmological and social structures, enriching them with new conceptions of space and time. The volume exposes the reciprocal influences of Mesoamerican and European theologies during the colonial era, offering expansive new ways of understanding Mesoamerican models of the cosmos. Contributors: Sergio Botta, Ana Díaz, Kerry Hull, Katarzyna Mikulska, Johannes Neurath, Jesper Nielsen, Toke Sellner Reunert†, David Tavárez, Alexander Tokovinine, Gabrielle Vail

The Routledge Handbook of Translation and Religion is the first to bring together an extensive interdisciplinary engagement with the multiple ways in which the concepts and practices of translation and religion intersect. The book engages a number of scholarly disciplines in conversation with each other, including the study of translation and interpreting, religion, philosophy, anthropology, history, art history, and area studies. A range of leading international specialists critically engage with changing understandings of the key categories ‘translation’ and ‘religion’ as discursive constructs, thus contributing to the development of a new field of academic study, translation and religion. The twenty-eight contributions, divided into six parts, analyze how translation constructs ideas, texts or objects as 'sacred' or for ‘religious purposes’, often in competition with what is categorized as ‘non-religious.’ The part played by faith communities is treated as integral to analyses of the role of translation in religion. It investigates how or why translation functions in re-constructing and transforming religion(s) and for whom and examines a range of ‘sacred texts’ in translation—from the written to the spoken, manuscript to print, paper to digital, architectural form to objects of sacred art, intersemiotic scriptural texts, and where commentary, exegesis and translation interweave. This Handbook is an indispensable scholarly resource for researchers in translation studies and the study of religions.

New scholarly essays providing a multifaceted approach to the role of Africa in Hemingway's life and work.

A BC classic--over 100,000 copies in print Joe Garner's father, Oland, was the oldest of four brothers who were run out of South Carolina in 1903 by the Ku Klux Klan. Along with his bride, Lona, Oland headed west to San Francisco, then north to Victoria, BC. He found employment with Emily Carr's father. Ten years later he helped Emily build her house in Victoria. Garner recalls a hilarious childhood night spent sleeping between the artist's two shaggy sheepdogs. In this fascinating memoir, Joe Garner takes us from the family's move to Salt Spring Island to his adventures as a hunter and trapper to his adult exploits as an entrepreneur and innovator in several of the west coast's burgeoning industries. Garner recalls encounters with a cougar, journeys by floatplane to the remote reaches of the Queen Charlotte Islands and the lakes of the Chilcotin, and a poker game in which the stakes included logging camps and aircraft.