The Rotterdam City Library contains the world's largest collection of works by and about Desiderius Erasmus (1469?-1536), perhaps Rotterdam's most famous son. The origin of this unique collection dates back to the seventeenth century when the city fathers established a library in the Great or St. Laurence Church. This bibliography of the Erasmus collection lists, for the first time, all of the Rotterdam scholar's works and most of the studies written about him from his time to the present day. The collection is of vital importance to Erasmus studies and has, in many cases, provided the basic material for editions of Erasmus's complete works. In addition to the unique sixteenth-century printings listed in this book, the collection includes many translations into Estonian, Polish, Russian, Czech, Hebrew, and other languages. The Rotterdam Library has acquired publications about Erasmus that cover such topics as his life, work and times; his contemporaries; his humanism, pedagogy, pacifism, and theology; his relationship to Luther and the Reformation; and his influence on later periods. The collection numbers (as of 1989) roughly 5,000 works divided as follows: 2,500 works by Erasmus himself, 500 works edited by him, and 2,000 books and articles about him. This bibliographic resource will be of great value to Erasmus scholars, philosophy researchers, and historians studying the path of philosophical and religious thought.

This volume contains some of the theological writings of Erasmus, viz. a sermon on God's immense mercy, a comparison of a virgin and a martyr, a sermon on the young Jesus, a short treatise on the sorrow of Jesus in Gethsemane, the adhortation to read the Bible, which is one of the prefaces of Erasmus' New Testament project, and a commentary on two hymns by Prudentius on Christmas and Epiphany. The volume shows some aspects of Erasmus' theology and spirituality, embedded in the Roman Catholic Church and the liturgy of the mass.

Betr. Manuskripte der Universitätsbibliothek Basel, S. 193-215.

Originally published as catalogue 100 of Antiquariaat FORUM in 10 issues between 1994-2002. With an extra issue with extensive indices. The print edition is available as a set of three volumes (9789061941392).

A newly reorganized, up-to-date overview of key reference works in philosophy, reflects a veritable explosion of reference sources, both print and online, published over the past decade. Nearly 300 of the 700+ entries consist of new material, with an additional 50 entries substantially revised and updated. English-language sources are emphasized, but important non-English works are also well represented. For professional philosophers, philosophy educators, students from beginning to graduate, and librarians. This guide represents a substantial updating and complete re-organization of the author's 1997 Philosophy: A Guide to the Reference Literature, 2nd edition (1st edition, 1986). It reflects a veritable explosion of reference sources, both print and online, in the field of philosophy over the past decade. Nearly 300 entries (or 40 percent) are entirely new. An additional 50 or so entries have substantial revisions recording new editions, changes in serial publications, series, and websites, or additional volumes completed in multi-volume sets. In addition, it has been entirely re-organized along topical lines. Each of its twenty-three chapters is divided into four sections: (1) general sources, (2) history of philosophy, (3) branches of philosophy, and (4) miscellanea. This new arrangement accords better with the greatly expanded range of philosophy reference sources and makes it easier for the user to identify related sources of different types (bibliographies, dictionaries, web gateways, etc.) on the same topic. Like its predecessor Guide to Reference Sources in Philosophy, the 3rd edition aims to serve a diverse audience of professional philosophers, philosophy educators, students from beginning to graduate, and librarians. All entries include generous annotations that are often evaluative as well as descriptive. English-language sources are emphasized, but non-English works important to researchers or of interest to users with facility in other languages are also well-represented.

Three hundred years ago, an unprecedented explosion in inexpensive, disposable print--newspapers, pamphlets, informational publications, artistic prints--ushered in a media revolution that forever changed our relationship to information. One unusually perceptive man, an obscure Dutch/British still life painter named Edward Collier, understood the full significance of these momentous changes and embedded in his work secret warnings about the inescapable slippages between author and print, meaning and text, viewer and canvas, perception and reality. Working around 1700, Collier has been neglected, even forgotten, precisely because his secret messages have never been noticed, let alone understood. Until now. In Mr. Collier's Letter Racks, Dror Wahrman recovers the tale of an extraordinary illusionist artist who engaged in a wholly original way with a major transformation of his generation. Wahrman shows how Collier developed a hidden language within his illusionist paintings--replete with minutely coded messages, witty games, intricate allusions, and private jokes--to draw attention to the potential and the pitfalls of this new information age. A remarkably shrewd and prescient commentator on the changes unfolding around him, not least the advent of a new kind of politics following the Glorious Revolution, Collier performed a post-modernist critique of modernity long before the modern age. His trompe l'oeil paintings are filled with seemingly disconnected, enigmatic objects--letters, seals, texts of speeches, magnifying glasses, title pages--and with teasingly significant details that require the viewer to lean in and peer closely. Wahrman does just that, taking on the role of detective/cultural historian to unravel the layers of deceptions contained within Collier's extraordinary paintings. Written with passionate enthusiasm and including more than 70 color illustrations, Mr. Collier's Letter Racks is a spell-binding feat of cultural history, illuminating not only the work of an eccentric genius but the media revolution of his period, the birth of modern politics, and the nature of art itself.

The Boekentoren, designed by Henry van de Velde, has housed the Ghent University library since 1942. But this unusual library is much more than just an iconic building. In this book, the historian Ruben Mantels recounts the turbulent history of the library, from the ‘liberation of the book’ to the ‘powerful thrust of Modernism’, from the French Revolution to the digital revolution and Google Books. Portraits of librarians, the reading public and the collections are all given a place, while old manuscripts, Ephemera and Gandavensia give up their secrets. Innumerable illustrations and photos bring the story of the Tower of Books to life. This work is a must-have for everyone with a place in their heart for Ghent and for literature.

With 1750 titles produced before the 18th century the Erasmus prints form an important group in the holdings of the Herzog August library. The collection represents the entire range of the writings of Erasmus. The existing number of copies of prints also reflect the popularity and the literary interest of the scholarly readers of the 16th and 17th Centuries in Erasmus. The VD 16 registers the Erasmus prints published in the 16th century in the German language area and provides their locations. At the same time the catalog also provides descriptions of the individual items, drawing attention to historically interesting covers, notes of previous owners, donations, marginalia and additions of handwritten materials.