"Home is a complex ideation for many POC and migrant peoples. I Always Carry My Bones explores how familial history echoes inside a person and the ghosts of lineage dwell in a body. Sometimes we haunt. Sometimes we are the haunted. Pierced by an estranged relationship to Mexican culture, the ethereal ache of an unknown father, the weight of racism and poverty in this country, the indentations of abuse, and a mind/physicality affected by doubt, these poems root in the search for belonging-a belonging inside and outside the flesh. Space-making requires a clawing at the atrocities of today's social injustices. Space-making requires a dismantling of violent systems against brown and black bodies. Home is the place where the horrid and beautiful intertwine and carve a being into existence. At times, the reaction is recoil: "biomimicry-how I adapt away/ from you-biomimicry-as if to chant my way/ into something worthy of your affection." At other times, the reaction is love: "if we fracture a system long enough/ our voices build/ a neoteric system/ with our voices inside." The voices in these poems are never truly singular. POC, trans/queer individuals and all marginalized people hold evolutionary revolutions in our cells. In language and elements, we are a collective. Survival held in our adaptation-another action that culls from us. We summon the magic inside of us to create a world in which we see ourselves beyond the death expected of us. We pray to our own tongues to conjure ourselves into existence. This book longs for a sanctuary of self-the dwelling of initial energy needed for our collective fight for human rights"--

A botched crime forces three men – a sculptor, his son, and the son's septuagenarian friend – to flee their small town in this tragic and moving account of survival in the face of one's own failures. A man kills his wife’s lover… Almost. The criminal is Gideon Banks, a sculptor of modest success who has finally realized that he is incapable of repairing his broken marriage. Now frantically on the run from the law, Gid is joined by Merit – his adopted, introverted son – and Judge Riley, an old turnip-grower, the singer of a thousand songs, and Merit’s best friend. For the length of a college football season the unlikely trio drifts along the highways, backroads and deer trails of Alabama, befriended many times by other solitary Southerners, alone in their work, their addictions, and their restlessness. In Birmingham they meet a young woman who is naively charmed by their tale and, bored with her upper-class upbringing, takes them in. Sheltered in a house of grand portraits and heated floors, the three are afforded the time to face their separate struggles: the old Judge a fever, Gideon his guilt, and Merit the girl who would ruin his ideas about isolation forever.

A searing memoir of reckoning and healing by acclaimed journalist Stephanie Foo, investigating the little-understood science behind complex PTSD and how it has shaped her life “Achingly exquisite . . . providing real hope for those who long to heal.”—Lori Gottlieb, New York Times bestselling author of Maybe You Should Talk to Someone ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, Cosmopolitan, NPR, Mashable, She Reads, Publishers Weekly By age thirty, Stephanie Foo was successful on paper: She had her dream job as an award-winning radio producer at This American Life and a loving boyfriend. But behind her office door, she was having panic attacks and sobbing at her desk every morning. After years of questioning what was wrong with herself, she was diagnosed with complex PTSD—a condition that occurs when trauma happens continuously, over the course of years. Both of Foo’s parents abandoned her when she was a teenager, after years of physical and verbal abuse and neglect. She thought she’d moved on, but her new diagnosis illuminated the way her past continued to threaten her health, relationships, and career. She found limited resources to help her, so Foo set out to heal herself, and to map her experiences onto the scarce literature about C-PTSD. In this deeply personal and thoroughly researched account, Foo interviews scientists and psychologists and tries a variety of innovative therapies. She returns to her hometown of San Jose, California, to investigate the effects of immigrant trauma on the community, and she uncovers family secrets in the country of her birth, Malaysia, to learn how trauma can be inherited through generations. Ultimately, she discovers that you don’t move on from trauma—but you can learn to move with it. Powerful, enlightening, and hopeful, What My Bones Know is a brave narrative that reckons with the hold of the past over the present, the mind over the body—and examines one woman’s ability to reclaim agency from her trauma.

A respected journalist describes the abuse he suffered at the hands of a close family relative, the effect this had on his formative years and how he overcame the anger and self-doubt it left behind.

What Do the Five Points of Calvinism Really Mean? Many have heard of Reformed theology, but may not be certain what it is. Some references to it have been positive, some negative. It appears to be important, and they'd like to know more about it. But they want a full, understandable explanation, not a simplistic one. What Is Reformed Theology? is an accessible introduction to beliefs that have been immensely influential in the evangelical church. In this insightful book, R. C. Sproul walks readers through the foundations of the Reformed doctrine and explains how the Reformed belief is centered on God, based on God's Word, and committed to faith in Jesus Christ. Sproul explains the five points of Reformed theology and makes plain the reality of God's amazing grace.

The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.

WINNER OF THE NOBEL PRIZE IN LITERATURE "A brilliant literary murder mystery." —Chicago Tribune "Extraordinary. Tokarczuk's novel is funny, vivid, dangerous, and disturbing, and it raises some fierce questions about human behavior. My sincere admiration for her brilliant work." —Annie Proulx In a remote Polish village, Janina devotes the dark winter days to studying astrology, translating the poetry of William Blake, and taking care of the summer homes of wealthy Warsaw residents. Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then a neighbor, Big Foot, turns up dead. Soon other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind . . . A deeply satisfying thriller cum fairy tale, Drive Your Plow over the Bones of the Dead is a provocative exploration of the murky borderland between sanity and madness, justice and tradition, autonomy and fate. Whom do we deem sane? it asks. Who is worthy of a voice?

Every adult I have ever worked with has identified a broken, hurt or disillusioned child memory within; "The Children in my Chair." Susie had an intense phobia, Lucy was a compulsive over eater, Valerie believed women are subservient and had no voice, Noreen grew up with a lack mentality and was always broke, Erin never felt good enough, Julie believed she was unlovable, Doug was angry all the time and Katie distrusted her feelings and hide them inside. How did this happen? We are living in a world full of people living with shame, guilt, self blame, unhappiness, unworthiness, fear and obligation that was originally `put upon them' unconsciously by their mentors and role models in early life. How we, as innocent children, learn about and what we come to believe about ourselves and about life are the teachings of this book. We've been conditioned! Conditioning begins with words we hear, think and speak. This book is a simple call to presence for all because everyone was once a child themselves. Take this opportunity to; recognize your own conditioning; break the chains of the past; learn what it is to be present; and learn how to consciously use words that empower, inspire, support and encourage both yourself and the children in your life now.