Bring boldly outlined illustrations of 16 prancing horses to life with colorful crayons, felt-tip pens, paints, and other media. The lively steeds — magnificently outfitted in medieval gear, florals, tassels, and other ornamental trappings — will glow with color when placed near a source of bright light.

Fifteen lovely, full-color stickers invite merry-go-round fans to surround themselves with prancing horses, a towering giraffe, a regal lion, and other familiar creatures.

Sixteen full-page illustrations of child and adult riders on their handsome mounts: galloping, crossing water barriers, jumping hurdles, winning awards, and engaging in other activities. Just add splashes of color from crayons or other media, then place pictures near a source of bright light to produce glowing stained glass effects.

Portraits of a fantastical unicorn standing before a medieval castle, a winged steed with a serpentine body, an equine relic from prehistory, and 13 other handsome beasts take on a magical glow when colored and placed near a source of bright light.

This lavishly illustrated volume explores the history of the carousel from its evolution.

Bring galloping horses, a rooster, a rabbit, and other carousel figures to life with color and a source of bright light. 8 black-and-white illustrations.

The true story of how a 1963 ride on a carousel in Maryland made a powerful Civil Rights statement. A Ride to Remember tells how a community came together—both black and white—to make a change. When Sharon Langley was born in the early 1960s, many amusement parks were segregated, and African-American families were not allowed entry. This book reveals how in the summer of 1963, due to demonstrations and public protests, the Gwynn Oak Amusement Park in Maryland became desegregated and opened to all for the first time. Co-author Sharon Langley was the first African-American child to ride the carousel. This was on the same day of Martin Luther King Jr.’s March on Washington for Jobs and Freedom. Langley’s ride to remember demonstrated the possibilities of King’s dream. This book includes photos of Sharon on the carousel, authors’ notes, a timeline, and a bibliography. “Delivers a beautiful and tender message about equality from the very first page.” —Kirkus Reviews, Starred Review “Cooper’s richly textured illustrations evoke sepia photographs’ dreamlike combination of distance and immediacy, complementing the aura of reminiscence that permeates Langley and Nathan’s narrative.” —Publishers Weekly, Starred Review “A solid addition to U.S. history collections for its subject matter and its first-person historical narrative.” —School Library Journal

The endless enchantment of mermaids literally shines through with this magical mix of ready-to-color images. Sixteen playfully original works, each rendered on quality vellum-like paper for stunning results, feature a sea of water nymphs in their wonderful, watery realms. When completed, display them in bright light for a show that shimmers and swims!

Fetching portraits of canine companions range from a lively Lab to a snoozing bulldog. Sixteen stained glass images of the American Kennel Club's top dogs encompass a winning array of beloved breeds.

The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.