Accompanied by over 400 color photographs, a guide to the art of the carousel, or merry-go-round, traces its development by describing style variations and identifiable features of carousel animals produced by the major American carving companies; and includes descriptions and illustrations of restoration techniques; advice on buying, shipping and insuring carousel animals, and a census of operating carousels in the United States and Canada.

From glistening white unicorns to winged elephants and roaring tigers, this celebration of carousel animals takes a colorful look at an art form that's one part fantasy and two parts exceptional craftsmanship. 100+ photos, some in color.

For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.

Between the years of 1940 and 1960, Tonawanda and North Tonawanda virtually redefined themselves. The waning lumber industry gave way to manufacturing that accommodated first the war effort and then postwar market demands. After the war, men and women returned to family life, and the baby boom began. New homes, new schools, and new roads were built to serve the burgeoning population; meanwhile, local industries expanded, and new businesses took root. Well-paying jobs were plentiful, as were consumer goods such as televisions, modern appliances, and cars. Community pride was evident, with volunteers swelling the ranks of fire companies, churches, and service clubs. Downtown had dozens of shops, department stores, restaurants, and entertainment venues such as the Riviera and Melody Fair. Tonawanda and North Tonawanda: 1940-1960 celebrates the American Dream, an era when teenagers were rocking and rolling at school dances and hanging out at Zeffery's the Sugar Bowl, and Pee Wee's Pizzeria.

This is the first new history of Coney Island in half a century, tracing its evolution and cultural impact as an amusement center from its earliest development as a seaside resort to the present day Mermaid Parade. Over 100 photos.

Anderson (North Carolina State University) is clearly obsessed with the Ferris Wheel. He describes the conception and construction of the first example--at the World's Columbian Exposition in Chicago, 1893. Imitators and variations are described and illustrated with period photos and patent drawings. An appendix contains 115 pages of patent drawings. A charming, unique book (that will win no graphics awards). Paper edition (unseen), $29.95. Annotation copyright by Book News, Inc., Portland, OR

A richly illustrated volume celebrating Jewish carving traditions from the Old World to the New

Discusses those "verbal fossils" that remain embedded in our national conversation long after the topic they refer to has galloped off into the sunset. Mrs. Robinson, Edsel, "Catch-22", Gangbusters, "Alphonse and Gaston", or "Where's the beef?" are just a few of the "retroterms" that can be found in this word-lover's store of trivia and obscure references.

Introduced in the United States as a new material for statuary in the mid-nineteenth century, zinc has properties that allowed replication at low cost. It was used to produce modestly priced serial sculpture displayed throughout the nation on fountains, public monuments, and war memorials. Imitative finishes created the illusion of more costly bronze, stone, or polychrome wood. This first comprehensive overview of American zinc sculpture is interdisciplinary, engaging aspects of art history, popular culture, local history, technology, and art conservation. Included is a generously illustrated catalogue presenting more than eight hundred statues organized by type: trade figures and Indians, gods and goddesses, fountain figures, animals, famous men, military figures, firemen, cemetery memorials, and religous subjects. The compilation of data on these statues will be valuable to scholars, filling the current void in research libraries. The author's experience as a conservator will also make the an essential resource for historic preservationists seeking to repair statues now damaged by years of outdoor exposure. This book has 555 illustrations, 354 of which are in color. Carol Grissom is Senior Objects Conservator at the Smithsonian's Museum Conservation Institute.