"Armand Jean du Plessis, cardinal-duc de Richelieu et de Fronsac; 9 September 1585? 4 December 1642) was a French clergyman, noble and statesman. Consecrated as a bishop in 1608, he later entered politics, becoming a Secretary of State in 1616. Richelieu soon rose in both the Catholic Church and the French government, becoming a Cardinal in 1622, and King Louis XIII's chief minister in 1624. He remained in office until his death in 1642; he was succeeded by Cardinal Mazarin, whose career he had fostered."--Wikipedia.

Chief Minister to King Louis XIII, Cardinal Richelieu was the architect of a new France in the seventeenth century and the force behind the nation's rise as a European power. One of the first statesmen to clearly understand the necessity of a balance of powers, he has captured the imagination of generations, both through the story of his life and through Alexandre Dumas's portrayal of him as a ruthless political mastermind in the classic The Three Musketeers. Jean-Vincent Blanchard's rich and insightful new biography brings Richelieu fully to life in all his complexity. His careful understanding of politics as spectacle speaks to contemporary readers; much of what he accomplished was promoted strategically through his great passion for theater and literature. ƒminence offers a rich portrait of a fascinating man and his era, and gives us a keener understanding of the dark art of politics. "Blanchard's captivating biography vividly captures the rise to power of a seminal figure who was instrumental in creating France as we know it."-Publishers Weekly (starred review) "Lovers of intrigue and derring-do will enjoy Jean-Vincent Blanchard's Eminence ... [His] lively style will appeal to general readers, while history buffs will appreciate his careful footnotes and plethora of primary sources."-The Baltimore Sun

A panoramic study of the vibrant literary and intellectual culture that emerged in seventeenth-century France, drawing on the writings of over 100 men and women of letters, 'the generation of 1630', to understand the rise and refinement of the French language and the development of the literary culture of French classicism.

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Presents a biography of Richelieu up to the point where he took ministerial office for the second time in 1624.

The problem of the relationship between moral principles and political necessity, of the purposes of power and the justice of means, has always been a central theme in European history. The ministry of Cardinal Richelieu is a focal point for the problem because it existed during a time when the continuing strength of religiously based political ideas and the growth of the modern state converged. In this major study William F. Church examines Richelieu's policies, his efforts to justify them, and the extensive debates they occasioned. His conclusion, contrary to that of many earlier historians, is that the underlying ideology of the Cardinal's policies was strongly religious and opened the way to secularized reason of state to a very limited degree. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This study of Cardinal Richelieu's career as chief minister to Louis XIII of France presents the original research of eight experts in the field. Linking their work is the belief that Richelieu's ministry was a significant moment in the history of early modern France. The authors reject the traditional picture of Richelieu as the single-handed creator of the French absolute state and the original exponent of Realpolitik. Instead they paint a collective portrait of a statesman politically astute but none the less devout. The Richelieu who emerges is in many respects a conservative figure, but one driven by a genuine desire to establish a more just and peaceful society (both in France and in Europe). The emphasis here, then, is more on Richelieu the Cardinal than on Richelieu the secular statesman. The tragedy and irony of his ministry, as the authors also show, was that to maintain himself in power, Richelieu had to behave more like a Renaissance prince than a Counter-Reformation prelate.

In an extraordinary drama sweeping across seventeenth-century France, this probing biography of Cardinal Richelieu explores how a man of steely intelligence and ruthless ambition not only fulfilled his dreams of social prestige, personal wealth, and political power but at the same time realized his vision of a France unified as much by its culture as by its king.

The Mancini Sisters, Marie and Hortense, were born in Rome, brought to the court of Louis XIV of France, and strategically married off by their uncle, Cardinal Mazarin, to secure his political power base. Such was the life of many young women of the age: they had no independent status under the law and were entirely a part of their husband's property once married. Marie and Hortense, however, had other ambitions in mind altogether. Miserable in their marriages and determined to live independently, they abandoned their husbands in secret and began lives of extraordinary daring on the run and in the public eye. The beguiling sisters quickly won the affections of noblemen and kings alike. Their flight became popular fodder for salon conversation and tabloids, and was closely followed by seventeenth-century European society. The Countess of Grignan remarked that they were traveling "like two heroines out of a novel." Others gossiped that they "were roaming the countryside in pursuit of wandering lovers. "Their scandalous behavior -- disguising themselves as men, gambling, and publicly disputing with their husbands -- served as more than just entertainment. It sparked discussions across Europe concerning the legal rights of husbands over their wives. Elizabeth Goldsmith's vibrant biography of the Mancini sisters -- drawn from personal papers of the players involved and the tabloids of the time -- illuminates the lives of two pioneering free spirits who were feminists long before the word existed.

For the first time in English in over a century, a new translation of the forgotten sequel to Dumas’s The Three Musketeers, continuing the dramatic tale of Cardinal Richelieu and his implacable enemies. In 1844, Alexandre Dumas published The Three Musketeers, a novel so famous and still so popular today that it scarcely needs introduction. Shortly thereafter he wrote a sequel, Twenty Years After, that resumed the adventures of his swashbuckling heroes. Later, toward the end of his career, Dumas wrote The Red Sphinx, another direct sequel to The Three Musketeers that begins, not twenty years later, but a mere twenty days afterward. The Red Sphinx picks up right where the The Three Musketeers left off, continuing the stories of Cardinal Richelieu, Queen Anne, and King Louis XIII—and introducing a charming new hero, the Comte de Moret, a real historical figure from the period. A young cavalier newly arrived in Paris, Moret is an illegitimate son of the former king, and thus half-brother to King Louis. The French Court seethes with intrigue as king, queen, and cardinal all vie for power, and young Moret soon finds himself up to his handsome neck in conspiracy, danger—and passionate romance! Dumas wrote seventy-five chapters of The Red Sphinx, all for serial publication, but he never quite finished it, and so the novel languished for almost a century before its first book publication in France in 1946. While Dumas never completed the book, he had earlier written a separate novella, The Dove, that recounted the final adventures of Moret and Cardinal Richelieu. Now for the first time, in one cohesive narrative, The Red Sphinx and The Dove make a complete and satisfying storyline—a rip-roaring novel of historical adventure, heretofore unknown to English-language readers, by the great Alexandre Dumas, king of the swashbucklers.