Provides information on how the British conquered India through a three prongs strategy. This book also covers common laws and procedures, common civil, and judicial and police services.

An authoritative and lively account of the long and controversial history of the British in India, from the foundation of the East India Company in 1600; to Ghandi's innovative leadership of the increasingly militant Indian Nationalist movement: and finally to Lord Mountbatten's 'swift surgeryof partition', leaving behind the Independent states of India and Pakistan.Against this epic backdrop, Judd explores the consequences of British control for both Indians and the British in India.What was the effect on their daily lives, and on the lives they were effectively controlling? Were the British intent on development or exploitation? Were they a 'civilizing'force? Easy answers are avoided, and difficult questions provoked in this fascinating book.

This book is a study of selected texts of British writings on Indian wildlife published between 1860 and 1960. Set in the context of British colonial rule in India, this book also reflects on similar situations across the British Empire and other colonial empires. The destruction of wildlife in the making of empires is a subject not yet fully explored in scholarship. This book aims to speak to global concerns regarding the extinction of several species and shows that the crisis has international roots. The Inhuman Empire breaks new grounds as it juxtaposes colonial narratives to folk narratives. These two types of narratives treat nonhuman animals very differently – folk narrative considers them sentient beings, while colonial narratives see them as ‘game’ and do not care for their sentience. Both types of narratives are further evaluated with reference to the contemporary position of natural sciences regarding animal sentience and of anthropologists and philosophers regarding the relationship between nature and culture. Analyzing colonial accounts of hunting, the author looks at the pain and suffering of nonhuman animals and combines statistics alongside narratives of British writers, Indian populace and nonhuman animals in order to show narratives' reflect and impact reality. This book will be of great value to those interested in Animal Studies, Folkloristics, the history of Colonialism and India.

Nature has provided defendable borders, rich resources and excellent human capital to India. The country, however, has not been able to use these assets to her advantage – kind courtesy self seeking regional ruling satraps, who have been quarreling among themselves making way for invaders and foreigners. Resultantly, there has been no strategic culture, sense of unity, history and its recording and evaluating. There has seldom been one India. Its traditions have been mostly oral and the religious texts always had greater significance and merit. British during their rule over India pillaged it and took away entire wealth and art pieces of immense valve to Britain. On getting independence, India adopted parliamentary system of governance, based on Westminster model, which without proper reforms is not suiting to Indian conditions and is further seemingly dividing us. Rather than narrowing down our diversities, it is further widening the same which is against the unity of the country. Democracy is our strength but its four basic pillars of stability and continuity of the government, its accountability, responsibility and transparency are not being secured. The book is an attempt to analyse the effects of British ‘Divide and Rule’ Policy on us all and specially our armed forces.

Based on the true story of her great uncle and freedom fighter Dinesh Gupta, Lions and Tigers is Tanika Gupta’s most personal play yet. It charts Dinesh Gupta’s emotional and political awakening as this extraordinary 19 year old pits himself against the British Raj.

In the two World Wars, hundreds of thousands of Indian sepoys were mobilized, recruited and shipped overseas to fight for the British Crown. The Indian Army was the chief Imperial reserve for an empire under threat. But how did those sepoys understand and explain their own war experiences and indeed themselves through that experience? How much did their testimonies realise and reflect their own fragmented identities as both colonial subjects and imperial policemen? The Testimonies of Indian Soldiers and the Two World Wars draws upon the accounts of Indian combatants to explore how they came to terms with the conflicts. In thematic chapters, Gajendra Singh traces the evolution of military identities under the British Raj and considers how those identities became embattled in the praxis of soldiers' war testimonies – chiefly letters, depositions and interrogations. It becomes a story of mutiny and obedience; of horror, loss and silence. This book tells that story and is an important contribution to histories of the British Empire, South Asia and the two World Wars.

South Asian History has enjoyed a remarkable renaissance over the past thirty years. Its historians are not only producing new ways of thinking about the imperial impact and legacy on South Asia, but also helping to reshape the study of imperial history in general. The essays in this collection address a number of these important developments, delineating not only the complicated interplay between imperial rulers and their subjects in India, but also illuminating the economic, political, environmental, social, cultural, ideological, and intellectual contexts which informed, and were in turn informed by, these interactions. Particular attention is paid to a cluster of binary oppositions that have hitherto framed South Asian history, namely colonizer/colonized, imperialism/nationalism, and modernity/tradition, and how new analytical frameworks are emerging which enable us to think beyond the constraints imposed by these binaries. Closer attention to regional dynamics as well as to wider global forces has enriched our understanding of the history of South Asia within a wider imperial matrix. Previous impressions of all-powerful imperialism, with the capacity to reshape all before it, for good or ill, are rejected in favour of a much more nuanced image of imperialism in India that acknowledges the impact as well as the intentions of colonialism, but within a much more complicated historical landscape where other processes are at work.

Indian Renaissance: British Romantic Art and the Prospect of India is the first comprehensive examination of British artists whose first-hand impressions and prospects of the Indian subcontinent became a stimulus for the Romantic Movement in England; it is also a survey of the transformation of the images brought home by these artists into the cultural imperatives of imperial, Victorian Britain. The book proposes a second - Indian - Renaissance for British (and European) art and culture and an undeniable connection between English Romanticism and British Imperialism. Artists treated in-depth include James Forbes, James Wales, Tilly Kettle, William Hodges, Johann Zoffany, Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D'Oyly, William Blake, J. M. W. Turner and George Chinnery.

This history of the Bengal Famine of 1943 describes the interplay of politics, economics, sociology and military policy, which caused a famine due to a lack of cash, not a lack of food. The Famine, whose story is almost unknown due to wartime censorship by the British, occurred because of a hyperinflation in the price of rice caused by the provisioning for the major offensive against the Japanese on India's eastern borders. Relief efforts were halfhearted because much of the countryside was in a state of endemic revolt against the British. The logistical problems caused by massive gifts of food by the British and Indian troops to the starving people threatened to stall the forthcoming offensive. The cause of the Famine was the deadly alienation between the Bengalis and their British rulers.

The figure of the white hunter sahib proudly standing over the carcass of a tiger with a gun in hand is one of the most powerful and enduring images of the empire. This book examines the colonial politics that allowed British imperialists to indulge in such grand posturing as the rulers and protectors of indigenous populations. This work studies the history of hunting and conservation in colonial India during the high imperial decades of the nineteenth and early twentieth centuries. At this time, not only did hunting serve as a metaphor for colonial rule signifying the virile sportsmanship of the British hunter, but it also enabled vital everyday governance through the embodiment of the figure of the officer–hunter–administrator. Using archival material and published sources, the author examines hunting and wildlife conservation from various social and ethnic perspectives, and also in different geographical contexts, extending our understanding of the link between shikar and governance.