This history of the Bengal Famine of 1943 describes the interplay of politics, economics, sociology and military policy, which caused a famine due to a lack of cash, not a lack of food. The Famine, whose story is almost unknown due to wartime censorship by the British, occurred because of a hyperinflation in the price of rice caused by the provisioning for the major offensive against the Japanese on India's eastern borders. Relief efforts were halfhearted because much of the countryside was in a state of endemic revolt against the British. The logistical problems caused by massive gifts of food by the British and Indian troops to the starving people threatened to stall the forthcoming offensive. The cause of the Famine was the deadly alienation between the Bengalis and their British rulers.

Barbaric Intercourse tells the story of a century of social upheaval and the satiric attacks it inspired in leading periodicals in both England and America. Martha Banta explores the politics of caricature and cartoon from 1841 to 1936, devoting special attention to the original Life magazine. For Banta, Life embodied all the strengths and weaknesses of the Progressive Era, whose policies of reform sought to cope with the frenetic urbanization of New York, the racist laws of the Jim Crow South, and the rise of jingoism in the United States. Barbaric Intercourse shows how Life's take on these trends and events resulted in satires both cruel and enlightened. Banta also deals extensively with London's Punch, a sharp critic of American nationalism, and draws from images and writings in magazines as diverse as Puck,The Crisis,Harper's Weekly, and The International Socialist Review. Orchestrating a wealth of material, including reproductions of rarely seen political cartoons, she offers a richly layered account of the cultural struggles of the age, from contests over immigration and the role of the New Negro in American society, to debates over Wall Street greed, women's suffrage, and the moral consequences of Western expansionism.

Caricaturing Culture in India is a highly original history of political cartoons in India. Drawing on the analysis of newspaper cartoons since the 1870s, archival research and interviews with prominent Indian cartoonists, this ambitious study combines historical narrative with ethnographic testimony to give a pioneering account of the role that cartoons have played over time in political communication, public discourse and the refraction of ideals central to the creation of the Indian postcolonial state. Maintaining that cartoons are more than illustrative representations of news, Ritu Gairola Khanduri uncovers the true potential of cartoons as a visual medium where memories jostle, history is imagined and lines of empathy are demarcated. Placing the argument within a wider context, this thought-provoking book highlights the history and power of print media in debates on free speech and democratic processes around the world, revealing why cartoons still matter today.

DigiCat Publishing presents to you this special edition of "The History of the Nineteenth Century in Caricature" by Arthur Bartlett Maurice, Frederic Taber Cooper. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This book critically examines the role and politics of humour and the performance of power in South Asia. What does humour do and how does it manifest when lived political circumstances experience ruptures or instability? Can humour that emerges in such circumstances be viewed as a specific narrative on the nature of democracy in the region? Drawing upon essays from India, Sri Lanka and Bangladesh, this volume discusses many crucial historical and contemporary themes, including dance-drama performances in northern India; caste and stand-up comedy in India; cartoon narratives of citizens’ anxieties; civic participation through social media memes in Sri Lanka; media, politics and humorous public in Bangladesh; the politics of performance in India; and the influence of humour and satire as political commentaries. The volume explores the impact of humour in South Asian folklore, ritual performances, media and journalism, and online technologies. This topical and interdisciplinary book will be essential for scholars and researchers of cultural studies, political science, sociology and social anthropology, media and communication studies, theatre and performance studies, and South Asian studies.

A comprehensive and authoritative overview of the diversity, range and impact of the newspaper and periodical press in nineteenth-century Britain.

We are living in a moment of environmental and existential crisis that demands a response. Why then study Classics now? From the European assimilation and destruction of the New World to our present environmental destruction of our shared world, Humans, among Other Classical Animals explores in encounters an answer by demonstrating how the Classics have been implicated in the structures of thought that have ultimately led us to our present historical moment. Telling the story of anthropology's Classical entanglements from its inception to its growth to critical self-awareness, it demonstrates that Classical ideas have played a crucial -and often deleterious- role in the Western placing of the human and in the discipline that claimed the study of humanity as its own. Responses to our present crisis, it argues, should therefore include as a prerequisite, considering the origins and implications of these Classical foundations because only by so doing can we attain the full self-awareness necessary to think beyond them and consider the alternatives we now need. Postclassical Interventions aims to reorient the meaning of antiquity across and beyond the humanities. Building on the success of Classical Presences, this complementary series features shorter-length monographs designed to provoke debate about the current and future potential of Classical Reception through fresh, bold, and critical thinking.

From yaks and vultures to whales and platypuses, animals have played central roles in the history of British imperial control. The contributors to Animalia analyze twenty-six animals—domestic, feral, predatory, and mythical—whose relationship to imperial authorities and settler colonists reveals how the presumed racial supremacy of Europeans underwrote the history of Western imperialism. Victorian imperial authorities, adventurers, and colonists used animals as companions, military transportation, agricultural laborers, food sources, and status symbols. They also overhunted and destroyed ecosystems, laying the groundwork for what has come to be known as climate change. At the same time, animals such as lions, tigers, and mosquitoes interfered in the empire's racial, gendered, and political aspirations by challenging the imperial project’s sense of inevitability. Unconventional and innovative in form and approach, Animalia invites new ways to consider the consequences of imperial power by demonstrating how the politics of empire—in its racial, gendered, and sexualized forms—played out in multispecies relations across jurisdictions under British imperial control. Contributors. Neel Ahuja, Tony Ballantyne, Antoinette Burton, Utathya Chattopadhyaya, Jonathan Goldberg-Hiller, Peter Hansen, Isabel Hofmeyr, Anna Jacobs, Daniel Heath Justice, Dane Kennedy, Jagjeet Lally, Krista Maglen, Amy E. Martin, Renisa Mawani, Heidi J. Nast, Michael A. Osborne, Harriet Ritvo, George Robb, Jonathan Saha, Sandra Swart, Angela Thompsell