As the debate about an Australian Republic becomes more heated, this first detailed study examines the relationship of the Australian colonies with Britain and the Empire in the late nineteenth century and looks at the beginnings of Australian nationalism.

Australia's Empire is the first collaborative evaluation of Australia's imperial experience in more than a generation. Bringing together poltical, cultural, and aboriginal understandings of the past, it argues that the legacies of empire continue to influence the fabric of modern Australian society.

In his critical study of Australian imperialism, Erik Paul analyses the making, character and contours of the geopolitical state from the time of the British invasion and colonisation to the present, expanding the country’s continental political and economic power. War is the crucible for its hegemonic power, nationalism, and politics. The book exposes and dissects capitalist imperialism to control and manage a growing population and to impose the grand strategy of a US client state. The geopolitics in the partitioning of the earth and the exploitation of people and the biosphere continue to create major conflict, inequality, and human suffering. Australia plays an important role in the intensification of the struggle among major powers and in the outcome of an expanding global ecological and hegemonic crisis. But the existing Australian state of exception constitutes a major obstacle to a reconciliation with China and to a peaceful regional and world order.

Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Australia and the Great War explores both the immediate and long-term consequences of the war on this complex relationship, looking in particular at identity, history, gender, propaganda, economics and nationalism. This multidisciplinary collection of essays unveils the creation and subsequent [mis]use of histories and mythologies while considering the necessity and nature of both remembering, and forgetting, war.

This is a cultural history of borders, hygiene and race. It is about foreign bodies, from Victorian Vaccines to the pathologized interwar immigrant, from smallpox quarantine to the leper colony, from sexual hygiene to national hygiene to imperial hygiene. Taking British colonialism and White Australia as case studies, the book examines public health as spatialized biopolitical governance between 1850 and 1950. Colonial management of race dovetailed with public health into new boundaries of rule, into racialised cordons sanitaires .

This book provides a lively study of the role that Australians and New Zealanders played in defining the British sporting concept of amateurism. In doing so, they contributed to understandings of wider British identity across the sporting world.

This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday." During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard. Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia.