Brazilian Womens Filmmaking
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Author |
: Leslie Marsh |
Publisher |
: University of Illinois Press |
Total Pages |
: 251 |
Release |
: 2012-10-30 |
ISBN-10 |
: 9780252094378 |
ISBN-13 |
: 0252094379 |
Rating |
: 4/5 (78 Downloads) |
Synopsis Brazilian Women's Filmmaking by : Leslie Marsh
At most recent count, there are no fewer than forty-five women in Brazil directing or codirecting feature-length fiction or documentary films. In the early 1990s, women filmmakers in Brazil were credited for being at the forefront of the rebirth of filmmaking, or retomada, after the abolition of the state film agency and subsequent standstill of film production. Despite their numbers and success, films by Brazilian women directors are generally absent from discussions of Latin American film and published scholarly works. Filling this void, Brazilian Women's Filmmaking focuses on women's film production in Brazil from the mid-1970s to the current era. Leslie L. Marsh explains how women's filmmaking contributed to the reformulation of sexual, cultural, and political citizenship during Brazil's fight for the return and expansion of civil rights during the 1970s and 1980s and the recent questioning of the quality of democracy in the 1990s and 2000s. She interprets key films by Ana Carolina and Tizuka Yamasaki, documentaries with social themes, and independent videos supported by archival research and extensive interviews with Brazilian women filmmakers. Despite changes in production contexts, recent Brazilian women's films have furthered feminist debates regarding citizenship while raising concerns about the quality of the emergent democracy. Brazilian Women's Filmmaking offers a unique view of how women's audiovisual production has intersected with the reconfigurations of gender and female sexuality put forth by the women's movements in Brazil and continuing demands for greater social, cultural, and political inclusion.
Author |
: Jack A. Draper III |
Publisher |
: State University of New York Press |
Total Pages |
: 306 |
Release |
: 2022-10-01 |
ISBN-10 |
: 9781438490267 |
ISBN-13 |
: 1438490267 |
Rating |
: 4/5 (67 Downloads) |
Synopsis Woman-Centered Brazilian Cinema by : Jack A. Draper III
Woman-Centered Brazilian Cinema highlights the bold, inspiring, and diverse work of female filmmakers—including directors, screenwriters, and producers—and female protagonists in the twenty-first-century Brazilian film industry. This volume examines the diverse production and distribution spaces these filmmakers are working in, including documentary, experimental, and short filmmaking, as well as commercial feature films. An intersectional approach runs throughout the chapters with complex considerations around gender, race, sexuality, and class. The book features a mix of research methods and genres, with macro-level political, economic, and industry-wide views of gender disparities appearing alongside in-depth conversations with contemporary filmmakers Maria Augusta Ramos, Petra Costa, Mari Corrêa, and Paula Sacchetta, focused on micro-level personal experiences. In bringing together original essays and interviews, the volume provides valuable information for students of Brazil in general and of Brazilian film in particular.
Author |
: Deborah Martin |
Publisher |
: Bloomsbury Publishing |
Total Pages |
: 311 |
Release |
: 2017-03-23 |
ISBN-10 |
: 9781786721723 |
ISBN-13 |
: 1786721724 |
Rating |
: 4/5 (23 Downloads) |
Synopsis Latin American Women Filmmakers by : Deborah Martin
Latin American women filmmakers have achieved unprecedented international prominence in recent years. Notably political in their approach, figures such as Lucrecia Martel, Claudia Llosa and Bertha Navarro have created innovative and often challenging films, enjoying global acclaim from critics and festival audiences alike. They undeniably mark a 'moment' for Latin American cinema.Bringing together distinguished scholars in the field - and prefaced by B. Ruby Rich - this is a much-needed account and analysis of the rise of female-led film in Latin America. Chapters detail the collaboration that characterises Latin American women's filmmaking - in many ways distinct from the largely 'Third Cinema' auteurism from the region - as well as the transnational production contexts, unique aesthetics and socio-political landscape of the key industry figures. Through close attention to the particular features of national film cultures, from women's documentary filmmaking in Chile to comedic critique in Brazil, and from US Latina screen culture to the burgeoning popularity of Peruvian film, this timely study demonstrates the remarkable possibilities for film in the region. This book will allow scholars and students of Latin American cinema and culture, as well as industry professionals, a deeper understanding of the emergence and impact of the filmmakers and their work, which has particular relevance for contemporary debates on feminism.
Author |
: Antônio Márcio da Silva |
Publisher |
: Springer |
Total Pages |
: 369 |
Release |
: 2014-05-01 |
ISBN-10 |
: 9781137399212 |
ISBN-13 |
: 113739921X |
Rating |
: 4/5 (12 Downloads) |
Synopsis The “Femme” Fatale in Brazilian Cinema by : Antônio Márcio da Silva
In film, the femme fatale has long been constructed as a beautiful heterosexual Caucasian woman. Da Silva shows the need to incorporate diverse ethnic groups and male homosexuals into the range of "femmes" fatales and examines how the Brazilian representations cross gender, race, and class and offer alternatives to the dominant Hollywood model.
Author |
: David William Foster |
Publisher |
: University of Texas Press |
Total Pages |
: 188 |
Release |
: 2010-06-28 |
ISBN-10 |
: 9780292789166 |
ISBN-13 |
: 0292789165 |
Rating |
: 4/5 (66 Downloads) |
Synopsis Gender and Society in Contemporary Brazilian Cinema by : David William Foster
"Gender is an absolute ground zero for most human societies," writes David William Foster, "an absolute horizon of social subjectivity." In this book, he examines gender issues in thirteen Brazilian films made (with one exception) after the 1985 return to constitutional democracy and elimination of censorship to show how these issues arise from and comment on the sociohistorical reality of contemporary Brazilian society. Foster organizes his study around three broad themes: construction of masculinity, constructions of feminine and feminist identities, and same-sex positionings and social power. Within his discussions of individual films ranging from Jorge um brasileiro to A hora da estrela to Beijo no asfalto, he offers new ways of understanding national ideals and stereotypes, sexual dissidence (homoeroticism and transgenderism), heroic models, U.S./Brazilian relations, revolutionary struggle, and human rights violations. As the first study of Brazilian cinematic representations of gender ideology in English or Portuguese, this book will be important reading in film and cultural studies.
Author |
: Parvati Nair |
Publisher |
: Manchester University Press |
Total Pages |
: 297 |
Release |
: 2019-01-04 |
ISBN-10 |
: 9781526141477 |
ISBN-13 |
: 1526141477 |
Rating |
: 4/5 (77 Downloads) |
Synopsis Hispanic and Lusophone women filmmakers by : Parvati Nair
This volume examines the films of Hispanic and Lusophone women filmmakers from the 1930s to the present day. It establishes productive connections between film practices across these geographical areas by identifying common areas of concern on the part of these female filmmakers. Focusing on aesthetic, theoretical and socio-historical analyses, it questions the manifest or latent gender and sexual politics that inform and structure the emerging cinematic productions by women filmmakers in Portugal, Spain, Latin America and the US. With a combination of scholars from the UK, the US, Spain and Latin America, the volume documents and interprets a fascinating corpus of films made by Hispanic and Lusophone women and proposes research strategies and methodologies that can expand our understanding of socio-cultural and psychic constructions of gender and sexual politics. An essential resource to rethink notions of gender identity and subjectivity, it is a unique contribution to Spanish and Latin American Film Studies and Film Studies.
Author |
: Jack A Draper |
Publisher |
: |
Total Pages |
: 272 |
Release |
: 2022-10 |
ISBN-10 |
: 1438490259 |
ISBN-13 |
: 9781438490250 |
Rating |
: 4/5 (59 Downloads) |
Synopsis Woman-Centered Brazilian Cinema by : Jack A Draper
Illuminates the complex factors that have helped or hindered creative work by and about women in the twenty-first-century Brazilian film industry.
Author |
: Traci Roberts-Camps |
Publisher |
: University of New Mexico Press |
Total Pages |
: 216 |
Release |
: 2017-06-01 |
ISBN-10 |
: 9780826358288 |
ISBN-13 |
: 0826358284 |
Rating |
: 4/5 (88 Downloads) |
Synopsis Latin American Women Filmmakers by : Traci Roberts-Camps
Women are noticeably marginalized from the Latin American film industry, with lower budgets and inadequate distribution, and they often rely on their creativity to make more interesting films. This book highlights the voices and stories of some of these directors from Brazil, Chile, Argentina, and Mexico. Roberts-Camps’s insightful exploration is the most broad-ranging account of its kind, making the book relevant to the study of literature as well as film.
Author |
: Stephanie Dennison |
Publisher |
: Routledge |
Total Pages |
: 296 |
Release |
: 2019-10-25 |
ISBN-10 |
: 9781317311829 |
ISBN-13 |
: 1317311825 |
Rating |
: 4/5 (29 Downloads) |
Synopsis Remapping Brazilian Film Culture in the Twenty-First Century by : Stephanie Dennison
Remapping Brazilian Film Culture makes a significant contribution not only to debates about Brazilian national cinema, but more generally about the development of world cinema in the twenty-first century. This book charts the key features of Brazilian film culture of the first two decades of the twenty-first century, including: the latest cultural debates within Brazil on film funding and distribution practices; the impact of diversity politics on the Brazilian film industry; the reception and circulation of Brazilian films on the international film festival circuit; and the impact on cultural production of the sharp change in political direction at national level experienced post-2016. The principle of "remapping" here is based on a need to move on from potentially limiting concepts such as "the national", which can serve to unduly ghettoise a cinema, film industry and audience. The book argues that Brazilian film culture should be read as being part of a globally articulated film culture whose internal workings are necessarily distinctive and thus deserving of world cinema scholars’ attention. A blend of industry studies, audience reception and cultural studies, Remapping Brazilian Film Culture is a dynamic volume for students and researchers in film studies, particularly Brazilian, Latin American and world cinema. *Honorary Mention - Best Book in Humanities for the LASA Brazil Prize 2021*
Author |
: Deborah Martin |
Publisher |
: Bloomsbury Publishing |
Total Pages |
: 290 |
Release |
: 2017-03-23 |
ISBN-10 |
: 9781786731722 |
ISBN-13 |
: 178673172X |
Rating |
: 4/5 (22 Downloads) |
Synopsis Latin American Women Filmmakers by : Deborah Martin
Latin American women filmmakers have achieved unprecedented international prominence in recent years. Notably political in their approach, figures such as Lucrecia Martel, Claudia Llosa and Bertha Navarro have created innovative and often challenging films, enjoying global acclaim from critics and festival audiences alike. They undeniably mark a 'moment' for Latin American cinema.Bringing together distinguished scholars in the field - and prefaced by B. Ruby Rich - this is a much-needed account and analysis of the rise of female-led film in Latin America. Chapters detail the collaboration that characterises Latin American women's filmmaking - in many ways distinct from the largely 'Third Cinema' auteurism from the region - as well as the transnational production contexts, unique aesthetics and socio-political landscape of the key industry figures. Through close attention to the particular features of national film cultures, from women's documentary filmmaking in Chile to comedic critique in Brazil, and from US Latina screen culture to the burgeoning popularity of Peruvian film, this timely study demonstrates the remarkable possibilities for film in the region. This book will allow scholars and students of Latin American cinema and culture, as well as industry professionals, a deeper understanding of the emergence and impact of the filmmakers and their work, which has particular relevance for contemporary debates on feminism.