One afternoon, in an old house in an abandoned village on the outskirts of Perimeter, in the place they call Pacifica, Bramah and the beggar boy find fragments of an ancient text in an oak box. Hunched over scraps of parchment and broken computer disks, they blow the dust off a cover, and so our story begins. Steeped in the tradition of fairy tales, The Heart of This Journey Bears All Patterns (THOT J BAP) features a world in which a small band of resisters and survivors meet heartbreak and destruction with rhymes and resourceful skills such as soap and glass making, and a belief in the supernatural. Many things happen—some good, but most bad—including five eco-catastrophes and a viral bio-contagion. Shapeshifting in and out of it all is the nimble Bramah, a female locksmith, part human, part goddess—brown, brave and beautiful. Ten years in the making and described as “truly ambitious” by Stephen Collis, this work by award-winning poet Renée Sarojini Saklikar spans continents and centuries. Bramah and the Beggar Boy is the first instalment of the multi-part series.

Like many British Columbians in 2017, Claudia Cornwall found herself glued to the news about the disastrous wildfires across the province. Her worry was personal: her cabin at Sheridan Lake had been in the family for sixty years and was now in danger of destruction. Cornwall, a long-time writer, was stricken not just by her own experience, but by the many moving stories she came across about the fires—so she began collecting them. She met with people from BC communities of Sheridan Lake, Ashcroft, Cache Creek, 16 Mile House, Lac La Hache, Quesnel, Williams Lake, Hanceville-Riske Creek and Clinton. She hoped to be a conduit for the voices she heard—for those who fought the fires raging around them, those who were evacuated and displaced, and those who could do nothing but watch as their homes burned. She conducted over fifty hours of interviews with ranchers, cottagers, Indigenous residents, RCMP officers, evacuees, store and resort owners, search and rescue volunteers, firefighters and local government officials. Presented in British Columbia in Flames are stories that illustrate the importance of community. During the 2017 wildfires, people looked after strangers who had no place to go. They shared information. They helped each other rescue and shelter animals. They kept stores open day and night to supply gas, food and comfort to evacuees. This memoir, at once journalistic and deeply personal, highlights the strength with which BC communities can and will come together to face a terrifying force of nature.

Selina Boan’s debut poetry collection, Undoing Hours, considers the various ways we undo, inherit, reclaim and (re)learn. Boan’s poems emphasize sound and breath. They tell stories of meeting family, of experiencing love and heartbreak, and of learning new ways to express and understand the world around her through nêhiyawêwin. As a settler and urban nehiyaw who grew up disconnected from her father’s family and community, Boan turns to language as one way to challenge the impact of assimilation policies and colonization on her own being and the landscapes she inhabits. Exploring the nexus of language and power, the effects of which are both far-reaching and deeply intimate, these poems consider the ways language impacts the way we view and construct the world around us. Boan also explores what it means to be a white settler–nehiyaw woman actively building community and working to ground herself through language and relationships. Boan writes from a place of linguistic tension, tenderness and care, creating space to ask questions and to imagine intimate decolonial futures.

Listening to the Bees is a collaborative exploration by two writers to illuminate the most profound human questions: Who are we? Who do we want to be in the world? Through the distinct but complementary lenses of science and poetry, Mark Winston and Renée Saklikar reflect on the tension of being an individual living in a society, and about the devastation wrought by overly intensive management of agricultural and urban habitats. Listening to the Bees takes readers into the laboratory and out to the field, into the worlds of scientists and beekeepers, and to meetings where the research community intersects with government policy and business. The result is an insiders’ view of the way research is conducted—its brilliant potential and its flaws—along with the personal insights and remarkable personalities experienced over a forty-year career that parallels the rise of industrial agriculture.

A secret organization of upper class dissenters, called The League, is not happy with their weak government and wants to overthrow it. In a clever plan they bring about a civil war in Britain by manipulating the coal strike with foreign help and plant a fascist regime in its place. What comes about is a total breakdown giving an accurate prediction of the rise of Fascism, as George Orwell famously noted. Superficially the novel (also alternately known as What Might Have Been) seems like it is promoting the cause of The League but it is in fact a bleary take on what might end up happening if such a thing comes to pass when the government is overtaken by the conservatives. Who becomes a hero and who becomes a villain is only a matter of seizing absolute power! In fact Orwell credited this novel as his inspiration behind his own successful dystopian classic 1984. Ernest Bramah (1868–1942) was an English author and a recluse who wrote the famous Kai Lung and Max Carrados series. Interestingly Bramah's humorous works were ranked with Jerome K Jerome and W. W. Jacobs, his detective stories with Conan Doyle, his politico-science fiction with H. G. Wells and his supernatural stories with Algernon Blackwood.

children of air india is a series of elegiac sequences exploring the nature of individual loss, situated within public trauma. The work is animated by a proposition: that violence, both personal and collective, produces continuing sonar, an echolocation that finds us, even when we choose to be unaware or indifferent. This collection breaks new ground in its approach to the saga that is Canada/Air India, an event and its aftermath that is both over-reported and under-represented in our national psyche. 329 deaths. 82 Children. Canada's worst mass murder. The accused acquitted. What does it mean to be Canadian and lose someone in Air India Flight 182? Why does 9/11 resonate more strongly with Canadians than June 23, 1985? The poems in this book search out answers in the "everything/ness and nothing/ness" of an act and its aftermath, revealing a voice that re-defines and re-visions. Air India never happened. Air India always happens.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.