The Botsotso literary journal started in 1996 as a monthly 4 page insert in the New Nation, an independent anti-apartheid South African weekly and reached over 80,000 people at a time largely politisized black workers and youth with a selection of poems, short stories and short essays that reflected the deep changes taking place in the country at that time. Since the closure of the New Nation in 1999, the journal has evolved into a stand-alone compilation featuring the same mix of genres, and with the addition of photo essays and reviews. The Botsotso editorial policy remains committed to creating a mix of voices which highlight the diverse spectrum of South African identities and languages, particularly those that are dedicated to radical expression and examinations of South Africa's complex society.

The High Flier and Other Stories is a collection of twelve exciting short stories from across Africa. The collection focuses on pertinent issues which touch on social, economic and political aspects of life such as the place of the African girl child, personal relationships in a changing cultural universe, female exploitation and choice, interracial relationships, HIV and AIDS, political disillusionment and betrayal, prison life, and disability. The stories provide insight into the issues that dominate contemporary debates in Africa from some the continents most well-known writers such as Chimamanda Ngozi Adichie, Ngugi wa Thiong’o, Grace Ogot, Chiedza Musengezi, Seam O’Toole, Chika Unigwe, Mildred Kiconco Barya, Mzana Mthimkhulu, Leila Aboulela, Alex la Guma, Vivienne Ndlovu and Leteipa ole Sunkuli.

Sprawling to the south east of the revered Hararethere is a place millions call home, Chitungwiza as in that olden track, mushamukuru, wakaenda kupiko, Chitungwiza. It is Zimbabwes biggest village, that became a town, that became a city, that became our own Soweto Zimbabwes biggest suburb yet also Zimbabwes Hollywood. It has produced or groomed Zimbabwes creatives and creative industry from film, by the book, poets, musicians, entertainers, academia, media practitioners, sculptors and those involved in other visual arts. In this anthology, Chitungwiza Mushamukuru: An Anthology from Zimbabwes Biggest Ghetto Town, we have work from 1 artist and 11 writers who have called this Chitungwiza, Zimbabwe home, or have wrote home about this place, or have created artworks which highlight the culture, identity, lives, and position Chitungwiza in these matrixes or beyond those highlighted above.

On March 8, 2007, one of Cameroons foremost scholars died in a ghastly traffic accident barely hours after launching his most forthright and acerbic collection of poems: Disgrace: Autobiographical Narcissus. Dr. Bate Besong was a social activist, a critic, troubadour, and playwright; an avant-garde, steeped in the tradition of the absurd, who fought against the corrupt system of governance that transmuted Cameroonians into a comatose and apathetic citizenry neutered by fear engendered by the workings of an existing Gestapo. For the first time, Emmanuel Fru Doh has gone beyond an analysis of Besongs plays into giving an in-depth appraisal of his poems which have, for a long time, held back critics because of their opacity. Doh examines each of Besongs plays and collections of poems in separate sections and succeeds in setting Besongs work in perspectivemindful of their concerns and the nations historyas informed by a succinct political vision and an already established technique modified only by genre. The Obasinjom Warrior, which amounts to a brief look at the scholars life and a detailed study of his works, is a befitting tribute to a true patriot and scholar who died fighting the forces of evil, in positions of power, which have transformed his native Cameroon into a province of hell. This is a careful, detailed, and authoritative study of one of the most significant literary figures ever to emerge from Cameroon.

This book makes a rare contribution towards the preservation and promotion of ukhaliro wa bene Malawi (Malawian culture) that is fast waning. This dilution of culture was put in motion by the British colonial masters and got exacerbated with the inception of democratic governance in 1994. There is need for concerted efforts amongst various practitioners and stakeholders, led by the government itself, if the situation is to be put under control. Otherwise, sooner or later, it will simply be remote history that 'long time ago, there was a unique culture in Malawi'. The book is a collection of twenty short stories that generally promote such themes as nkharo yiwemi (good behaviour); uheni wa chigolo na sanje (the bad side of selfishness and jealousy); kulimbikira pa vinthu (hard working spirit); and uheni wa mitala (the folly of polygamy), among others. The strength of the book lies in the fact that there is room for the reader to draw their own lessons based on their understanding of a particular story, in addition to the lesson already highlighted there-in. The book is a must read for all, young and old, especially those interested in understanding the societal values, not only about Malawi, but of Africa as a whole.

No Time to Mourn is a collection of short stories, poems, artwork and photography penned, produced and presented by South Sudanese women. It reflects the lives of the women writers and artists, and at the same time gives voice to the very real lived experiences and lives of every woman of South Sudanese heritage. The ideas and experiences in this book span decades they straddle borders, they cross continents and describe events that are hard to imagine, even with some knowledge of South Sudan's history. It is hard not to be moved as you read what many of these authors have lived through as they strive to achieve those basic of human rights: life, liberty and security. Through this book, we learn more about the cost of war and the value of peace, and how they affect women's abilities to found a home, bear and raise children, stay healthy and safe, secure education for themselves and their children, seek professional fulfilment and even fall in love, all while navigating society's often narrowly defined gender roles.

This anthology is an outcome of literary writers’ reaction to the Boko Haram insurgency in the north-eastern part of Nigeria. Lives therein have not only been extensively disrupted by the group’s violent tactics and the mind-numbing levels of physical destruction and thousands of deaths, but also in the dislocation of millions of people, with most of them seeking refuge in urban centres, especially Maiduguri, for safety. These refugees, classified as Internally Displaced Persons and in camps guarded by Nigerian soldiers, have received worldwide attention. Writers in the affected areas and elsewhere in Nigeria have responded in their poetry, short stories, and non-fiction some of which are collected here.