This book makes a rare contribution towards the preservation and promotion of ukhaliro wa bene Malawi (Malawian culture) that is fast waning. This dilution of culture was put in motion by the British colonial masters and got exacerbated with the inception of democratic governance in 1994. There is need for concerted efforts amongst various practitioners and stakeholders, led by the government itself, if the situation is to be put under control. Otherwise, sooner or later, it will simply be remote history that 'long time ago, there was a unique culture in Malawi'. The book is a collection of twenty short stories that generally promote such themes as nkharo yiwemi (good behaviour); uheni wa chigolo na sanje (the bad side of selfishness and jealousy); kulimbikira pa vinthu (hard working spirit); and uheni wa mitala (the folly of polygamy), among others. The strength of the book lies in the fact that there is room for the reader to draw their own lessons based on their understanding of a particular story, in addition to the lesson already highlighted there-in. The book is a must read for all, young and old, especially those interested in understanding the societal values, not only about Malawi, but of Africa as a whole.

Labour migration from Malawi to South Africa is a ‘century-old phenomenon’. It dates as far back as the 1880s following the establishment of diamond and gold mines. In the period up to the 1980s, this migration took either formal or informal nature whereas in the post-1990 period it became exclusively informal, popularly known as selufu in Malawi. This book is an attempt to shed light on both forms of migration over time. By using the case of Mzimba, one of the major labour migration districts in Malawi, Perspectives of Labour Migration shows that migration, especially in the post-1990 period, remains a preoccupation of the different categories of both men and women in selected areas in the country. A cross-section of Malawians continue to regard emigration to South Africa as a means to an end: a way of fulfilling their heart-felt and life-time goals at household and societal levels. Because of their distinguished and unparalleled determination, these labour migrants continue to ‘flock’ to South Africa in the midst of such challenges as xenophobia, crime, arrests and deportations. The book advances the argument that Malawian labour migrants are purposive and rational human beings who are ready to overcome these challenges, at times using the most improbable means, for example, through the use of mankhwala gha mwabi (luck medicine).

Since the discovery and exploitation of minerals like gold, diamond and copper in South Africa, Zimbabwe and Zambia in the late nineteenth and early twentieth centuries, Malawi has played the role of a labour supplier. Malawians were attracted by the relatively higher wages obtaining in the South African mines up to the period of the decline in mine migrancy at the end of the 1980s. Following this decline, a cross-section of Malawians continued to emigrate to South Africa to seek various jobs in the burgeoning informal sector and also for trade purposes. Migration from Malawi to South Africa sheds light on the problems that labour migrants and traders encounter as they are ‘toing’ and ‘froing’ between Malawi and South Africa in pursuit of their respective goals. It shows that migration, which initially was exclusively done for wage employment, is becoming more complex by the day. This is a result of the infusion of elements of commercial migration, smuggling and human trafficking. The book advances the argument that the numbers of migrants to South Africa increased in the post-1994 period partly as a result of mal-administration by the successive democratically-elected governments in Malawi. This development weakened Malawi’s otherwise promising economy and impoverished the rural masses. The book ‘sees’ forlorn hope in the future of labour migrants and traders, unless the Malawi Government starts to genuinely have the welfare of the populace at heart! The book is relevant and accessible to policy-makers, university and college students interested in migration studies, general readers and migrants, themselves.

The High Flier and Other Stories is a collection of twelve exciting short stories from across Africa. The collection focuses on pertinent issues which touch on social, economic and political aspects of life such as the place of the African girl child, personal relationships in a changing cultural universe, female exploitation and choice, interracial relationships, HIV and AIDS, political disillusionment and betrayal, prison life, and disability. The stories provide insight into the issues that dominate contemporary debates in Africa from some the continents most well-known writers such as Chimamanda Ngozi Adichie, Ngugi wa Thiong’o, Grace Ogot, Chiedza Musengezi, Seam O’Toole, Chika Unigwe, Mildred Kiconco Barya, Mzana Mthimkhulu, Leila Aboulela, Alex la Guma, Vivienne Ndlovu and Leteipa ole Sunkuli.

Sprawling to the south east of the revered Hararethere is a place millions call home, Chitungwiza as in that olden track, mushamukuru, wakaenda kupiko, Chitungwiza. It is Zimbabwes biggest village, that became a town, that became a city, that became our own Soweto Zimbabwes biggest suburb yet also Zimbabwes Hollywood. It has produced or groomed Zimbabwes creatives and creative industry from film, by the book, poets, musicians, entertainers, academia, media practitioners, sculptors and those involved in other visual arts. In this anthology, Chitungwiza Mushamukuru: An Anthology from Zimbabwes Biggest Ghetto Town, we have work from 1 artist and 11 writers who have called this Chitungwiza, Zimbabwe home, or have wrote home about this place, or have created artworks which highlight the culture, identity, lives, and position Chitungwiza in these matrixes or beyond those highlighted above.

Providing insight into Arab culture, Patai offers extensive notes and commentary on particular Arabic phrases and images, as well as the ways of speaking and thinking found among the Arab population, especially the Bedouins, in Palestine and Israel. Patai also places the stories in the context of global folktales, and traces the transformations in the art of storytelling.

To enter the world of Ben Okri's stories is to surrender to a new reality. Set in the chaotic streets of Lagos and the jungle heart of Nigeria, all the laws of cause and effect, fact and fiction, are suspended. It is a world where the lives of the powerless veer terrifyingly close to nightmare. In rich, lyrical, almost hallucinatory prose Ben Okri guides us through the fabulous and the mundane, the serene and the randomly violent. The unrelenting Nigerian heat and the implacable darkness of the black-out and the military curfew are the backdrops for his characters each finding their own ways to survive. We witness their dogged resistance to impotence, their unquenchable humour and their insistence on the possibility of love in the face of terror. Written with the lucid clarity and logic of dream, Stars of the New Curfew is a book of visionary imagination.

A dazzling collection from across the African continent and diaspora here SHORT STORY DAY AFRICA has assembled the best nineteen stories from their 2013 competition. Food is at the centre of stories from authors emerging and established, blending the secular, the supernatural, the old and the new in a spectacular celebration of short fiction. Civil wars, evictions, vacations, feasts and romances the stories we bring to our tables that bring us together and tear us apart.

On March 8, 2007, one of Cameroons foremost scholars died in a ghastly traffic accident barely hours after launching his most forthright and acerbic collection of poems: Disgrace: Autobiographical Narcissus. Dr. Bate Besong was a social activist, a critic, troubadour, and playwright; an avant-garde, steeped in the tradition of the absurd, who fought against the corrupt system of governance that transmuted Cameroonians into a comatose and apathetic citizenry neutered by fear engendered by the workings of an existing Gestapo. For the first time, Emmanuel Fru Doh has gone beyond an analysis of Besongs plays into giving an in-depth appraisal of his poems which have, for a long time, held back critics because of their opacity. Doh examines each of Besongs plays and collections of poems in separate sections and succeeds in setting Besongs work in perspectivemindful of their concerns and the nations historyas informed by a succinct political vision and an already established technique modified only by genre. The Obasinjom Warrior, which amounts to a brief look at the scholars life and a detailed study of his works, is a befitting tribute to a true patriot and scholar who died fighting the forces of evil, in positions of power, which have transformed his native Cameroon into a province of hell. This is a careful, detailed, and authoritative study of one of the most significant literary figures ever to emerge from Cameroon.

No Time to Mourn is a collection of short stories, poems, artwork and photography penned, produced and presented by South Sudanese women. It reflects the lives of the women writers and artists, and at the same time gives voice to the very real lived experiences and lives of every woman of South Sudanese heritage. The ideas and experiences in this book span decades they straddle borders, they cross continents and describe events that are hard to imagine, even with some knowledge of South Sudan's history. It is hard not to be moved as you read what many of these authors have lived through as they strive to achieve those basic of human rights: life, liberty and security. Through this book, we learn more about the cost of war and the value of peace, and how they affect women's abilities to found a home, bear and raise children, stay healthy and safe, secure education for themselves and their children, seek professional fulfilment and even fall in love, all while navigating society's often narrowly defined gender roles.