About the history of Hong Kong from ancient times until 1993.

Rev. ed. published 1976 under title: Borrowed place, borrowed time. Bibliography: p. [173].

In Borrowed Place: Mission Stations and Local Adaption in Early Twentieth-Century Hunan Riika-Leena Juntunen creates a microhistorical narrative around the establishment, reception, and development of Lizhou protestant stations during the turbulent years of popular nationalism and early communist activity. The book examines the changing place identity around the stations from political, religious, ritual, cultural, and gendered perspectives, revealing a Chinese semi-religious community with varying motivations and in constant dialogue with its surroundings. The group developed its own normative code and hierarchy, and it offered both economic and religious benefits according to local models. Yet the developing political situation also meant it had to solve the question of anti-foreignism to be able to continue its existence.

The handover in 1997 saw Hong Kong's transition from colonial to communist rule under the auspices of 'one country, two systems'. But twenty years on, the real impact of the sovereignty change is just starting to register, with a rapid erosion of freedoms. Believing that we are stronger together, PEN Hong Kong invited some of the city's most prominent writers to contribute to an anthology of essays, fiction and artwork that marks this historical milestone.

We Borrowed Gentleness interrogates the innateness of pain and forms of destruction—through natural disaster, through God, through family, and through the power structures and patriarchal violence that embeds itself in language and cultural memory. Poems critique and challenge the patriarchal narratives that dominate American history. The poems leave the question open of whether man, men, a father and son, are redeemable after the surge of rising white nationalism in America. And yet, there are poems that find, still, bits of joy and perhaps a shred of hope. By juxtaposing poems of louder narrative imagination with quieter poems that explore intimate failings within a family, often portrayed with a realist aesthetic, the book attempts to work through the essential fault in man, in men—in the structures that they design and maintain.

A legendary detective uncovers Hong Kong’s darkest crimes: “An ambitious narrative brilliantly executed . . . What an achievement!” (John Burdett, author of Bangkok 8). From award-winning author Chan Ho-kei, The Borrowed tells the story of Kwan Chun-dok, a detective who’s worked in Hong Kong fifty years. Across six decades of Hong Kong’s volatile history, the narrative follows Kwan through the Leftist Riot of 1967, when a bombing plot threatens many lives; the conflict between the HK Police and ICAC (Independent Commission Against Corruption) in 1977; the Tiananmen Square Massacre in 1989; the Handover in 1997; and the present day of 2013, when Kwan is called on to solve his final case, the murder of a local billionaire, in a modern Hong Kong that increasingly resembles a police state. Along the way we meet Communist rioters, ultra-violent gangsters, pop singers enmeshed in the high-stakes machinery of star-making, and a people always caught in the shifting balance of political power, whether in London or Beijing. Tracing a broad historical arc, The Borrowed reveals just how closely everything is connected, how history repeats itself, and how we have come full circle to repeat the political upheaval and societal unrest of the past. It is a gripping, brilliantly constructed novel from a talented new voice.

Giffin's smash-hit debut novel--basis for the 2011 film--is for every woman who has ever had a complicated love-hate friendship.

Thousands of travelers become stuck after ISIS attacks the United States, leaving the nation's physical, electrical, and technological infrastructure in tatters. Jim Powell and his co-workers are stranded in a hotel in Richmond, Virginia, about five hundred miles from home. He and several others embark on a journey to try to get back home, by any means possible, in a world with scarce law enforcement where the rules of civilized society no longer apply.

During World War II a young German girl, who has been indoctrinated into the Hitler Youth, travels to occupied Amsterdam to rejoin her parents then comes to realize the truth about the war. New introduction by the author's son, John Tepper Marlin. "So, you're falsifying papers?" said Janna. "You belong to the Dutch Resistance." She looked at him curiously. The boy shrugged his shoulders. "You could call it that. I'm just helping the van Arkels rescue innocent people from certain death. They need these identification papers and food cards to keep alive. If you betray me, all these people will either starve or be forced to give themselves up to be sent to the gas chambers of a concentration camp." "Gas chambers?" Janna looked at the boy with horror. "You mean ... they are killed?" The book looked sternly at her. "Do you think," he said, "that Germany is sending Jews to a nice vacation spa, or to pretty villages with geraniums in the windows? That's what they told us at first, though in Holland we never believed it." This book is based on a true story, and even though it deals with some hard issues brought about by the German occupation of Amsterdam, it provides an opportunity to discuss World War II from a unique perspective.