Thousands of travelers become stuck after ISIS attacks the United States, leaving the nation's physical, electrical, and technological infrastructure in tatters. Jim Powell and his co-workers are stranded in a hotel in Richmond, Virginia, about five hundred miles from home. He and several others embark on a journey to try to get back home, by any means possible, in a world with scarce law enforcement where the rules of civilized society no longer apply.

A legendary detective uncovers Hong Kong’s darkest crimes: “An ambitious narrative brilliantly executed . . . What an achievement!” (John Burdett, author of Bangkok 8). From award-winning author Chan Ho-kei, The Borrowed tells the story of Kwan Chun-dok, a detective who’s worked in Hong Kong fifty years. Across six decades of Hong Kong’s volatile history, the narrative follows Kwan through the Leftist Riot of 1967, when a bombing plot threatens many lives; the conflict between the HK Police and ICAC (Independent Commission Against Corruption) in 1977; the Tiananmen Square Massacre in 1989; the Handover in 1997; and the present day of 2013, when Kwan is called on to solve his final case, the murder of a local billionaire, in a modern Hong Kong that increasingly resembles a police state. Along the way we meet Communist rioters, ultra-violent gangsters, pop singers enmeshed in the high-stakes machinery of star-making, and a people always caught in the shifting balance of political power, whether in London or Beijing. Tracing a broad historical arc, The Borrowed reveals just how closely everything is connected, how history repeats itself, and how we have come full circle to repeat the political upheaval and societal unrest of the past. It is a gripping, brilliantly constructed novel from a talented new voice.

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Over the last century mankind has irrevocably damaged the environment through the unscrupulous greed of big business and our own willful ignorance. Here are the strikingly poignant accounts of disasters whose names live in infamy: Chernobyl, Bhopal, Exxon Valdez, Three Mile Island, Love Canal, Minamata and others. And with these, the extraordinary and inspirational stories of the countless men and women who fought bravely to protect the communities and environments at risk.

In "The Borrowed World, "Emily Leithauser transforms keenly felt experience and bittersweet memories into poems of impressive craftsmanship. She deftly muses on the dichotomies of, among other things, childhood and growing up, the headiness of love gained and the pangs of love lost, the joys of the nuclear family and the trials when it gets broken up. Although a first book, "The Borrowed World" is the seasoned work of poet of abundant talent coming into her powers and deservedly, the winner of the 2015 Able Muse Book Award. PRAISE FOR THE BORROWED WORLD: In "The Borrowed World, " Emily Leithauser's formal mastery her consummate knack for writing lines and sentences as crisp and elegant as the "Edo" prints to which she pays homage entwines with the sheer immediacy and vulnerability of the poet's voice. Leithauser portrays the inevitability of loss, in romantic and familial relationships, and yet, without ever offering false resolutions or pat conclusions, she manages to make her poems themselves convincing stays against loss. I mean that this book is made to endure. "The Borrowed World" marks the arrival of a major talent. Peter Campion, 2015 Able Muse Book Award judge Emily Leithauser s first collection, "The Borrowed World, " is an elegant meditation on inheritance, the vagaries of love and loss, familial relations with all the devastating implosions within and our relationship to the past filtered through the flawed lens of memory. These are deeply felt poems and Leithauser has a finely-tuned ear for the lyricism of syntax and the enduring rhythms of traditional forms. "The Borrowed World" is her stunning debut. Natasha Trethewey, 2012 2014 US Poet Laureate If her intensely accurate perceptions of the physical world and the beautiful forms in which she sets those perceptions were all that Emily Leithauser gave us in these poems, they would be more than enough to satisfy the hungriest poetry reader. But step by perspicuous step, in poem after poem, she enlarges and encompasses, she broadens and deepens and transmutes perception into feeling, feeling into thought, and thought into revelation. Vijay Seshadri, winner of the Pulitzer Prize Love poems, family poems, narrative poems: "The Borrowed World" is a moving and memorable debut which covers a lot of ground but is always rooted in actualities. The poems are very well-made, too, but their equally great distinction is to be well-felt subtle in their account of the observing "I," and simultaneously generous and shrewd in their understanding of others. Page by page, they create a series of powerful cameos; taken as a whole, their larger purpose emerges: to register what can be known and (especially) not known about our lives as individuals, and to value what time allows us to enjoy on earth, while admitting the brevity of our stay here. Andrew Motion, 1999 2009 UK Poet Laureate I have read "The Borrowed World" several times, and each time I find more in it to be delighted and touched by. Emily Leithauser's art waits for you, and I am sure that you will be as pleased and moved by it as I have been. Michael Palma (from the foreword) ABOUT THE AUTHOR: Emily Leithauser was born in Washington, DC, and grew up in Western Massachusetts. She earned her MFA in poetry at Boston University and her PhD in English at Emory University, where she is a Lecturer in the Creative Writing Program. Her work has appeared in "New Ohio Review, Blackbird, Literary Imagination, " and "Southwest Review, " among other journals. She is the recipient of the 2015 Tennessee Williams/New Orleans prize for poetry. She lives in Atlanta with her fiance, Simon, and their two dogs. " The Borrowed World" is the winner of the 2015 Able Muse Book Award. "

"An ELECTRIFYING story of survival . . . " In his bestselling novels, The Borrowed World and Ashes of the Unspeakable, Franklin Horton showed us a nation facing societal collapse from a coordinated ISIS attack on the American infrastructure. Most of the country is without power, communication, and fuel. As a result of the attack, a group of business travelers in Virginia found themselves among the millions stranded on the highways with no idea how they would be getting home. In this third installment, Legion of Despair, the country is teetering on the brink of anarchy. While one of the stranded travelers, Jim Powell, made it home and is working to establish a safe, sustainable enclave for his family, his co-workers Gary and Alice are not faring as well. After spending hundreds of painful miles dreaming of his reunion with his family, Gary arrives home only to find his family under attack. Now he must face the painful decision as to whether his family's plan to bug-in is viable or whether they may need greater numbers and a better location to survive in this collapsing nation. While Gary's homecoming is bittersweet, he has at least found his way into the arms of his family. His co-worker Alice has awakened on the cold, concrete floor of a basement in Bluefield, Virginia. She is bound and chained to a support column. She doesn't know if she will ever see her son or husband again. All she knows for certain is that the man in front of her has already brutally killed her friend, Rebecca, and unless she finds a way out, he will kill her, too.

"It's been around nine long months since the United States spiraled into chaos due to a cascading systems failure. The die-off everyone predicted has begun and after a hard winter nearly every other house sits empty with the owners dead or unaccounted for. Lately the power has flickered on and off a few times, raising hopes that power restoration is coming soon. But how do you put the genie back in the bottle? Violence is everywhere. Disease is rampant. Hundreds of thousands are dead. Insurance can never pay for the damage and loss that has occurred. The economy will take years to restore, if it can be restored at all. From the recesses of a fractured government comes a plan to restore order and rescue what remains of the population. The first step comes with restoring power. But what if having access to electricity came at such a price that many -- like Jim Powell, his friends, and his neighbors -- would rather face a future in the dark."--Back cover.

We Borrowed Gentleness interrogates the innateness of pain and forms of destruction—through natural disaster, through God, through family, and through the power structures and patriarchal violence that embeds itself in language and cultural memory. Poems critique and challenge the patriarchal narratives that dominate American history. The poems leave the question open of whether man, men, a father and son, are redeemable after the surge of rising white nationalism in America. And yet, there are poems that find, still, bits of joy and perhaps a shred of hope. By juxtaposing poems of louder narrative imagination with quieter poems that explore intimate failings within a family, often portrayed with a realist aesthetic, the book attempts to work through the essential fault in man, in men—in the structures that they design and maintain.

When World War II “borrows” the men in seven-year-old Gerda’s family, the German government sends them three new men in return: Gabriel, Fermaine, and Albert, French prisoners of war who must sleep in an outbuilding and work the farm until the war is over. Gerda knows they are supposed to treat the men as enemies, but it doesn’t seem fair. Can’t they invite them into the warm house for one meal? What harm could it do to be friendly? Writing from her mother’s childhood memories of Germany during World War II, Michelle Barker shares the story of one family’s daring kindness in a time of widespread anger and suspicion. Renné Benoit’s illustrations bring warmth to the era, showing the small ways in which a forbidden friendship bloomed: good food, a much-loved doll, a secret Christmas tree. Family photographs and an Author’s Note give further insight into the life of Gerda, the little girl who proved that it isn’t so far from Feinde (enemies) to Freunde (friends).