Deep in Australia's outback, a woman has been murdered, her daughter vanished. Ole Fren Yorky, a crazy wanderer, is known to have been in the area, and his footprints have been identified near the body. When he too disappears, even the Aboriginal trackers are baffled. Bony's approach changes everything... It becomes one of Bony's great adventures... He pictures the merits of Aboriginal society. And he uses weather - in this case the threatening rising of the lake - to picture man's heroic stature. The setting, the events, the pace of telling the story, the style of telling it - all combine to make this a tight, effective crime novel. - From The Spirit of Australia by Ray Browne.

In the world of crime fiction, Arthur W. Upfield stands among the giants. His detective-inspector Napoleon Bonaparte, is one of the most memorable of all crime fighters. Upfield was an independent, fiercely self-assertive ex-Britisher, who loved Australia, especially the Outback. In many ways Upfield became Outback Australia—the “Spirit of Australia.”

To observe a ridge of sandhills was to wonder what lay beyond them... Perhaps it was the sense of freedom, both physically and spiritually, the knowledge that should I want to look beyond the sandhills and peer beyond the mirage, there was nothing but my two legs and a water bag to prevent me... As thousands did before me, and as men are still doing in these days, I asked for my cheque instead of orders one bright morning in May, and a week later an eager young man pushed a loaded bicycle out of Wilcannia. Arthur Upfield's autobiography was written in 1937 but put aside during the intervening years of the Second World War. Now available for the first time, here is Upfield's own story of tramping Australia and developing his great crime novels featuring Bony, the first Aboriginal detective, alongside real desert characters like One-Spur Dick, Mr Pluto, Dead March Harry and the evil Snowy Rowles. Illustrated with photographs from Upfield's archive.

Paperback Quarterly, Journal of Mass-Market Paperback History, Volume 3 Number 2, Summer 1980, contains: "Too Much Bony," by M. C. Hill, "Interview with Kelly Freas," "Repairing Paperbacks," by Nicholas Willmott and "Interior Paperback Art," by Mark Schaffer.

This book, which was inspired by a conference on plural conjugations of Frenchness (La France au pluriel) held in 2007 at the Universities of Technology, Sydney and Newcastle, focuses on the concept of national belonging as it pertains to detective fiction, with particular emphasis on French and Australian detective fictions and the encounter and crossing over between them. The objective is not only to use the concepts of 'French' and 'Australian' detective fiction productively, via the analysis of French and Australian detective-fiction novels, but also to challenge and undermine the very notion of national detective fictions, which are so often assumed to be transparently meaningful. The contributors to this volume focus variously on the following areas: comparative analysis of the genesis of French and Australian detective fiction; translation of Australian (and other) novels into French; translation as a genre; Frenchness as a stereotype, its role in individual novels and its spectre in all detective fiction; and readings of individual French and Australian detective novels. Overall, this book aims to challenge assumptions about French detective fiction, its influence on other national fictions and its explicit and implicit presence in all detective fiction.

Arthur Upfield created Detective Inspector Napoleon Bonaparte (Bony) who features in twenty-nine novels written from the 1920s to the the 1960s, mostly set in the Australian Outback. He was the first Australian professional writer of crime detection novels. Upfield arrived in Australia from England on 4 November 1911, and this collection of twenty-two critical essays by academics and scholars has been published to celebrate the centenary of his arrival. The essays were all written after Upfield’s death in 1964 and provide a wide range of responses to his fiction. The contributors, from Australia, Europe and the United States, include journalist Pamela Ruskin who was Upfield’s agent for fifteen years, anthropologists, literary scholars, pioneers in the academic study of popular culture such as John G. Cawelti and Ray B. Browne, and novelists Tony Hillerman and Mudrooroo whose own works have been inspired by Upfield’s. The collection sheds light on the extent and nature of critical responses to Upfield over time, demonstrates the type of recognition he has received and highlights the way in which different preoccupations and critical trends have dealt with his work. The essays provide the basis for an assessment of Upfield’s place not only in the international annals of crime fiction but also in the literary and cultural history of Australia.

Analysis of the assimilation issues and race relations in five novels from the 1950s and 1960s and three non-fiction and texts that were produced in academic and government circles regarding the 'half caste problem' in the 1930s and 1940s; includes overview of assimilation in Australia and definitions of assimilation; management of race relations in Australia; eugenic politics; Aboriginality; 1937 Aboriginal welfare conference; Citizenship for the Aborigines (1944); Australia's Colours Minority: Its place in the community (1947).

This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.

" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.