Since the Second World War, depictions of Royal Air Force operations in film and television drama have become so numerous that they make up a genre worthy of scholarly attention. In this illuminating study, S. P. MacKenzie explores the different ways in which the men of RAF Bomber Command have been represented in dramatic form on the big and small screen from the war years to the present day. Bomber Boys on Screen is the first in-depth study of how and why the screen-drama image of those who flew, those who directed them, and those who provided support for RAF bomber operations has changed over time, sometimes in contested circumstances. Until now dramas that focus on Bomber Command have tended to be mentioned only in passing or studied in isolation, despite the prevalence of surveys of both the British war film genre and of aviation cinema. In Bomber Boys on Screen MacKenzie examines the development, presentation, and reception of significant dramas on a decade-by-decade basis. Titles from the beginning of the war (The Lion Has Wings, 1939) to the start of new century (Bomber's Moon, 2014) are situated in the context of technical possibilities and limitations, evolving social and cultural norms in the United Kingdom and elsewhere, and the development of moral and utilitarian controversies surrounding the wartime bomber offensive directed against Nazi Germany. While the focus is on feature films and television plays, reference is also made to documentaries, memorials, veterans' organizations, book titles, war comics, and other representations of the war fought by Bomber Command.

Roddy MacKenzie’s father served in Bomber Command during the Second World War, but like so many brave veterans who had survived the war, he spoke little of his exploits. So, when Roddy started on his personal journey to discover something of what his father had achieved, he uncovered a great deal about the devastating effectiveness of Bomber Command and the vital role it played in the defeat of Third Reich. He realised that the true story of Bomber Command’s achievements has never been told nor fully acknowledged. Roddy became a man on a mission, and this startlingly revealing, and often personal study, is the result. Bomber Command: Churchill's Greatest Triumph takes the reader through the early days of the Second World War and introduces all the key individuals who turned the Command into the war-winning weapon it eventually became, as well as detailing the men and machines which flew night after night into the heart of Hitler’s Germany. The main focus of his book is the destruction and dislocation wrought by the bombing to reduce, and ultimately destroy, Germany’s ability to make war. In his analysis, Roddy dug deep into German archival material to uncover facts rarely presented to either German or English language readers. These demonstrate that Bomber Command’s continual efforts, at appalling cost in aircrew casualties and aircraft losses, did far more damage to the Reich than the Allies knew. Roddy’s father served with the Royal Canadian Air Force and Roddy naturally highlights its contribution to Bomber Command’s successes, another aspect of this fascinating story which the author believes has not been duly recognized. Bomber Command: Churchill's Greatest Triumph will certainly raise the debate on the controversial strategy adopted by ‘Bomber’ Harris and how he was perceived by many to have over-stepped his remit. But most of all, this book will revise people’s understanding of just how important the endeavours were of those men who flew through the dark and through the searchlights, the flak, and the enemy night fighters, to bring the Second World War in Europe to its crushing conclusion.

A gripping account of the everyday heroism of British bomber crews in 1943 - the year when Bomber Command believed it could win WWII by bombing alone. In 1943 the RAF began a bombing campaign against Germany, the like of which had never before been seen. Over the next twelve months, tens of thousands of aircrews flew across the North Sea to drop their bombs on German cities. They were opposed not only by the full force of the Luftwaffe, but by a nightmare of flak, treacherously icy conditions, and constant mechanical malfunction. Most of these crews never finished their tour of operations but were either shot down and killed, or taken prisoner by an increasingly hostile enemy. This is the story of the everyday heroism of British bomber crews in the days when it was widely believed that the Allies could win the Second World War by bombing alone. Kevin Wilson has interviewed hundreds of former airmen about what their lives were like in 1943: the stomach-churning tension of flying repeatedly over hostile territory, the terror at being shot down or captured, and the peculiar mixture of guilt and pride at unleashing such devastation on Germany.

“Expertly researched . . . 20 different narratives in which these heroes venture out night after night on sorties throughout World War II Europe.” —Plane and Pilot Three weeks after Stirling air gunner Doug Fry was reported missing over Germany his mother was still clinging to the vain hope that he was alive. Then a neighbor said she had seen him in the cinema just down the road. The airman and his crew had been filmed for a Bomber Command documentary shortly before they took off from Mildenhall to attack Remscheid. Three hours later four of the crew were killed, but it was another two months after she had also seen the poignant film that widowed mother of eight Winnie Fry knew her nineteen-year-old son, though wounded, was still alive. Lancaster pilot Victor Wood’s aircraft arrived too early over Gelsenkirchen when the target was shrouded in darkness and the Main Force was miles behind. His 12 Squadron bomber was suddenly struck with terrifying force by flak and turned upside-down. An engine was on fire, the unconscious mid-upper gunner, slumped in his turret, was being sprayed with petrol and their bomb-load had been struck by shrapnel. Could Vic Wood get his crew back to base safely? These are just two of twenty dramatic Bomber Command stories in Bomber Boys. Night after night, the young men, some just out of school, went off on sorties, having pushed to the back of their minds the unpalatable awareness that they might never see another dawn. If death did not find them on the first few terrifying sorties they grew up very quickly in order to fight another day.

Military author Rob Morris spent three years tracking down and interviewing veterans of the war in the Pacific, focusing on men who had undergone extreme combat, imprisonment, and/or or sinking. Each stand-alone chapter tells the reader, through the eyes of one to three survivors, what is was like to live through some of the greatest challenges of the Pacific War. From Pearl Harbor to Hiroshima, from Bataan to the sinking of the USS Indianapolis, each chapter of untold valour and against-the-odds survival tells an intensely personal tale of young Americans fighting for survival. The book is certain to interest anyone with interest in the Second World War, told with the intensely personal style and attention to background research that has become Morris's trademark.

Since the Second World War, depictions of Royal Air Force operations in film and television drama have become so numerous that they make up a genre worthy of scholarly attention. In this illuminating study, S. P. MacKenzie explores the different ways in which the men of RAF Bomber Command have been represented in dramatic form on the big and small screen from the war years to the present day. Bomber Boys on Screen is the first in-depth study of how and why the screen-drama image of those who flew, those who directed them, and those who provided support for RAF bomber operations has changed over time, sometimes in contested circumstances. Until now dramas that focus on Bomber Command have tended to be mentioned only in passing or studied in isolation, despite the prevalence of surveys of both the British war film genre and of aviation cinema. In Bomber Boys on Screen MacKenzie examines the development, presentation, and reception of significant dramas on a decade-by-decade basis. Titles from the beginning of the war (The Lion Has Wings, 1939) to the start of new century (Bomber's Moon, 2014) are situated in the context of technical possibilities and limitations, evolving social and cultural norms in the United Kingdom and elsewhere, and the development of moral and utilitarian controversies surrounding the wartime bomber offensive directed against Nazi Germany. While the focus is on feature films and television plays, reference is also made to documentaries, memorials, veterans' organizations, book titles, war comics, and other representations of the war fought by Bomber Command.

P-47 Pilots Glenn Subtitled: The Fighter-Bomber Boys. Join the Fighter-Bomber Boys as they terrorize the crack German ground troops and battle-wise panzer divisions. Live with a squadron of these glory hungry air warriors who dive into battle at 5mph with their bombs, and fight at treetop level with their machine guns. Glenn vividly conveys what it was like to fly the magnificent Thunderbolt into combat, and tells how WWIIs maniacal P-47 pilots lived life in the fast lane, on and off duty.

Seventy-five years after the Battle of Britain, the Few's role in preventing invasion continues to enjoy a revered place in popular memory. The Air Ministry were central to the Battle's valorisation. This book explores both this, and also the now forgotten 1940 Battle of the Barges mounted by RAF bombers.