As exemplary representatives of a form of critical feminism, the writings of Judith Butler, Katherine Hayles, and Donna Haraway offer entry into the great crises of contemporary society, politics, and culture. Butler leads readers to rethink the boundaries of the human in a time of perpetual war. Hayles turns herself into a "writing machine" in order to find a dwelling place for the digital humanities within the austere landscape of the culture of the code. Haraway is the one contemporary thinker to have begun the necessary ethical project of creating a new language of potential reconciliation among previously warring species. According to Arthur Kroker, the postmodernism of Judith Butler, the posthumanism of Katherine Hayles, and the companionism of Donna Haraway are possible pathways to the posthuman future that is captured by the specter of body drift. Body drift refers to the fact that individuals no longer inhabit a body, in any meaningful sense of the term, but rather occupy a multiplicity of bodies: gendered, sexualized, laboring, disciplined, imagined, and technologically augmented. Body drift is constituted by the blast of information culture envisioned by artists, communicated by social networking, and signified by its signs. It is lived daily by remixing, resplicing, and redesigning the codes: codes of gender, sexuality, class, ideology, and identity. The writings of Butler, Hayles, and Haraway, Kroker reveals, provide the critical vocabulary and political context for understanding the deep complexities of body drift and challenging the current emphasis on the material body.

The Drift: Bonded By: Anne Nicholas and J.J. Robinson Donovan Ashwood wishes he was just a normal teenager. He already has the usual problems of an overbearing father, a bully at school, and, of course, school itself. On top of that, Donovan carries the guilt of his mother dying while giving birth to him. He tries to find solace in his only two friends: Brendan and Britney Palmer, twins with high IQs and a similar low social standing. But even that has problems because of the “more than friends” feelings he harbors for Britney. Donovan also has a supernatural problem. When he is of age, he will have the drift — the ability to turn, at will, into a seven-foot-tall werewolf. His father tries to guide Donovan and help prepare him for the drift, but strange events begin happening to him, culminating in a tragic event that turns his life upside down, opening up a new world he never even knew existed. Donovan will have to become much more than the normal teenager he longs to be and learn about his unusual and unexplainable power and how to control it — or else put his friends and himself in danger.

Drifting is the newest, most exciting motorsport we have seen in the United States since the invention of the limited slip differential - it may be the most exhilarating contest of man and machine ever devised! From the winding mountain passes and desolate industrial roads of Japan, this unique sport of sliding a car sideways through a series of corners has become a huge hit in America. Drifting, or dorifto as they call it in Japan, extracts the most exciting aspect auto racing, extreme oversteer, and makes it the focus of an intense and visually intoxicating new motor sport. How to Drift: The Art of Oversteer is a comprehensive guide to both the driving technique and car setup required for drifting. The author defines various precision driving techniques used in drifting and explains them from a racecar driver’ s point of view. How to Drift illustrates the finer elements of car control required in drifting with technical descriptions, detailed line art and intense photography. This book even includes a budget drift car build-up with detailed suspension, chassis, and engine modifications that will help you turn your economy car into a drift machine— on top of that, there’ s a chapter detailing the finer aspects of an SR20DET swap!

To be perfect does not mean that there is nothing to add, but rather there is nothing to take away Antoine de Saint-Exupery The drift-diffusion approximation has served for more than two decades as the cornerstone for the numerical simulation of semiconductor devices. However, the tremendous speed in the development of the semiconductor industry demands numerical simulation tools that are efficient and provide reliable results. This makes the development of a simulation tool an interdisciplinary task in which physics, numerical algorithms, and device technology merge. For the sake of an efficient code there are trade-offs between the different influencing factors. The numerical performance of a program that is highly flexible in device types and the geometries it covers certainly cannot compare with a program that is optimized for one type of device only. Very often the device is sufficiently described by a two dimensional geometry. This is the case in a MOSFET, for example, if the gate length is small compared with the gate width. In these cases the geometry reduces to the specification of a two-dimensional device. Here again the simplest geometries, which are planar or at least rectangular surfaces, will give the most efficient numerical codes. The device engineer has to decide whether this reduced description of the real device is still suitable for his purposes.

Somewhere in the heart of the Sargasso Sea, according to legend, there lies a calm body of water where all the wrecked ships of history find their way. Peter Sutherland, a youngish college professor weathering his first divorce, takes a Caribbean cruise in search of relaxation. Suddenly, a violent storm comes up, and sweeps him out into the Atlantic, clinging to a small rowboat. After many days, he is rescuedby the gentle people who live on the Drift, a floating city of French brigantines, Spanish galleons, English caravels, and Portugese men-of-war, hidden for hundreds of years at the center of the Sargasso Sea. Although incredulous at first, Peter slowly falls under the spell of the beguiling paradise in which he has awakened, a process hastened by the presence of Pao, a bewitching, dark-haired girl of seventeen who hopes to charm him so completely that he will never want to leave her. As his love for Pao deepens, Peter's mind and senses grow strangely alive, and he finds himself immersed in a world of feeling and intuition he has never known. Both frightened and attracted by the power of the Drift, Peter must finally wrestle with the dilemma of how, and whether, to return to the land-locked life from which he has been both exiled and released. Beneath the hauntingly lovely surface of this novel, the author has dislodged some bedrock questions about the nature of man's life, and the choices with which we are all confronted. In Peter's agonizing attempt to decide whether the Drift is real or only a seductive hallucination, and in his dilemma of whether to stay or leave, the reader will find a disturbing echo of his own fantasies about what is "real", or possible, or even desirable, within the private Drift that each of us inhabits.