Alexander Mullay tells the story of Britain's Railways during the First World War. From troop and hospital trains to carrying munitions and freight, the railways were vital.

In August 1914, on the outbreak of the First World War, there was enormous pressure on men to enlist in Kitchener's New Armies, supplementing the tiny regular army and Territorial Force. This pressure was intense, and posters, the entreaties of local worthies, and an apparently indiscriminate scattering of white feathers, all exacerbated masculine sensitivity. We are all familiar, if only through BBC TV's 'Dad's Army', with the Home Guard of the Second World War. Far less is known of their First World War equivalent: the Volunteer Training Corps (VTC). Like their counter-parts in WW2, the VTC comprised those who were too old, too young, too unfit or too indispensable to serve in the regular forces. They fought for the right to be armed, uniformed and trained; to be employed on meaningful duties; and at first, to exist at all. This book explores the origins, development and structure of the VTC, along with those who belonged to the many supporting medical, transport, police and youth organisations who kept the home fires burning or, in some cases, tried to put them out. The VTC arose from the need of those men who were forced to stay at home to be seen to be doing their bit. They saw the removal of the bulk of both the regular army and the Territorial Force to the Western Front as their opportunity to prepare to resist the expected German invasion of Britain, and as a way of countering accusations of shirking, or even cowardice.

This regimental history chronicles the Dandy Ninth Battalion Royal Scots from its first forays in the Boer War through the brutal fighting of WWI. After suffering the disastrous Black Week of the Second Boer War, the British Army formed a new Highland battalion, the kilted 9th Royal Scots, which became affectionately known as the Dandy Ninth. It sent volunteers to South Africa and established itself as Edinburgh’s kilted battalion, part of the Territorial Force of part-time soldiers. Mobilized in 1914 as part of the Lothian Brigade, the Dandy Ninth defended Edinburgh from the threat of invasion, and constructed part of the landward defenses around Liberton Tower. They were part-time soldiers and new recruits, drawn from the breadth of society, from lawyers to rugby players and artists, such as the Scottish Colorist F.C.B. Cadell, and William Geissler of the Edinburgh School. In the Great War they mobilized to France and Flanders and served in many of the major actions: in Ypres and on the Somme; at Arras and Cambrai in 1917; and during the 1918 German Spring Offensive at St Quentin. In the Advance to Victory, they were with the 15th (Scottish) Division.

'So the recruiters, rolling up their sleeves, varied the appeal to pride, honour, manliness and vengeance with warnings to eschew shame, disgrace, betrayal, sloth and cowardice. From a poster showing the ruins of Belgium a woman asked, 'Will you go or must I?'' First published in 1980, Dear Old Blighty is E.S. Turner's superb account of life 'on the home front' in Britain during the Great War of 1914-1918: a time of conscription, propaganda, 'spy fever', industrial unrest in the arms factories, and grieving families turning to spiritualism. When even the blind were being recruited to serve as listening sentries for approaching Zeppelins, all were expected to contribute to the war effort; and, as Turner shows us, the means of exhortation (and the penalties for non-compliance) were many. 'No matter where you open a page, you learn something you feel you should have known.' Miles Kington, Independent

The former Yugoslavia, on the brink of war and disintegration, was a scenic but intriguing location in which to undertake a cycling tour on a shoestring. The most formidable challenge proved to be finding a way out and returning home safely once the tour was completed, in a country where the unexpected came to be expected.

Britain. What's that all about then? Having skewered modern life and culture in the bestselling Is it Just Me or is Everything Shit?, Steve Lowe and Alan McArthur set out to uncover the deep dark truth about Britain - its history, its myths and its people. Over the course of a year they endure the Last Night of the Proms and search for a couple of pissed dragons under a hill in Wales. They witness Scotland rising again (a bit), encounter terrifying Europhobe ladies in Surrey and lose the will to live in Gibraltar. They also meet a lot of druids. Hilarious, provocative and filled with fascinating facts, Blighty offers a brilliant, alternative vision of Britain - the island in the Atlantic that some people call Britain.

This book, produced in collaboration with the Lewis Cohen Urban Studies Centre, is all about memories of Brighton during the First World War. Through an examination of ephemera such as posters, photographs, pictures, songs and personal recollections, it portrays a collective memory of the city. Photographs are central to this work; for example Brighton Museum, Preston Manor and Brighton Reference Library are all featured pictorially. This book provides a valuable and important source of local history - a must for all those passionate about the city and its historical roots!

World War One had a devastating, cataclysmic impact on the world and the British people. As its reverberations were so long-lasting and significant, it is easy to assume that the social consequences were as profound. In this highly readable and moving survey of life back at home during the First World War, Gerard DeGroot challenges this assumption, finding pre-war social structures were surprisingly resilient. Despite economic and technological changes, the British peoplemanaged to cling onto their usual ways of life as much as possible in this new world. Back in Blighty has been fully revised to take into account new scholarship and historical perspectives, and is full of fascinating glimpses into everyday life during the war. The lives of ordinary people are illuminated and given historical significance in this powerful portrait of the British people and their culture.

A collection of war poems written following the author's return to Newfoundland in 1917, having fought with the Canadian Army during the First World War.

"[O]ffers a new look from the perspective of wounded soldiers and those who strove to save them; utilizes first-hand accounts of medical personnel and wounded men to produce an immediate, intimate narrative; deeply researched and based on unpublished diaries, letters and other accounts from the war, many housed in the Imperial War Museum"--