'So the recruiters, rolling up their sleeves, varied the appeal to pride, honour, manliness and vengeance with warnings to eschew shame, disgrace, betrayal, sloth and cowardice. From a poster showing the ruins of Belgium a woman asked, 'Will you go or must I?'' First published in 1980, Dear Old Blighty is E.S. Turner's superb account of life 'on the home front' in Britain during the Great War of 1914-1918: a time of conscription, propaganda, 'spy fever', industrial unrest in the arms factories, and grieving families turning to spiritualism. When even the blind were being recruited to serve as listening sentries for approaching Zeppelins, all were expected to contribute to the war effort; and, as Turner shows us, the means of exhortation (and the penalties for non-compliance) were many. 'No matter where you open a page, you learn something you feel you should have known.' Miles Kington, Independent

A LONG THE KROMMERUN offers a selection of the best papers delivered at the XXIV International James Joyce Symposium hosted by Utrecht University, the Netherlands, June 2014. The essays offer fresh insights into Joyce and De Stijl aesthetic movement which originated in the Netherlands, Joyce’s (language) politics, his use of multilingualism and dialects, and, by way of close readings and genetic approaches of Finnegans Wake, the intricate ways Joyce communicates with his readers. Contributors: Boriana A. Alexandrova, Stephanie Boland, Austin Briggs, Tim Conley, Catherine Flynn, Philip Keel Geheber, Robbert-Jan Henkes, Maria Kager, Katherine O’Callaghan, So Onose, David Pascoe, Sam Slote, David Spurr, and Dirk Van Hulle.

Punk bands have produced an abundance of poetic texts, some crude, some elaborate, in the form of song lyrics. These lyrics are an ideal means by which to trace the developments and explain the conflicts and schisms that have shaped, and continue to shape, punk culture. They can be described as the community’s collective ‘poetic voice,’ and they come in many different forms. Their themes range from romantic love to emotional distress to radical politics. Some songs are intended to entertain, some to express strong feelings, some to provoke, some to spread awareness, and some to foment unrest. Most have an element of confrontation, of kicking against the pricks. Socially and epistemologically, they play a central role in the scene’s internal discourse, shaping communities and individual identities. The Poetry of Punk is an investigation into the Anglophone punk culture, specifically in the UK and the US, where punk originated in the mid-1970s, its focus being on the song lyrics written and performed by punk rock and hardcore artists.

Robert Lee only knew his great-grandfather James Erskine briefly when he was very young. But when, in later life, he inherited a trunkful of old letters and diary entries, he discovered the extraordinary, though tragic, story of the Erskine family. Brought up in Glasgow in the Victorian era, James lost two children to infant mortality, and his wife to tuberculosis. His two surviving sons, both talented athletes and one a world champion boxer, were killed in the First World War, having showed amazing bravery. In addition, his son-in-law, Robert’s grandfather, was killed on the opening day of the Passchendaele offensive, leaving his daughter a widowed mother aged only 20. After the Great War, James fought a protracted but unsuccessful battle with the War Office to have his son’s Military Cross upgraded to a Victoria Cross, and subsequently handled his sorrow by becoming a recluse, living a Spartan life on a Scottish hillside into his 80s.

A powerful new novel about divided loyalties and the realities of war from “master storyteller” (Wall Street Journal) Sebastian Barry, author of Old God's Time In 1914, Willie Dunne, barely eighteen years old, leaves behind Dublin, his family, and the girl he plans to marry in order to enlist in the Allied forces and face the Germans on the Western Front. Once there, he encounters a horror of violence and gore he could not have imagined and sustains his spirit with only the words on the pages from home and the camaraderie of the mud-covered Irish boys who fight and die by his side. Dimly aware of the political tensions that have grown in Ireland in his absence, Willie returns on leave to find a world split and ravaged by forces closer to home. Despite the comfort he finds with his family, he knows he must rejoin his regiment and fight until the end. With grace and power, Sebastian Barry vividly renders Willie’s personal struggle as well as the overwhelming consequences of war.

Raised by a single mother on welfare during the 1930's depression and World War II in the Scottish Highlands, Ian spends his childhood trying to get enough to eat and stay warm. During an adolescence apprenticed to a drunken blacksmith, he also begins a lifelong love affair with music-making while wavering between the strictures of the Salvation Army and the "worldly pleasures" of the outside world. Life begins to improve when Ian enters the Royal Air Force, serving five years as an aircraft engine mechanic and bandsman in the United Kingdom and then Egypt. In the latter, he experiences the consequences of the Arab "walkouts" that eventually led to the Suez Canal crisis. Most hilarious is his tale "Jig-a-Jig in the Desert" when the small military water treatment plant he supervises is invaded by Arab prostitutes. Returning to Britain, he marries his pen-pal, Mary, completes his military career and enters into civilian life, finally settling on his lifetime career as a machinist. Two daughters are born, one of whose life is saved at birth by a bottle of Scotch whisky. Despite getting established in Scotland, Ian gets "itchy feet" and thinks of emigrating. Misled by the inflated promises of an unscrupulous Government of Ontario official to choose Canada over Australia, Ian, Mary and the girls endure a winter sailing over the Atlantic in 1965, including a collision in the St. Lawrence Seaway. Ian and Mary struggle to adjust and to learn and speak "Canadian." Their daughters, however, are sounding like Canadian children within a few weeks! Misadventures in finding and keeping jobs and a suitable place to live in Canada lead Ian to conclude that he has only moved "from poverty to poverty." Will he be able to survive and eventually thrive in this new land?...

Rotting Man Goes to Town deals with an adult relationship; which is in deep trauma from the outset of the story. Its technique is predominately dual narration, going from him to her vantage points. There are two sides to every story. Some of the language is hard-hitting, with angry scenes or mindsets, including some swearing. Political incorrectness exists in parts. The emotions are raw. It is a compelling and authentic read. It begins badly. How will it end? The initial setting is in America, with flashbacks to Britain, meant to counter the: hurt, sadness and anger, by the use of the device of injecting past comedic episodes. Levity and tragedy are seen in animal antics. Thus, the humorous scenes are meant to bring a balance to the novel overall. With the exception of the animals’ names, which remain true, all human names have been changed.

Originally published in 1918, with the memories of the war still harsh and fresh, Captain Belton and Lieutenant Odell's book of the war will be read with deep and sustained interest by everyone who wants to understand "the real thing." For myself I confess to being thrilled by the simple, direct, conversational style of the chapters describing the preparations for the attack on and ultimate capture of Vimy Ridge. The story is told with the terseness of a despatch. You see the battalion gathering for its deadly work after the training is done; you plod with it in Indian file along the Aux Reitz communication trench; you sprawl with the officers and men in the "jumping off" trench; you wonder whether the missing jar of rum will turn up in time, and, finally, you go "over the top" with what amounts to a sigh of relief that the ghastly period of waiting has ended and that the "Zero Hour" will mark either the end or the beginning of a strangely heroic experience. Here is the truth, and nothing but the truth, so you accept every word for what it is worth.

Peter Lee - Mr Spoons.... charity fundraiser, marathon runner, sea fairer, Kilmarnock lad, X Factor contestant, Britain's Got Talent contestant, Great Scot award winner, story teller ... this book has it all. Best Served with a good malt whisky!