The poem from which BLACK UNDER derives its title opens with a resounding declaration: "I am black and black underneath." These words are an anthem that reverberates throughout Ashanti Anderson's debut short collection. We feel them as we navigate her poems' linguistic risks and shifts and trumpets, as we straddle scales that tip us toward trauma's still-bloody knife in one turn then into cutting wit and shrewd humor in the next. We hear them amplified through Anderson's dynamic voice, which sings of anguish and atrocities and also of discovery and beauty. BLACK UNDER layers outward perception with internal truth to offer an almost-telescopic examination of the redundancies--and incongruences--of marginalization and hypervisibility. Anderson torques the contradictions of oppression, giving her speakers the breathing room to discover their own agency. In these pages, declarations are reclamations, and joy is not an aspiration but a birthright.

Emphasizing the role of kinship, labor, and networks in the African American community, the author retraces six generations of black struggles since the end of the Civil War, revealing a "nation" under construction.

Collects Black Panther (2016) #5-8, Jungle Action #6-7. Counting down the final days of the kingdom of Wakanda! As Zenzi and The People poison Wakanda’s citizens against the Black Panther, a cabal of nation-breakers is assembled. And Ayo and Aneka, the Midnight Angels, are courted to raise their land to new glory! His allies dwindling, T’Challa must rely on his elite secret police, the Hatut Zeraze, and fellow Avenger Eden Fesi, a.k.a. Manifold! And with T’Challa’s back truly against the wall, some old friends lend a hand: Luke Cage, Misty Knight and Storm! But Wakanda may be too far gone for this all-new, all-different crew — and there’s one job the Panther must handle alone. Only he can voyage into the Djalia! Getting there is hard enough, but can he even find his sister Shuri inside Wakanda’s collective memory?

Under the Big Black Sun explores the nascent Los Angeles punk rock movement and its evolution to hardcore punk as it's never been told before. John Doe of the legendary band X and co-author Tom DeSavia have woven together an enthralling story of the legendary West Coast scene from 1977-1982 by enlisting the voices of people who were there. The book shares chapter-length tales from the authors along with personal essays from famous (and infamous) players in the scene. Through interstitial commentary, John Doe "narrates" this journey through the land of film noir sunshine, Hollywood back alleys, and suburban sprawl. Illustrated with 50 rare photos, this is the story of the art that was born under the big black sun.

“This is the most authoritative and highly literate account of these pernicious people that I have ever read.”—Patrick O'Brian “[A] wonderfully entertaining history of pirates and piracy . . . a rip-roaring read . . . fascinating and unexpected.”—Men's Journal This rollicking account of the golden age of piracy is packed with vivid history and high seas adventure. David Cordingly, an acclaimed expert on pirates, reveals the spellbinding truth behind the legends of Blackbeard, Captain Kidd, Sir Francis Drake, the fierce female brigands Mary Read and Anne Bonny, and others who rode and robbed upon the world's most dangerous waters. Here, in thrilling detail, are the weapons they used, the ships they sailed, and the ways they fought—and were defeated. Under the Black Flag also charts the paths of fictional pirates such as Captain Hook and Long John Silver. The definitive resource on the subject, this book is as captivating as it is supremely entertaining. Praise for Under the Black Flag “[A] lively history . . . If you've ever been seduced by the myth of the cutlass-wielding pirate, consider David Cordingly's Under the Black Flag.”—USA Today, “Best Bets” “Engagingly told . . . a tale of the power of imaginative literature to re-create the past.”—Los Angeles Times “Entirely engaging and informative . . . a witty and spirited book.”—The Washington Post Book World “Plenty of thrills and adventure to satisfy any reader.”—The Philadelphia Inquirer

Zombies are real. And we made them. Are you prepared for the zombie apocalypse? The Smith family is, with the help of a few marines. When an airborne _zombieÓ plague is released, bringing civilization to a grinding halt, the Smith family, Steven, Stacey, Sophia and Faith, take to the Atlantic to avoid the chaos. The plan is to find a safe haven from the anarchy of infected humanity. What they discover, instead, is a sea composed of the tears of survivors and a passion for bringing hope. For it is up to the Smiths and a small band of Marines to somehow create the refuge that survivors seek in a world of darkness and terror. Now with every continent a holocaust and every ship an abattoir, life is lived under a graveyard sky. At the publisher's request, this title is sold without DRM (Digital Rights Management). _. . .the thinking readers zombie novel. . .Ringo fleshes out his theme with convincing detailsãthe proceedings become oddly plausible.Ó¾Publishers Weekly_If you think the zombie apocalypse will never happen, if youve never been afraid of zombies, you may change your mind after reading Under a Graveyard Sky. . .Events build slowly in the book at the outset, but you cant stop reading because its like watching a train wreck in slow motion: inexorable and horrible. And the zombie apocalypse in these pages is so fascinating that you cant stop flipping pages to see what happens next.Ó¾Bookhound

The lives and conditions of Black women are inseparable from, and inextricably linked to, all dimensions of social and political life. Black Women Under State centres the realities of Black women, both in process and theory, who are living at the intersections of race, poverty, surveillance, and social services. Abdillahi, who is uniquely positioned as a community organizer, care worker, public intellectual, and scholar, engaged twenty women living at these life-intersections in the greater Toronto area. The text undertakes a deep and studied inquiry into these women?s subjective experiences of surveillance while on the province of Ontario?s social assistance program Ontario Works, and interrogates the dimensional effects of those experiences. Offering a timely and crucial contribution to the discourse around abolition, Abdillahi makes explicit the ways in which social systems are made opaque so that we don?t connect them to the carceral state; this concept of carceral care talks to abolition as the broad concept that it is?a fully-embraced understanding that abolition dismantles systems of policing that extend beyond the institution we call the police. Three major themes emerge through her inquiry: surveillance, poverty, and morality?each interconnected to a larger social and public policy discourse. Abdillahi employs Critical Race Theory and Black Feminist Thought as primary theoretical lenses as she animates the lives of these women, alongside and in conversation with existing research, theory and practice, revealing direct links among their experience, in order to demonstrate the shared, longstanding, and ongoing historicity of the interconnectedness of Black women?s experience globally. The vast majority of the book?s citations are from Black Canadians, giving the text its own narrative around citational practice. Through a dynamic interlacing of contemporary critical thought and lived experience, Black Women Under State contributes to filling a gap in social policy literature, which has typically disregarded the subjective experiences of Black women or treated them as a mere addendum.

Enemies-to-lovers-to-enemies. Now they're 'just friends.' Sure. Reunited with her crew, Vice is on the hunt for Drake's treasure. But there's a good reason it hasn't been seen in two hundred years - it's hidden by fiendish clues and deadly traps. To keep her crew - her family safe, she can't afford a single misstep. That's easier said than done with a distraction like Knigh Blackwood around. Knigh might not sail for the Navy anymore, but he's found a new place in the world - home with Vice on the Venatrix. Even as he longs for more than 'just friends', he battles with demons from his past and one from his present. To save his family, he needs money. Lots of it. A legendary treasure would be the perfect solution. But traps and troublesome feelings aren't the only dangers they face. When treachery strikes at the heart of pirate-kind, no one is safe: not their home, not Knigh's family, not even the Pirate Queen herself. If you love the banter of From Blood and Ash and the steamy romance of A Court of Silver Flames, you'll love this new adult fantasy series that fans are calling sexy and intense. Download UNDER BLACK SKIES today and set sail on an adventure where tentacles lurk in the deep, half a map leads the way, and even treasure isn't what it seems. ~*~ As you might expect from pirates, these stories include moderate cussing and steamy scenes. Prequel - Across Dark Seas - Out now Book 1 - Beneath Black Sails - Out now Book 2 - Against Dark Tides - Out now Book 3 - Under Black Skies - Out now Book 4 - Through Dark Storms - Scheduled 2021

“Defund the police!” is shouted in the streets. A.C.A.B. is spray painted on precinct buildings. Countless citizens believe all police are racists. In this era of civil unrest and political divide, how do Black cops—or any cops—maintain the motivation and commitment to do their job? Former police officer, co-founder of BLEXIT, and Founder and CEO of The Officer Tatum—Brandon Tatum shares his story and the stories of other police officers in the pages of his new book, Beaten Black and Blue. Read why they joined the force, what it’s really like on the streets, and how they continue to fight the good fight. Forget what you think you know and learn the truth!

In 1948, journalist Ray Sprigle traded his whiteness to live as a black man for four weeks. A little over a decade later, John Howard Griffin famously "became" black as well, traveling the American South in search of a certain kind of racial understanding. Contemporary history is littered with the surprisingly complex stories of white people passing as black, and here Alisha Gaines constructs a unique genealogy of "empathetic racial impersonation--white liberals walking in the fantasy of black skin under the alibi of cross-racial empathy. At the end of their experiments in "blackness," Gaines argues, these debatably well-meaning white impersonators arrived at little more than false consciousness. Complicating the histories of black-to-white passing and blackface minstrelsy, Gaines uses an interdisciplinary approach rooted in literary studies, race theory, and cultural studies to reveal these sometimes maddening, and often absurd, experiments of racial impersonation. By examining this history of modern racial impersonation, Gaines shows that there was, and still is, a faulty cultural logic that places enormous faith in the idea that empathy is all that white Americans need to make a significant difference in how to racially navigate our society.