Named a Nonfiction Book Awards Gold Winner by the Nonfiction Authors Association Gold Winner of the 2022 eLit Book Award for Popular Culture Winner of a National Indie Excellence Award in the category of “Movies & TV” Book of the Year 2021 in African Studies awarded by CESTAF Winner of the 2022 Best Book Award in the category of “Performing Arts” Black Panther is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world in ways that transcended the dimensions of the superhero film. In Black Panther: Interrogating a Cultural Phenomenon, author Terence McSweeney explores the film from a diverse range of perspectives, seeing it as not only a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies. McSweeney argues that Black Panther is one of the defining American films of the last decade and the most remarkable title in the Marvel Cinematic Universe (2008–). The MCU has become the largest film franchise in the history of the medium and has even shaped the contours of the contemporary blockbuster, but the narratives within it have almost exclusively perpetuated largely unambiguous fantasies of American heroism and exceptionalism. In contrast, Black Panther complicates this by engaging in an entirely different mythos in its portrayal of an African nation—never colonized by Europe—as the most powerful and technologically advanced in the world. McSweeney charts how and why Black Panther became a cultural phenomenon and also a battleground on which a war of meaning was waged at a very particular time in American history.

Collects Black Panther (2018) #1-12. A bold new direction for the Black Panther! For years, T’Challa has protected Wakanda from all invaders. Now, he will discover that his kingdom is much bigger than he ever dreamed. Prepare to journey to the Intergalactic Empire of Wakanda! A Panther story unlike any other begins with T’Challa as a stranger in a strange land — with no memory of his past, only the suffering of a present spent toiling in the Vibranium mines. But all hope is not lost. A rebellion is growing — and they have a plan. Who will lead these lost citizens? What is the M’Kraan Shard? And what role will Erik Killmonger play?! Ta-Nehisi Coates continues his ever-surprising saga of a king who sought to be a hero…a hero who was reduced to a slave…a slave who became a legend!

Booklist Editors’ Choice WINNER of the Russell Freedman Award for Non-Fiction for a Better World Knowledge is power. The secret is this. Knowledge, applied at the right time and place, is more than power. It’s magic. That’s what the Black Panther Party did. They called up this magic and launched a revolution. In the beginning, it was a story like any other. It could have been yours and it could have been mine. But once it got going, it became more than any one person could have imagined. This is the story of Huey and Bobby. Eldridge and Kathleen. Elaine and Fred and Ericka. This is the story of the committed party members. Their supporters and allies. The Free Breakfast Program and the Ten Point Program. It’s about Black nationalism, Black radicalism, about Black people in America. From the authors of the acclaimed book, Black Against Empire: The History and Politics of the Black Panther Party, and introducing new talent Jetta Grace Martin, comes the story of the Panthers for younger readers—meticulously researched, thrillingly told, and filled with incredible photographs throughout. P R A I S E ★ “A passionate, honest, and intimate look into an important time in civil rights history.” —Booklist (starred) ★ “Impeccable writing and stellar design make this title highly recommended.” —School Library Journal (starred) “Detailed, thoroughly researched...A valuable addition to the history of African American resistance.” —Kirkus

Collects Black Panther (2016) #5-8, Jungle Action #6-7. Counting down the final days of the kingdom of Wakanda! As Zenzi and The People poison Wakanda’s citizens against the Black Panther, a cabal of nation-breakers is assembled. And Ayo and Aneka, the Midnight Angels, are courted to raise their land to new glory! His allies dwindling, T’Challa must rely on his elite secret police, the Hatut Zeraze, and fellow Avenger Eden Fesi, a.k.a. Manifold! And with T’Challa’s back truly against the wall, some old friends lend a hand: Luke Cage, Misty Knight and Storm! But Wakanda may be too far gone for this all-new, all-different crew — and there’s one job the Panther must handle alone. Only he can voyage into the Djalia! Getting there is hard enough, but can he even find his sister Shuri inside Wakanda’s collective memory?

A reformatted and reduced price edition—including a revised and updated introduction by Sam Durant and new text on the artist today by Colette Gaiter--of the first book to show the provocative posters and groundbreaking graphics of the Black Panther Party. The Black Panther Party for Self Defense, formed in the aftermath of the assassination of Malcolm X in 1965, sounded a defiant cry for an end to the institutionalized subjugation of African Americans. The Black Panther newspaper was founded to articulate the party’s message, and artist Emory Douglas became the paper’s art director and later the party’s minister of culture. Douglas’s artistic talents and experience proved a powerful combination: his striking collages of photographs and his own drawings combined to create some of the era’s most iconic images. This landmark book brings together a remarkable lineup of party insiders who detail the crafting of the party’s visual identity.

In this nuanced and groundbreaking history, Donna Murch argues that the Black Panther Party (BPP) started with a study group. Drawing on oral history and untapped archival sources, she explains how a relatively small city with a recent history of African

A ground-breaking anthology celebrating Marvel’s beloved Black Panther and his home of Wakanda. Eighteen short stories penned by an all-star cast of authors such as Sheree Renée Thomas and Nikki Giovanni. T’Challa faces the gods of his parents. Vampires stalk Shuri and a Dora Milaje in voodoo-laced New Orleans. Erik Killmonger grapples with racism, Russian spies, and his own origins. Eighteen brand-new tales of Wakanda, its people, and its legacy. The first mainstream superhero of African descent, the Black Panther has attracted readers of all races and colors who see in the King of Wakanda reflections of themselves. Storytellers from across the African Diaspora—some already literary legends, others who are rising stars—have created for this collection original works inspired by the world of the Panther and its inhabitants. With guest stars including Storm, Monica Rambeau, Namor, and Jericho Drumm, these are stories of yesterday and today, of science and magic, of faith and love. These are the tales of a king and his country. These are the legends whispered in the jungle, myths of the unconquered men and women and the land they love. These are the Tales of Wakanda. Featuring stories by Linda D. Addison, Maurice Broaddus, Christopher Chambers, Milton J. Davis, Tananarive Due, Nikki Giovanni, Harlan James, Danian Jerry, Kyoko M., L.L. McKinney, Temi Oh, Suyi Davies Okungbowa, Glenn Parris, Alex Simmons, Sheree Renée Thomas, Cadwell Turnbull and Troy L. Wiggins.

The Penguin Classics Marvel Collection presents the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel’s transformative and timeless influence on an entire genre of fantasy. A Penguin Classics Marvel Collection Edition Collects Fantastic Four #52-53 (1966); Jungle Action #6-21 (1973-1976). It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few. The Black Panther is not just a super hero; as King T’Challa, he is also the monarch of the hidden African nation of Wakanda. Combining the strength and stealth of his namesake with a creative scientific intelligence, the Black Panther is an icon of Afro-futurist fantasy. This new anthology includes the Black Panther’s 1966 origin tale and the entirety of the critically acclaimed “Panther’s Rage” storyline from his 1970s solo series. A foreword by Nnedi Okorafor, a scholarly introduction and apparatus by Qiana J. Whitted, and a general series introduction by Ben Saunders offer further insight into the enduring significance of Black Panther and classic Marvel comics. The Penguin Classics black spine paperback features full-color art throughout.

Ta-Nehisi Coates' complete, acclaimed story of a king who sought to be a hero...a hero who was reduced to a slave...a slave who became a legend! The award-winning author confronts the Black Panther with dramatic upheaval in his homeland -- first with a violent uprising, then the return of ancient gods! Meanwhile, T'Challa's sister Shuri makes a transformative journey through Wakanda's past, and Storm returns to the Panther's life! But in the far reaches of space, a new cosmic power emerges: the Intergalactic Empire of Wakanda! How did this happen? What does its ruthless Emperor N'Jadaka have planned? And what difference can one nameless-yet-familiar warrior, with no memory of his past, make to the rebellion? The Black Panther -- and Wakanda -- will never be the same!

A potent symbol of black power and radical inspiration, the Black Panthers still evoke strong emotions. This edition of Jane Rhodes's acclaimed study examines the extraordinary staying power of the Black Panthers in the American imagination. Probing the group's longtime relationship to the media, Rhodes traces how the Panthers articulated their message through symbols and tactics the mass media could not resist. By exploiting press coverage through everything from posters to public appearances to photo ops, the Panthers created a linguistic and symbolic universe as salient today as during the group's heyday. They also pioneered a sophisticated version of mass media activism that powers contemporary African American protest. Featuring a timely new preface by the author, Framing the Black Panthers is a breakthrough reconsideration of a fascinating phenomenon.