Though Plath has become a modern legendary figure, this is the first fully informed account of her life as a poet. With new material of all sorts, Stevenson recounts the struggle between fantasy and reality that blessed the artist but placed a curse on the woman. Photos.

PULITZER PRIZE FINALIST • The highly anticipated biography of Sylvia Plath that focuses on her remarkable literary and intellectual achievements, while restoring the woman behind the long-held myths about her life and art. “One of the most beautiful biographies I've ever read." —Glennon Doyle, author of #1 New York Times Bestseller, Untamed With a wealth of never-before-accessed materials, Heather Clark brings to life the brilliant Sylvia Plath, who had precocious poetic ambition and was an accomplished published writer even before she became a star at Smith College. Refusing to read Plath’s work as if her every act was a harbinger of her tragic fate, Clark considers the sociopolitical context as she thoroughly explores Plath’s world: her early relationships and determination not to become a conventional woman and wife; her troubles with an unenlightened mental health industry; her Cambridge years and thunderclap meeting with Ted Hughes; and much more. Clark’s clear-eyed portraits of Hughes, his lover Assia Wevill, and other demonized players in the arena of Plath’s suicide promote a deeper understanding of her final days. Along with illuminating readings of the poems themselves, Clark’s meticulous, compassionate research brings us closer than ever to the spirited woman and visionary artist who blazed a trail that still lights the way for women poets the world over.

Voyages over Voices is the first book length critical exploration of the internationally acclaimed American-British poet Anne Stevenson. A past winner of the The Poetry Foundation's Neglected Masters Award, the Lannan Lifetime Achievement Award for Poetry and the Northern Rock FoundationWriter's Award, Stevenson has long been admired by poets and critics alike as one of the most important contemporary poets on either side of the Atlantic. Angela Leighton brings together a distinguished list of contributors, including Jay Parini, Carol Rumens, Tim Kendall and John Lucas, in a collection that provides a significant and invaluable contribution to understanding Stevenson's work as poet and critic. Voyages over Voices will be requiredreading for scholars contemporary British and American poetry.

Although Ted Hughes ended his days as England's beloved poet laureate, his life was dogged by tragedy and controversy. In this insightful biography, Feinstein explores an altogether more complex situation, throwing new light on his relationship with his lover Assia Wevill, who later killed herself along with their young daughter. 12 photos.

Now in paper for the first time, Bitter Music is a generous volume of writings by one of the twentieth century's great musical iconoclasts. Rejecting the equal temperament and concert traditions that have dominated western music, Harry Partch adopted the pure intervals of just intonation and devised a 43-tone-to-the-octave scale, which in turn forced him into inventing numerous musical instruments. His compositions realize his ideal of a corporeal music that unites music, dance, and theater. Winner of the ASCAP-Deems Taylor Award, Bitter Music includes two journals kept by Partch, one while wandering the West Coast during the Depression and the other while hiking the rugged northern California coastline. It also includes essays and discussions by Partch of his own compositions, as well as librettos and scenarios for six major narrative/dramatic compositions.

A debut collection of hilarious essays and endearing missteps on the road to becoming fame-ish—now in paperback! It’s not easy being kind of famous. Fortune. Younger men. Exclusive invites. Being mistaken for different actresses who are slightly prettier and more famous than you. It’s all part of the gig, and Mary Lynn Rajskub is a pro. Hilarious and self-deprecating, FAME-ISH is Mary Lynn Rajskub’s debut collection of riotously funny essays. Smart, satirical, and relatable, this book gives new meaning to the word icon as Mary Lynn navigates the entertainment world against the backdrop of her own quirky idiosyncrasies. She describes what it’s like to make out with Tom Cruise, be a waitress at Denny’s, and find your life’s purpose in 300 indecipherable, not-easy-steps—all in a day’s work. Mary Lynn is honest about her experiences with bisexuality, her college years as a slug, and the bright lights of stardom, ultimately giving the people what they want: an endearing, hilarious look at what it’s like to almost make a name for yourself in Hollywood.

This new collection deals with how the language of imagination shapes histories and lives. The Fiction-Makers confirms Stevenson's reputation as a poet of intelligence, brilliant technique and penetrating insight. From reviews of Minute by Glass Minute: "Poems which are so good, so flawlessly pure, that beside them most other contemporary poetry looks patched, clumsy or stuffed."--New Statesman

Drawing on his personal friendship with the poet as well as Ginsberg's journals and correspondence, the author presents a portrait of one of the twentieth century's most extraordinary poets. -- Back cover.

Recounts the troubled life of the American poet and uses her unpublished letters and journals to depict the feelings that led her to suicide

Sweet Bitter Blues: Washington, DC’s Homemade Blues depicts the life and times of harmonica player Phil Wiggins and the unique, vibrant music scene around him, as described by music journalist Frank Matheis. Featuring Wiggins’s story, but including information on many musicians, the volume presents an incomparable documentary of the African American blues scene in Washington, DC, from 1975 to the present. At its core, the DC-area acoustic “down home” blues scene was and is rooted in the African American community. A dedicated group of musicians saw it as their mission to carry on their respective Piedmont musical traditions: Mother Scott, Flora Molton, Chief Ellis, Archie Edwards, John Jackson, John Cephas, and foremost Phil Wiggins. Because of their love for the music and willingness to teach, these creators fostered a harmonious environment, mostly centered on Archie Edwards’s famous barbershop where Edwards opened his doors every Saturday afternoon for jam sessions. Sweet Bitter Blues features biographies and supporting essays based on Wiggins’s recollections and supplemented by Matheis’s research, along with a foreword by noted blues scholar Elijah Wald, historic interviews by Dr. Barry Lee Pearson with John Cephas and Archie Edwards, and previously unpublished and rare photographs. This is the story of an acoustic blues scene that was and is a living tradition.