A debut collection of hilarious essays and endearing missteps on the road to becoming fame-ish—now in paperback! It’s not easy being kind of famous. Fortune. Younger men. Exclusive invites. Being mistaken for different actresses who are slightly prettier and more famous than you. It’s all part of the gig, and Mary Lynn Rajskub is a pro. Hilarious and self-deprecating, FAME-ISH is Mary Lynn Rajskub’s debut collection of riotously funny essays. Smart, satirical, and relatable, this book gives new meaning to the word icon as Mary Lynn navigates the entertainment world against the backdrop of her own quirky idiosyncrasies. She describes what it’s like to make out with Tom Cruise, be a waitress at Denny’s, and find your life’s purpose in 300 indecipherable, not-easy-steps—all in a day’s work. Mary Lynn is honest about her experiences with bisexuality, her college years as a slug, and the bright lights of stardom, ultimately giving the people what they want: an endearing, hilarious look at what it’s like to almost make a name for yourself in Hollywood.

This is New York Times bestselling author and Emmy-nominated broadcaster Ron Darling's 108 baseball anecdotes that connect America’s game to the men who played it. In 108 Stitches, New York Times bestselling author and Emmy Award-winning broadcaster Ron Darling offers his own take on the "six degrees of separation" game and knits together wild, wise, and wistful stories reflecting the full arc of a life in and around our national pastime. Darling has played with or reported on just about everybody who has put on a uniform since 1983, and they in turn have played with or reported on just about everybody who put on a uniform in a previous generation. Through relationships with baseball legends on and off the field, like Yale coach Smoky Joe Wood, Willie Mays, Bart Giamatti, Tom Seaver and Mickey Mantle, Darling's reminiscences reach all the way back to Babe Ruth and other early twentieth-century greats. Like the 108 stitches on a baseball, Darling's experiences are interwoven with every athlete who has ever played, every coach or manager who ever sat in a dugout, and every fan who ever played hooky from work or school to sit in the bleachers for a day game. Darling's anecdotes come together to tell the story of his time in the game, and the story of the game itself.

From the creator of the HBO series Bored to Death, the story of a young alcoholic writer and his personal valet, a hilarious homage to the Bertie and Jeeves novels of P.G. Wodehouse. Alan Blair, the hero of Wake Up, Sir!, is a young, loony writer with numerous problems of the mental, emotional, sexual, spiritual, and physical variety. He's very good at problems. But luckily for Alan, he has a personal valet named Jeeves, who does his best to sort things out for his troubled master. And Alan does find trouble wherever he goes. He embarks on a perilous and bizarre road journey, his destination being an artists colony in Saratoga Springs. There Alan encounters a gorgeous femme fatale who is in possession of the most spectacular nose in the history of noses. Such a nose can only lead to a wild disaster for someone like Alan, and Jeeves tries to help him, but...well, read the book and find out!

What happens when getting played on Radio 1 isn't the goal anymore? What if music is really just about music? A few years ago, Little Fish were signed to a major label and recorded an album in LA. They've toured with some big names (last year Debbie Harry saw them supporting Courtney Love and asked them to join Blondie for a UK tour, for instance) and played all over the world. But earlier this year, they did the opposite of what the traditional rock n' roll myth says you should do: they came home again. They left their label, set up a recording studio in an Oxford bungalow, and started doing the things that made them happy, instead of the things they thought they should do to get played on Radio 1. They sent hand-letter-pressed cards to their fans, held raffles in the middle of their gigs, and played acoustic sets at local open mic nights. Independence has raised a lot of questions for Little Fish. Why do we make music? What do people want from bands? How do you create a community? How can we make a living? What is a living? Joined by friend and writer Miranda Ward, who quit her job to follow them on their adventure, they plan to explore these questions, even if they never find answers, and to tell the stories about being in a band that you don't get to hear in NME. F**k the Radio is a book about Little Fish, but it's also a book about making it work, making your own way, and making stuff - music, comics, t-shirts, fishy paper squares, stickers, badges, vinyl, stop-motion animations, even books. And fresh apple juice. It's about declaring your independence and rewriting the myths you live by.

It is a truism to suggest that celebrity pervades all areas of life today. The growth and expansion of celebrity culture in recent years has been accompanied by an explosion of studies of the social function of celebrity and investigations into the fascination of specific celebrities. And yet fundamental questions about what the system of celebrity means for our society have yet to be resolved: Is celebrity a democratization of fame or a powerful hierarchy built on exclusion? Is celebrity created through public demand or is it manufactured? Is the growth of celebrity a harmful dumbing down of culture or an expansion of the public sphere? Why has celebrity come to have such prominence in today’s expanding media? Milly Williamson unpacks these questions for students and researchers alike, re-examining some of the accepted explanations for celebrity culture. The book questions assumptions about the inevitability of the growth of celebrity culture, instead explaining how environments were created in which celebrity output flourished. It provides a compelling new history of the development of celebrity (both long-term and recent) which highlights the relationship between the economic function of celebrity in various media and entertainment industries and its changing social meanings and patterns of consumption.