Studies of seals and sealing practices have traditionally investigated aspects of social, political, economic, and ideological systems in ancient societies throughout the Old World. Previously, scholarship has focused on description and documentation, chronology and dynastic histories, administrative function, iconography, and style. More recent studies have emphasized context, production and use, and increasingly, identity, gender, and the social lives of seals, their users, and the artisans who produced them. Using several methodological and theoretical perspectives, this volume presents up-to-date research on seals that is comparative in scope and focus. The cross-cultural and interdisciplinary approach advances our understanding of the significance of an important class of material culture of the ancient world. The volume will serve as an essential resource for scholars, students, and others interested in glyptic studies, seal production and use, and sealing practices in the Ancient Near East, Egypt, Ancient South Asia and the Aegean during the 4th-2nd Millennia BCE.

Although the Corpus der minoischen und mykenischen Siegel (CMS) has been documenting examples of Aegean glyptic since the 1950s, the subject is still a daunting one for non-specialists. Designed with students in mind, this study draws on the CMS data in presenting a general introduction to, and synthesis of, Aegean seals and sealings set against their cultural and technological background. With lots of photographs and illustrations, Olga Krzyszkowska's study presents the evidence in chronological order from the 3rd millennium BC to the late Bronze Age. Information on dating, materials, shapes, techniques, motifs and composition, style and seal use is given, whilst the text is furnished with examples from across the Aegean world. A large glossary and a user's guide to the CMS are given in the appendices.

Offers an innovative theory for ancient art and its creativity, demonstrated through the rich material and visual culture of the protohistoric Aegean.

In this book, Kramer-Hajos examines the Euboean Gulf region in Central Greece to explain its flourishing during the post-palatial period. Providing a social and political history of the region in the Late Bronze Age, she focuses on the interactions between this 'provincial' coastal area and the core areas where the Mycenaean palaces were located. Drawing on network and agency theory, two current and highly effective methodologies in prehistoric Mediterranean archaeology, Kramer-Hajos argues that the Euboean Gulf region thrived when it was part of a decentralized coastal and maritime network, and declined when it was incorporated in a highly centralized mainland-looking network. Her research and analysis contributes new insights to our understanding of the mechanics and complexity of the Bronze Age Aegean collapse.

Reassesses the animal depictions of Bronze Age Crete in terms of human-animal relations rather than a love of nature.

The Art and Archaeology of the Aegean Bronze Age offers a comprehensive chronological and geographical overview of one of the most important civilizations in human history. Jean-Claude Poursat's volume provides a clear path through the rich and varied art and archaeology of Aegean prehistory, from the Neolithic period down to the end of the Bronze Age. Charting the regional differences within the Aegean world, his study covers the full range of material evidence, including architecture, pottery, frescoes, metalwork, stone, and ivory, all lucidly arranged by chapter. With nearly 300 illustrations, this volume is one of the most lavishly illustrated treatments of the subject yet published. Suggestions for further reading provide an up-to-date entry point to the full richness of the subject. Originally published in French, and translated by the author's collaborator Carl Knappett, this edition makes Poursat's deep knowledge of the Aegean Bronze Age available to an English-language audience for the first time.

The 27 papers in this volume harken to the themes that Jeffrey Soles has influenced during his illustrious career in Aegean Bronze Age archaeology: ancestry, burial customs, religion, trade, jewelry, the development of the Minoan settlement of Mochlos in eastern Crete, and the rise and fall of the Minoan civilization.