Studies of seals and sealing practices have traditionally investigated aspects of social, political, economic, and ideological systems in ancient societies throughout the Old World. Previously, scholarship has focused on description and documentation, chronology and dynastic histories, administrative function, iconography, and style. More recent studies have emphasized context, production and use, and increasingly, identity, gender, and the social lives of seals, their users, and the artisans who produced them. Using several methodological and theoretical perspectives, this volume presents up-to-date research on seals that is comparative in scope and focus. The cross-cultural and interdisciplinary approach advances our understanding of the significance of an important class of material culture of the ancient world. The volume will serve as an essential resource for scholars, students, and others interested in glyptic studies, seal production and use, and sealing practices in the Ancient Near East, Egypt, Ancient South Asia and the Aegean during the 4th-2nd Millennia BCE.

Generations of scholars have grappled with the origins of 'palace' society on Minoan Crete, seeking to explain when and how life on the island altered monumentally. Emily Anderson turns light on the moment just before the palaces, recognizing it as a remarkably vibrant phase of socio-cultural innovation. Exploring the role of craftspersons, travelers and powerful objects, she argues that social change resulted from creative work that forged connections at new scales and in novel ways. This study focuses on an extraordinary corpus of sealstones which have been excavated across Crete. Fashioned of imported ivory and engraved with images of dashing lions, these distinctive objects linked the identities of their distant owners. Anderson argues that it was the repeated but pioneering actions of such diverse figures, people and objects alike, that dramatically changed the shape of social life in the Aegean at the turn of the second millennium BCE.

Although the Corpus der minoischen und mykenischen Siegel (CMS) has been documenting examples of Aegean glyptic since the 1950s, the subject is still a daunting one for non-specialists. Designed with students in mind, this study draws on the CMS data in presenting a general introduction to, and synthesis of, Aegean seals and sealings set against their cultural and technological background. With lots of photographs and illustrations, Olga Krzyszkowska's study presents the evidence in chronological order from the 3rd millennium BC to the late Bronze Age. Information on dating, materials, shapes, techniques, motifs and composition, style and seal use is given, whilst the text is furnished with examples from across the Aegean world. A large glossary and a user's guide to the CMS are given in the appendices.

Archaeologists have long admired the naturalistic animal art of Minoan Crete, often explaining it in terms of religion or a love of the natural world. In this book, Andrew Shapland provides a new way of understanding animal depictions from Bronze Age Crete as the outcome of human-animal relations. Drawing on approaches from anthropology and Human-Animal Studies, he explores the stylistic development of animal depictions in different media, including frescoes, ceramics, stone vessels, seals and wall paintings, and explains them in terms of 'animal practices' such as bull-leaping, hunting, fishing and collecting. Integrating zooarchaeological finds, Shapland highlights the significance of objects and their associated human-animal relations in the history of the palaces, sanctuaries and tombs of Bronze Age Crete. His volume demonstrates how looking at animals opens up new perspectives on familiar sites such as Knossos and some of the most famous objects of this time and place.

Consists of 20 chapters in 2 parts; pt. 1 contains chapters on Aegean prehistory and the East and pt. 2 contains chapters on classical Greece, Etruria, and Rome.

This definitive sourcebook collates seminal articles from this increasingly important field, to present a comprehensive and well-balanced representation of approaches and interests in a single volume for students, lecturers and researchers.

The aim of this volume is to present an overview of current trends and individual methodological attempts towards arriving at an adequate understanding of Minoan, Cycladic, and Mycenaean iconography.

House X is by far the largest and best appointed of the Minoan houses excavated at Kommos in south-central Crete, a Minoan harbor and settlement that later became the site of a Greek sanctuary. Situated on the seacoast of the western Mesara Plain, Kommos faces west toward the Libyan Sea. House X stands on the southern edge of the Minoan town, separated by a large slab-paved road from the monumental civic buildings built and used between the Protopalatial and Postpalatial periods. The description of the stratigraphic excavation of this elite house is published with numerous architectural plans along with the cataloged small finds and tables of data on the floral and faunal materials. The excavated fresco fragments are also discussed and illustrated.