Now a major motion picture streaming on Netflix! Mile 81 meets “N.” in this novella collaboration between Stephen King and Joe Hill. As USA TODAY said of Stephen King’s Mile 81: “Park and scream. Could there be any better place to set a horror story than an abandoned rest stop?” In the Tall Grass begins with a sister and brother who pull off to the side of the road after hearing a young boy crying for help from beyond the tall grass. Within minutes they are disoriented, in deeper than seems possible, and they’ve lost one another. The boy’s cries are more and more desperate. What follows is a terrifying, entertaining, and masterfully told tale, as only Stephen King and Joe Hill can deliver.

As war overtakes the frontier, Emma’s family farmstead is attacked by Dakota-Sioux warriors; on that same prairie, Oenikika desperately tries to hold on to her calling as a healer and follow the orders of her father, Chief Little Crow. When the war is over and revenge-fueled war trials begin, each young woman is faced with an impossible choice. In a swiftly changing world, both Emma and Oenikika must look deep within and fight for the truth of their convictions—even as horror and injustice unfolds all around them. Inspired by the true story of the thirty-eight Dakota-Sioux men hanged in Minnesota in 1862—the largest mass execution in US history—Dovetails in Tall Grass is a powerful tale of two young women connected by the fate of one man.

As thrilling as any novel, as taut and exciting as any adventure story, Peter Hathaway Capstick’s Death in the Long Grass takes us deep into the heart of darkness to view Africa through the eyes of one of the most renowned professional hunters. Few men can say they have known Africa as Capstick has known it—leading safaris through lion country; tracking man-eating leopards along tangled jungle paths; running for cover as fear-maddened elephants stampede in all directions. And of the few who have known this dangerous way of life, fewer still can recount their adventures with the flair of this former professional hunter-turned-writer. Based on Capstick’s own experiences and the personal accounts of his colleagues, Death in the Long Grassportrays the great killers of the African bush—not only the lion, leopard, and elephant, but the primitive rhino and the crocodile waiting for its unsuspecting prey, the titanic hippo and the Cape buffalo charging like an express train out of control. Capstick was a born raconteur whose colorful descriptions and eye for exciting, authentic detail bring us face to face with some of the most ferocious killers in the world—underrated killers like the surprisingly brave and cunning hyena, silent killers such as the lightning-fast black mamba snake, collective killers like the wild dog. Readers can lean back in a chair, sip a tall, iced drink, and revel in the kinds of hunting stories Hemingway and Ruark used to hear in hotel bars from Nairobi to Johannesburg, as veteran hunters would tell of what they heard beyond the campfire and saw through the sights of an express rifle.

On one of North America's last remaining expanses of grassland the Nature Conservancy has begun what is perhaps the boldest ecological experiment ever attempted. They are not simply conserving the natural beauty of this place, where eight-foot-tall grasses roll for miles under limitless prairie skies; they are studying it and shaping it anew, bringing back the bison once hunted here by native Plains horsemen, and seeding with fire to liberate the natural biodiversity of a land never broken by the plow. On the stage that is the Tallgrass Prairie Preserve many dramas have unfolded. Indians, white settlers, ranchers, oil barons, scientists, and politicians have all taken roles alongside Nature's players - geologic phenomena, weather, the intricately interwoven lives of plants and animals. In Big Bluestem, Annick Smith traces the fascinating story of this land that, like the grasses, endures, and should endure, in its glory forever.

Beware the Tall Grass weaves the stories of the Sloans, a modern family grappling with their young son Charlie’s troubling memories of a past life as a soldier in Vietnam, and Thomas Boone, a young man caught up in the drama of mid-sixties America who is sent to Vietnam. Eve Sloan is challenged as a mother to make sense of Charlie’s increasing references to war, and her attempts to get to the bottom of Charlie’s past life memories threaten her marriage, while Thomas struggles with loss and first love, before being thrust into combat and learning what matters most. Beware the Tall Grass explores the power of love and mercy with grace and artful sensitivity in a world where circumstances often occur far beyond our control.

The tallgrass prairie of the early 1800s, a beautiful and seemingly endless landscape of wildflowers and grasses, is now a tiny remnant of its former expanse. As a literary landscape, with much of the American environmental imagination focused on a mainstream notion of more spectacular examples of wild beauty, tallgrass is even more neglected. Prairie author and advocate John T. Price wondered what it would take to restore tallgrass prairie to its rightful place at the center of our collective identity. The answer to that question is his Tallgrass Prairie Reader, a first-of-its-kind collection of literature from and about the tallgrass bioregion. Focusing on autobiographical nonfiction in a wide variety of forms, voices, and approaches—including adventure narrative, spiritual reflection, childhood memoir, Native American perspectives, literary natural history, humor, travel writing and reportage—he honors the ecological diversity of tallgrass itself and provides a range of models for nature writers and students. The chronological arrangement allows readers to experience tallgrass through the eyes and imaginations of forty-two authors from the nineteenth to the twenty-first centuries. Writings by very early explorers are followed by works of nineteenth-century authors that reflect the fear, awe, reverence, and thrill of adventure rampant at the time. After 1900, following the destruction of the majority of tallgrass, much of the writing became nostalgic, elegiac, and mythic. A new environmental consciousness asserted itself midcentury, as personal responses to tallgrass were increasingly influenced by larger ecological perspectives. Preservation and restoration—informed by hard science—emerged as major themes. Early twenty-first-century writings demonstrate an awareness of tallgrass environmental history and the need for citizens, including writers, to remember and to help save our once magnificent prairies.

No matter how many times Johnny starts over, things eventually fall apart. Like they did when he left the family ranch he loves in Nebraska, or in his fledgling acting career in L.A., or with his arguably perfect ex-boyfriend. Then he meets pretty, prickly, captivating Owen. A man who loves fiercely and protectively. A man Johnny is helplessly drawn to, and who inspires him to finally build a life that he won’t burn down. But every idyllic summer comes to an end, and Johnny has never been able to resist his urge to run when things get hard. Owen’s safe haven has always been his godfathers’ farm. When they need help, he drops everything and moves in for the summer. To his surprise, they already have one house guest—Johnny, their long-lost nephew. Johnny’s beautiful, charismatic, and worst of all, famous...everything Owen’s celebrity parents taught him to hate. Owen resists their instant chemistry, but as the summer works its magic, he falls for Johnny anyway. Even though he can practically hear the clock ticking until Johnny takes off with no regard for who his leaving will hurt. As the Tallgrass Grows is the fourth book in the Wild Ones series. Though the story can stand alone, the series is best enjoyed when read in order.

“[An] exceptionally raw look at the Vietnam War . . . an excellent tribute to the generation that fought, laughed, and died in Southeast Asia.” —New York Journal of Books This is the second volume of a Green Beret’s riveting memoir of his time serving in Recon Teams Habu and Crusader, CNN, part of Military Assistance Command, Vietnam—Studies and Observations Group (MACV-SOG). Picking up where We Few left off, Whispers in the Tall Grass opens as the war moves into a new phase. The enemy are using special formations to hunt recon teams and missions are now rarely accomplished without heavy contact. Despite the teams’ careful prep, losses are mounting. More and more missions are extracted by Bright Lights until eventually classic recon missions are almost impossible, and the teams briefly trial HALO insertion. Finally, as the US prepares to withdraw, the teams undertake back-to-back missions directing air strikes and disrupting supply lines to ease the pressure on the ARVN. Broken by the pace, but desperate not to leave the Yards, Brokhausen is ordered to out-process, his request for extension denied, and is forced to leave his friends—his brothers—behind. Written in the same vivid, immediate style that made We Few a cult classic, Whispers in the Tall Grass follows Habu, Crusader and other teams as they undertake missions in this new, deadlier phase of the war. The narrative veers from hair-raising to tragic and back as the teams insert into hot targets, act as Bright Light for stricken teams, and play hard in between missions to diffuse the ever-rising tension. “Brokhausen tells all in a masterfully gonzo style of reporting and recollection shaped by clever gallows humor.” —Booklist

This collection of wild and woolly adventure stories from real life was first published by Stackpole Books in 1954. From roping bear and cougar in Arizona to hunting wild boar with a longbow on Santa Catalina Island in California and alligator wrestling in the Everglades, Howard Hill was the prototypical "extreme" guy. Includes outstanding photography from Hill's adventures of such animals as grizzly bear, elk, mountain sheep and moose. First published by Stackpole Books in 1954. Foreword by Errol Flynn. New preface by Jerry Hill, the author's nephew.