The tallgrass prairie of the early 1800s, a beautiful and seemingly endless landscape of wildflowers and grasses, is now a tiny remnant of its former expanse. As a literary landscape, with much of the American environmental imagination focused on a mainstream notion of more spectacular examples of wild beauty, tallgrass is even more neglected. Prairie author and advocate John T. Price wondered what it would take to restore tallgrass prairie to its rightful place at the center of our collective identity. The answer to that question is his Tallgrass Prairie Reader, a first-of-its-kind collection of literature from and about the tallgrass bioregion. Focusing on autobiographical nonfiction in a wide variety of forms, voices, and approaches—including adventure narrative, spiritual reflection, childhood memoir, Native American perspectives, literary natural history, humor, travel writing and reportage—he honors the ecological diversity of tallgrass itself and provides a range of models for nature writers and students. The chronological arrangement allows readers to experience tallgrass through the eyes and imaginations of forty-two authors from the nineteenth to the twenty-first centuries. Writings by very early explorers are followed by works of nineteenth-century authors that reflect the fear, awe, reverence, and thrill of adventure rampant at the time. After 1900, following the destruction of the majority of tallgrass, much of the writing became nostalgic, elegiac, and mythic. A new environmental consciousness asserted itself midcentury, as personal responses to tallgrass were increasingly influenced by larger ecological perspectives. Preservation and restoration—informed by hard science—emerged as major themes. Early twenty-first-century writings demonstrate an awareness of tallgrass environmental history and the need for citizens, including writers, to remember and to help save our once magnificent prairies.

This is a collection of literature from and about the tallgrass bioregion. It focuses on autobiographical nonfiction including adventure narrative, spiritual reflection, childhood memoir, Native American perspectives, literary natural history, humor, travel writing and reportage. Writings by early explorers are followed by works of nineteenth-century authors that reflect the fear, awe, reverence, and thrill of adventure of the time. After 1900, following the destruction of the majority of tallgrass, much of the writing became nostalgic, elegiac, and mythic. A new environmental consciousness asserted itself midcentury, as personal responses to tallgrass were increasingly influenced by larger ecological perspectives. Preservation and restoration emerged as major themes. Early twenty-first-century writings demonstrate an awareness of tallgrass environmental history and the need for citizens, including writers, to remember and to help save our once magnificent prairies.

More than a region on a map, North America's vast grasslands are an enduring place in the American heart. Unfolding along and beyond the Mississippi River, the tallgrass prairie has entranced and inspired its natives and newcomers as well as American artists and writers from Willa Cather to Mark Twain. The Tallgrass Prairie is a new introduction to the astonishing beauty and biodiversity of these iconic American spaces. Like a walking tour with a literate friend and expert, Cindy Crosby's Tallgrass Prairie prepares travelers and armchair travelers for an adventure in the tallgrass. Crosby's engaging gateway assumes no prior knowledge of tallgrass landscapes, and she acquaints readers with the native plants they’ll discover there. She demystifies botanic plant names and offers engaging mnemonic tips for mastering Latin names with verve and confidence. Visitors to the prairie will learn to identify native plants using the five senses to discover what makes each plant unique or memorable. In the summer, for example, the unusual square stem of cup plant, Silphium perfoliatum, sets it apart from its neighbors. And its distinctive leaf cups water after the rain. A gifted raconteur, Crosby tells stories about how humankind has adopted the prairie as a grocery, an apothecary, and even as a shop for love charms. Rounding out this exceptional introduction are suggestions for experiencing the American prairie, including journaling techniques and sensory experiences, tips for preparing for a hike in tallgrass landscapes, ways to integrate native prairie plants into home landscapes (without upsetting the neighbors), and a wealth of resources for further exploration. An instant classic in the tradition of American naturalist writing, The Tallgrass Prairie will delight not only scholars and policy makers, but guests to tallgrass prairie preserves, outdoors enthusiasts and gardeners, and readers interested in American ecosystems and native plants.

In centuries long past, a vast swath of grassland swept down the center of North America, from Canada’s Prairie Provinces to central Texas. This once-plentiful prairie has now all but disappeared. Humans have grazed, mowed, and plowed the plains, dammed the rivers, and imposed their will on the land and its creatures. Fortunately, some remnants have survived, including the Joseph H. Williams Tallgrass Prairie Preserve in northeastern Oklahoma. In this visually stunning volume, wildlife photographer Harvey Payne and historian James P. Ronda offer an intimate look at and into one of America’s Last Great Places. Spanning nearly 40,000 acres in Oklahoma’s Osage County, the Preserve is a living witness to a world that once existed. But the Osage prairie is not a museum or theme park—and it is not frozen in time. Under the stewardship of The Nature Conservancy, which has overseen its restoration, the Preserve lives on as a fully functioning ecosystem. And for twenty-five years, Payne and Ronda have explored these lands, together and in solitude. Rendered here in brilliant color and paired with Ronda’s informative yet deeply personal commentary, Payne’s photographs open our eyes to the ever-changing world of the Tallgrass Preserve. In chapters focused on grass, sky, birds, bison, and fire, Ronda and Payne reveal that the “Big Empty” is, in fact, teeming with life. Through interwoven images and words, Visions of the Tallgrass shows that our nation’s grasslands are sacred ground, a priceless piece of our American past—and future.

Over a century ago, tall-grass prairie stretched over the most of what is now Iowa, Illinois, southern Minnesota, northern Missouri, the Dakotas, Nebraska, Kansas and Oklahoma. Today only a few scattered patches remain. The author traces the history of the prairie and examines grassland ecology.

As war overtakes the frontier, Emma’s family farmstead is attacked by Dakota-Sioux warriors; on that same prairie, Oenikika desperately tries to hold on to her calling as a healer and follow the orders of her father, Chief Little Crow. When the war is over and revenge-fueled war trials begin, each young woman is faced with an impossible choice. In a swiftly changing world, both Emma and Oenikika must look deep within and fight for the truth of their convictions—even as horror and injustice unfolds all around them. Inspired by the true story of the thirty-eight Dakota-Sioux men hanged in Minnesota in 1862—the largest mass execution in US history—Dovetails in Tall Grass is a powerful tale of two young women connected by the fate of one man.

“It was a flowing emerald in spring and summer when the boundless winds ran across it, a tawny ocean under the winds of autumn, and a stark and painful emptiness when the great long winds drove in from the northwest. It was Beulahland for many; Gehenna for some. It was the tall prairie.”—from the “Prologue” Originally published in 1982, Where the Sky Began, John Madson’s landmark publication, introduced readers across the nation to the wonders of the tallgrass prairie, sparking the current interest in prairie restoration. Now back in print, this classic tome will serve as inspiration to those just learning about the heartland’s native landscape and rekindle the passion of long-time prairie enthusiasts.

This volume presents the wildlife of the American prairie in text and illustrations.

This New York Times bestseller by the author of Blue Highways is “a majestic survey of land and time and people in a single county of the Kansas plains” (Hungry Mind Review). William Least Heat-Moon travels by car and on foot into the core of our continent, focusing on the landscape and history of Chase County—a sparsely populated tallgrass prairie in the Flint Hills of central Kansas—exploring its land, plants, animals, and people until this small place feels as large as the universe. Called a “modern-day Walden” by the Chicago Sun-Times, PrairyErth is a journey through a place, through time, and into the human mind from the acclaimed author of Here, There, Elsewhere: Stories from the Road. “A sense of the American grain that will give [PrairyErth] a permanent place in the literature of our country.” —Paul Theroux, The New York Times

The Flint Hills are America's last tallgrass prairie, a green enclave set in the midst of the farmland of eastern Kansas. Known as the home of the Big Beef Steer, these rugged hills have produced exemplary cowboys—both the ranch and rodeo varieties—whose hard work has given them plenty of material for equally good stories. Jim Hoy grew up in the Flint Hills on a ranch at Cassoday that's been in his family for five generations and boasts roots "as deep as those of bluestem grass in black-soil bottomland." He now draws on this area's rich cowboy lore—as well as on his own experience working cattle, breaking horses, and rodeoing—to write a folk history of the Flint Hills spanning a century and a half. Hoy blends history, folklore, and memoir to conjure for readers the tallgrass prairies of his boyhood in a book that richly recalls the ranching life and the people who lived it. Here are cowboys and outlaws, rodeo stars and runaway horses, ordinary folks and the stuff of legends. Hoy introduces readers to the likes of Lou Hart, a top hand with the Crocker Brothers from 1906 to1910, whose poetic paean to ranch life circulated orally for fifty years before seeing print. And he tracks down the legend of Bud Gillette, considered by his neighbors the world's fastest man until he fell in with an unscrupulous promoter. He even unravels the mystery of a lone grave supposed to be that of the first cowboy in the Flint Hills. Hoy also explains why a good horse makes up for having to work with exasperating cattle—and why not all horses are created (or trained) equal. And he traces Flint Hills cattle culture from the days of the trail drive through the railroad years to today's trucking era, with most railroad stockyards torn down and only one section house left standing. Writes Hoy, "I feed on the stories of the Hills and the characters who tell them as the cattle feed on the grasses." His love of the land shines throughout a book so real that readers will swear they hear the click of horseshoes on flint rock with every turn of the page.