Shortly after the Wall came down, subcultures boomed in Berlin's Mitte district. The compelling photography in this book brings an almost forgotten era back to life and shows just how much the city has changed since then. The striking photography in Berli

"Lights Out in Wonderland has all the verbal wit and energy of Vernon God Little."—Financial Times Gabriel Brockwell—aesthete, philosopher, disaffected twenty-something decadent—is thinking terminal. He's decided to kill himself—but not immediately. His destination is Wonderland. The style of the journey is all that's to be decided. Traveling between London, Tokyo, and Berlin, Gabriel is in search of the bacchanal to obliterate all previous parties. His adventure takes in a spell in rehab, a near-death experience eating a poisonous Japanese delicacy, and finally an orgiastic feast in the bowels of Berlin's majestic Tempelhof Airport. Along the way, Gabriel falls apart, only to reemerge with a new outlook on the world and a mission to right his past wrongs. Lights Out in Wonderland is an allegorical banquet, a sly commentary on these End Times and the march toward banality, and a joyful expression of the human spirit.

Wonderland explores the hidden realities of life before and after the fall of the USSR. The story of Communism is the story of the 20th century. For many, the Soviet Union existed, like their childhood, as a fairy tale where many of the realities of life were hidden from plain view. When the Berlin Wall finally fell, so too did the illusion of that utopia. Wonderland is a photographic exploration that portrays both the reality beneath the veneer of a utopian USSR and the affirmation that hope that should never be abandoned.

A CLASSIC FROM THE NEW YORK TIMES BESTSELLING AUTHOR OF THE THINGS THEY CARRIED "To call Going After Cacciato a novel about war is like calling Moby-Dick a novel about whales." So wrote The New York Times of Tim O'Brien's now classic novel of Vietnam. Winner of the 1979 National Book Award, Going After Cacciato captures the peculiar mixture of horror and hallucination that marked this strangest of wars. In a blend of reality and fantasy, this novel tells the story of a young soldier who one day lays down his rifle and sets off on a quixotic journey from the jungles of Indochina to the streets of Paris. In its memorable evocation of men both fleeing from and meeting the demands of battle, Going After Cacciato stands as much more than just a great war novel. Ultimately it's about the forces of fear and heroism that do battle in the hearts of us all. Now with Extra Libris material, including a reader’s guide and bonus content

In Berlin, decrepit structures do not always denote urban blight. Decayed buildings are incorporated into everyday life as residences, exhibition spaces, shops, offices, and as leisure space. As nodes of public dialogue, they serve as platforms for dissenting views about the future and past of Berlin. In this book, Daniela Sandler introduces the concept of counterpreservation as a way to understand this intentional appropriation of decrepitude. The embrace of decay is a sign of Berlin's iconoclastic rebelliousness, but it has also been incorporated into the mainstream economy of tourism and development as part of the city's countercultural cachet. Sandler presents the possibilities and shortcomings of counterpreservation as a dynamic force in Berlin and as a potential concept for other cities. Counterpreservation is part of Berlin's fabric: in the city's famed Hausprojekte (living projects) such as the Køpi, Tuntenhaus, and KA 86; in cultural centers such as the Haus Schwarzenberg, the Schokoladen, and the legendary, now defunct Tacheles; in memorials and museums; and even in commerce and residences. The appropriation of ruins is a way of carving out affordable spaces for housing, work, and cultural activities. It is also a visual statement against gentrification, and a complex representation of history, with the marks of different periods—the nineteenth century, World War II, postwar division, unification—on display for all to see. Counterpreservation exemplifies an everyday urbanism in which citizens shape private and public spaces with their own hands, but it also influences more formal designs, such as the Topography of Terror, the Berlin Wall Memorial, and Daniel Libeskind's unbuilt redevelopment proposal for a site peppered with ruins of Nazi barracks. By featuring these examples, Sandler questions conventional notions of architectural authorship and points toward the value of participatory environments.

This breakout novel from a brilliant stylist--dropping us into the life a female rock star--centers on that moment when we decide whether to go all-in or give up our dreams

Since Unification and the end of the Cold War, Berlin has witnessed a series of uncommonly intense social, political, and cultural transformations. While positioning itself as a creative center populated by young and cosmopolitan global citizens, the “New Berlin” is at the same time a rich site of historical memory, defined inescapably by its past even as it articulates German and European hopes for the future. Cultural Topographies of the New Berlin presents a fascinating cross-section of life in Germany’s largest city, revealing the complex ways in which globalization, ethnicity, economics, memory, and national identity inflect how its urban spaces are inhabited and depicted.

Among the numerous curiosities that have gone unexplained in the classic tale Alice in Wonderland, perhaps the most perplexing might be who, exactly, is the “Maryann” that the White Rabbit mistakes Alice for at the beginning of the story? Lewis Carroll first made us ponder this and, years later, Walt Disney again made viewers wonder who Maryann might be in his classic feature length film based on Carroll’s book. Now, the amazingly talented folks at SLG Publishing, through a licensing deal with Disney, have finally answered this age-old question. In their beautifully executed comic book series, WONDERLAND, readers experience Alice’s fantastic world as they’ve never seen it before. Writer Tommy Kovac’s Wonderland is missing Alice herself, but it’s still populated by the other characters that make the world such a curiously exciting place. The Queen of Hearts is present, barking orders to lop off people’s heads, as is the Cheshire Cat, the White Rabbit, the Mad Hatter and the rest of Wonderland’s beloved cast. And there are some new faces, too, including the book’s main protagonist, the mysterious Maryann herself. All are beautifully illustrated by Wonderland’s artist, Sonny Liew. The graphic novel will collect the six issues that comprised the Wonderland comic series in a beautiful, collectible, jacketed hardcover edition.

A wide range of transatlantic contributors addresses Berlin as a global focal point of the Cold War, and also assess the geopolitical peculiarity of the city and how citizens dealt with it in everyday life. They explore not just the implications of division, but also the continuing entanglements and mutual perceptions which resulted from Berlin's unique status. An essential contribution to the study of Berlin in the 20th century, and the effects - global and local - of the Cold War on a city.

The capital of Germany and home to 3.5 million people, Berlin has one the most fascinating histories in all of Europe. At end of the nineteenth century it rapidly developed into a major urban center, and today it is a site where the scars of history sit alongside ultra-modern urban developments. It is a place where people have figured in an especially intimate relationship with the wider fabric of the city, in which bodily interaction has been an important aspect of day-to-day urban life. In this book, Stephen Barber offers an innovative history of the city, one that focuses on how the human body has shaped the city’s very streets. Spanning the twentieth century and moving up to today, Barber’s book offers a unique account of Berlin’s development. He explores previously neglected material from the city’s audio and visual archives to examine how people interacted with the city’s streets, buildings, squares, and public spaces. He recounts a history of riots, ruins, nightclubs, crowds, architectural experiments, citywide spectacles, film, art, and performances, showing how these human forces have affected the structure of the city. Through this innovative approach, Barber offers a new way to think about modern urban spaces as corporeal spaces, and how people exert a cumulative effect on cities over time.