The capital of Germany and home to 3.5 million people, Berlin has one the most fascinating histories in all of Europe. At end of the nineteenth century it rapidly developed into a major urban center, and today it is a site where the scars of history sit alongside ultra-modern urban developments. It is a place where people have figured in an especially intimate relationship with the wider fabric of the city, in which bodily interaction has been an important aspect of day-to-day urban life. In this book, Stephen Barber offers an innovative history of the city, one that focuses on how the human body has shaped the city’s very streets. Spanning the twentieth century and moving up to today, Barber’s book offers a unique account of Berlin’s development. He explores previously neglected material from the city’s audio and visual archives to examine how people interacted with the city’s streets, buildings, squares, and public spaces. He recounts a history of riots, ruins, nightclubs, crowds, architectural experiments, citywide spectacles, film, art, and performances, showing how these human forces have affected the structure of the city. Through this innovative approach, Barber offers a new way to think about modern urban spaces as corporeal spaces, and how people exert a cumulative effect on cities over time.

The concept of »worldmaking« is based on the idea that ›the world‹ is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing ›dance worlds‹: through artistic practice, discourse and media, choreographic form and dance material. The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral - an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal »world of dance«, but rather a multitude of interrelated dance worlds with more emerging every day.

The study of high-dimensional convex bodies from a geometric and analytic point of view, with an emphasis on the dependence of various parameters on the dimension stands at the intersection of classical convex geometry and the local theory of Banach spaces. It is also closely linked to many other fields, such as probability theory, partial differential equations, Riemannian geometry, harmonic analysis and combinatorics. It is now understood that the convexity assumption forces most of the volume of a high-dimensional convex body to be concentrated in some canonical way and the main question is whether, under some natural normalization, the answer to many fundamental questions should be independent of the dimension. The aim of this book is to introduce a number of well-known questions regarding the distribution of volume in high-dimensional convex bodies, which are exactly of this nature: among them are the slicing problem, the thin shell conjecture and the Kannan-Lovász-Simonovits conjecture. This book provides a self-contained and up to date account of the progress that has been made in the last fifteen years.

This publication provides a critical overview on some research mainly conducted in Paris and Geneva. It aims to review the neurophysiological basis of body perception and schema in health and sickness, as well as widely accepted psychotherapeutic procedures based on corporality. Psychiatrists, psychologists, social workers, psychomotor therapists, psychotherapists and neurologists will find a wealth of information in this book that has until now been unavailable in English scientific literature.