World Literature Today: Notable Translation of the Year PopMatters: Best Book of the Year Told in elegant, evocative prose, a devastating and necessary testament to the August explosion that thoughtfully examines the crises that preceded it and its aftermath. At the start of the summer of 2020, in a Lebanon ruined by economic crisis and political corruption, in an exhausted Beirut still rising up for true democracy while the world was paralyzed by the coronavirus, Charif Majdalani set about writing a journal. He intended to bear witness to this terrible, confusing time, and perhaps endure it by putting it into words. Using small, everyday interactions—with fellow restaurant patrons, repairmen, the father of his wife’s patient, a young Syrian refugee—as openings to address larger systemic problems, he explains how events in Lebanon’s recent history led to this point. Then, on August 4, the explosion of 2,750 tons of ammonium nitrate in the port of Beirut devastated the city and the country. Majdalani’s chronicle suddenly became a record of the catastrophe, which left more than two hundred dead and thousands injured, and the massive public outcry that followed. In the midst of the senseless chaos and grief, however, he continues to find cause for hope in the kindness and resilience of those determined to stay and rebuild.

A former chief of Romania's foreign intelligence service reveals the extraordinary corruption of the Nicolae Ceausescu government of Romania, its brutal machinery of oppression, and its Machiavellian relationship with the West. An in side story of how Communist Party leaders really live.

“A Middle Eastern heart-of-darkness tale that flows like a dream . . . Crackling with razor-sharp humor” (The New York Times). At the dawn of the twentieth century, a young Lebanese explorer leaves the Levant for the wilds of Africa, encountering an eccentric English colonel in Sudan and enlisting in his service. In this lush chronicle of far-flung adventure, the military recruit crosses paths with a compatriot who has dismantled a sumptuous palace in Tripoli and is transporting it across the continent on a camel caravan. The protagonist soon takes charge of this hoard of architectural fragments, ferrying the dismantled landmark through Sudan, Egypt, and the Arabian Peninsula, attempting to return to his native Beirut with this moveable real estate. Along the way, he will encounter skeptic sheikhs, suspicious tribal leaders, bountiful feasts, pilgrims bound for Mecca, and T. E. Lawrence in a tent—in this “utterly charming” novel that was a recipient of the Académie Française’s François Mauriac Prize (Library Journal). “Renders the complex social landscape of the Middle East and North Africa with subtlety and finesse . . . Yet one doesn’t need to care about the region’s history, or its present-day contexts, to enjoy Moving the Palace.” —The Wall Street Journal

Originally published in hardcover in 2011.

This book provides a clear and authoritative introduction to the emerging Arab media industries in the context of globalization and its impacts, with a focus on publishing, press, broadcasting, cinema and new media. Through detailed discussions of the regulation and economics of these industries, the authors argue that the political, technological and cultural changes on the global media scene have resulted in the reorganization of the Arab media field. They provide striking examples of this through the particular effects on media policies, media technology and the content and genres developed for the new generation of media consumers. As part of the book's overview of the contemporary characteristics of Arab media, the authors outline the development of the role of modern Arab media from a tool of mobilizing the public to a tool of commercial and symbolic profit. Overall, the volume illustrates how the Arab region represents a unique case where the commercialization and liberalization of selected media industries has gone hand in hand with continuous state intervention and an increasing self censorship. Written for students without prior knowledge of the topic, Arab Media will be essential reading for all interested in the contemporary global media industries.

NEW YORK TIMES BUSINESS BEST SELLER • A suspenseful behind-the-scenes look at the dysfunction that contributed to one of the worst tragedies in modern aviation: the 2018 and 2019 crashes of the Boeing 737 MAX. An "authoritative, gripping and finely detailed narrative that charts the decline of one of the great American companies" (New York Times Book Review), from the award-winning reporter for Bloomberg. Boeing is a century-old titan of industry. It played a major role in the early days of commercial flight, World War II bombing missions, and moon landings. The planemaker remains a cornerstone of the U.S. economy, as well as a linchpin in the awesome routine of modern air travel. But in 2018 and 2019, two crashes of the Boeing 737 MAX 8 killed 346 people. The crashes exposed a shocking pattern of malfeasance, leading to the biggest crisis in the company’s history—and one of the costliest corporate scandals ever. How did things go so horribly wrong at Boeing? Flying Blind is the definitive exposé of the disasters that transfixed the world. Drawing from exclusive interviews with current and former employees of Boeing and the FAA; industry executives and analysts; and family members of the victims, it reveals how a broken corporate culture paved the way for catastrophe. It shows how in the race to beat the competition and reward top executives, Boeing skimped on testing, pressured employees to meet unrealistic deadlines, and convinced regulators to put planes into service without properly equipping them or their pilots for flight. It examines how the company, once a treasured American innovator, became obsessed with the bottom line, putting shareholders over customers, employees, and communities. By Bloomberg investigative journalist Peter Robison, who covered Boeing as a beat reporter during the company’s fateful merger with McDonnell Douglas in the late ‘90s, this is the story of a business gone wildly off course. At once riveting and disturbing, it shows how an iconic company fell prey to a win-at-all-costs mentality, threatening an industry and endangering countless lives.

Winner of the Dublin Literary Award A Best Historical Novel of the Year at The New York Times Book Review "[An] extraordinary achievement." —Liesl Schillinger, The Wall Street Journal Across three generations, three wars, two continents, and the mythic waters of the Mediterranean, one family’s history leads to an inevitable question: What price do our descendants pay for the choices that we make? Naïma knows Algeria only by the artifacts she encounters in her grandparents’ tiny apartment in Normandy: the language her grandmother speaks but Naïma can’t understand, the food her grandmother cooks, and the precious things her grandmother carried when they fled. Naïma’s father claims to remember nothing; he has made himself French. Her grandfather died before he could tell her his side of the story. But now Naïma will travel to Algeria to see for herself what was left behind—including their secrets. The Algerian War for Independence sent Naïma’s grandfather on a journey of his own, from wealthy olive grove owner and respected veteran of the First World War, to refugee spurned as a harki by his fellow Algerians in the transit camps of southern France, to immigrant barely scratching out a living in the north. The long battle against colonial rule broke apart communities, opened deep rifts within families, and saw the whims of those in even temporary power instantly overturn the lives of ordinary people. Where does Naïma’s family fit into this history? How do they fit into France’s future? Alice Zeniter’s The Art of Losing is a powerful, moving family novel that spans three generations across seventy years and two shores of the Mediterranean Sea. It is a resonant people’s history of Algeria and its diaspora. It is a story of how we carry on in the face of loss: loss of country, identity, language, connection. Most of all, it is an immersive, riveting excavation of the inescapable legacies of colonialism, immigration, family, and war.

In this remarkable sequel to his critically acclaimed memoir Watching the Door, Irish journalist Kevin Myers reflects on his roller-coaster career over three decades in the Irish media, from the European conflicts he reported from to the personal conflicts he fought. Fresh from the horrors of 1970s Belfast, Myers took a job in 1979 with The Irish Times, and brilliantly evokes the comical chaos of life in the smoky newsroom of Ireland’s paper-of-record. Having taken over An Irishman’s Diary, Myers single-handedly pioneered the campaign to rehabilitate the memory of the forgotten Irish soldiers of the Great War, and in the process fell foul of the paper’s editor, the legendary Douglas Gageby. His reward were plane tickets to more perilous assignments as Myers was back in the frontline of European warzones, as communism collapsed and civil wars emerged. While Myers is at his brilliant best dodging bullets on the battlefields of Tel Aviv, Beirut and Sarajevo, he also keenly and unapologetically participates in the many cultural conflicts erupting within a rapidly changing Ireland, as he opines on a broad spectrum of Irish life, covering history, politics, religion, economics, culture and society; all explored in his inimitable prose and sardonic wit. This courageously trenchant account of journalistic conflict and hubris also forensically examines his very public fall from grace in 2017, and his legal battle with RTÉ for a public apology. Burning Heresies is a candid and eye-opening must-read for anyone with even a passing interest in Irish life and current affairs.

A national bestseller, this extraordinary work of investigative reporting uncovers the identities, and the remarkable stories, of the CIA secret agents who died anonymously in the service of their country. In the entrance of the CIA headquarters looms a huge marble wall into which seventy-one stars are carved-each representing an agent who has died in the line of duty. Official CIA records only name thirty-five of them, however. Undeterred by claims that revealing the identities of these "nameless stars" might compromise national security, Ted Gup sorted through thousands of documents and interviewed over 400 CIA officers in his attempt to bring their long-hidden stories to light. The result of this extraordinary work of investigation is a surprising glimpse at the real lives of secret agents, and an unprecedented history of the most compelling—and controversial—department of the US government.