A new, broad, comprehensive view of the innovative poetry of the late, great Trappist monk and religious philosopher Thomas Merton. Poet, Trappist monk, religious philosopher, translator, social criticthe late Thomas Merton was all these things. Until now, no selection from his great body of poetry has afforded a comprehensive view of his varied and largely innovative work. In the Dark Before Dawn: New Selected Poems of Thomas Merton is not only double the size of Merton's earlier Selected Poems (1967), it also arranges his poetry thematically and chronologically, so that readers can follow the poet's multifarious interrelated lines of thought as well as his poetic development over the decades, from his college days in the 1930s to his untimely accidental death in Bangkok in 1968 during his personal Eastern pilgrimage. The selections are grouped under eight thematic headings"Geography's Landscapes," "Poems from the Monastery," "Poems of the Sacred," "Songs of Contemplation," "History's Voices: Past and Present," "Engaging the World," "On Being Human," "Merton and Other Languages."

Poetry. Women's Studies. Eroticism tinged with elegy, gratitude knit with doubt; MEET ME HERE AT DAWN contains an unmistakably open voice. Sophie Klahr's debut poetry collection careens from hunger to hunger. With lyric energy and narrative determination, the poems are missives sent back from a threshold, chronicling disease, the unspoken pains of family, the fabric of an extra-marital affair. "What aperture makes a woman?" Klahr asks in "One Slaughter." In MEET ME HERE AT DAWN, even the unanswerable is unfaltering, every question brightly wrought and necessary. "Sophie Klahr moves through the chambers of the mind and heart like an expert escape artist, keys hidden in the body's coverts are revealed in a 'rush of knowing, ' the body's 'first breaking and entering' that feels both clandestine and disclosive. This is poetry of immense vulnerability and fierce mettle; determined, convincing and heroically alive with courage of every kind."--D.A. Powell

Poetry. "In The Voice of the Borderlands, we have stories remembered as poems, picaresque vignettes and campfire tales rendered in the original voices—as faithfully and fully as by fellow cowman Will James. In LIGHT BEFORE DAWN, we have the koans of mortality faced as quietly and introspectively as Emily Dickinson. Hers: 'I heard a fly buzz when I died.' The fly outlived the protagonist. But the poem, as information, is forever: Drum's—'He knew who he was, And then he was gone.' The poem is a declaration that he knew who he was—which is a rare feat for any sentient being—and the poem—as information, is at the deepest level, immortal. Nice trick for an old cowman, Drum"—James Northrup.

Before Dawn is a poetry collection written by Sapardi Djoko Damono: with contents written from 1961 to 2001, portraying the poet at different stages of life. Opened by "One Night" , written in 1964 when he was a young Moslem boy crying outside a church door as his classmates celebrated Christmas, the book ends with "Before Dawn" , written in 2001 when he was much older, pondering about frailty and mortality. Through his poems--the meaning, the sounds, the rhythm--Sapardi has proven himself capable of depicting the imaginative awareness of experience.

The Poem She Didn’t Write is a whirlwind of sound, syntax, and form, working together to amplify everyday experience.

William Wenthe's third collection begins in the domestic realm then moves outward in subject and place -- to a bird market in Paris, the Jaffa Gate in Old Jerusalem, the Chain Bridge in Budapest -- before returning to the familial. The poet recalls his own cherished experiences of fatherhood: rocking his infant daughter in the early morning, lying with her outside on a pink flannel sheet, and watching her joyous reaction to the sight of roses. While actively engaged in the artist's struggle to represent reality, Wenthe draws attention to the particular, to moments and events that seem to exist beyond thoughts and words. In "Uhte," Wenthe reflects on the Old English name for the hour before dawn: "that word / has haunted me -- wondering how that hour / had first called forth a need / to be distinguished by a sound." In well-crafted free verse, traditional meter and rhyme, prose poems, and nonce forms, Wenthe meditates on family, language, art, history, and the natural world, striving to find words to capture the richness of life.

City of Vancouver Book Award winner Lambda Award winner Amber Dawn’s sophomore book reveals a poignant and personal landscape—the terrain of sex work, queer identity, and survivor pride. This memoir told in prose and poetry offers a frank, multifaceted portrait of the author’s experience, from hustling the streets of Vancouver in the mid-90s to her present life as an outspoken feminist storyteller. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

Find the magic in this collection—the moments and words that seem to glimmer and shine with their own inner light. Find deep magic in the pages of Beau Taplin's third book, Here at Dawn. The message is this: There is nothing ordinary about you or this remarkable world we inhabit, there is wild beauty, there is poetry, alive all around you. The secret is knowing where to look...and you can start right here.

When August Kleinzahler won the 2004 Griffin Poetry Prize for his collection The Strange Hours Travelers Keep, the judges' citation referred to his work as 'ferociously on the move, between locations, between forms, between registers'. They might also have added 'between New Jersey and San Francisco', the places Kleinzahler has spent his life travelling between, both on the road and on the page. This collection assembles the best of his New Jersey and San Francisco poems for the first time, organised according to place. Providing readers with a gorgeous guide to Kleinzahler's interior geography, Before Dawn on Bluff Road (New Jersey) and Hollyhocks in the Fog (San Francisco) function as both word-maps and word-anatomies of one of our greatest poet's lifelong passions and preoccupations.