This book "Becoming a One Person Band" gives advice and tips on how to help a person to go from being a keyboard player (or perhaps other musician) to becoming a one person band of 4 or even as many as 16 instruments. This approach does require a home recording studio and some information is provided in this book on possible approaches. However, there are of course many ways to do a home recording studio, and so this book concentrates more on technique and how perhaps to determine what notes or chords to play. What do you need? A recording studio of course. But also a desire to become your own one person band as a hobby or even more than a hobby. And while a musician who only plays guitar or non keyboards may go a distance into becoming your own band, keyboard background would be even more helpful. What kind of keyboard background would a person need? If a person has experience with piano, organ or accordion or simply a modern day keyboard or keyboard controller and has one already, that would be a great start. Why the emphasis on keyboards? Modern day midi systems or DAW (Digital Audio Workstations) often take their inputs from keyboards and with that can create many sounds and also sound effects. Yes, much can be done with guitars and perhaps just writing notes in for other parts, but keyboard experience is a great help. What talent is needed? It would be hard for me to define that. I never felt that I was anything special and yet I have accomplished a number of one person band songs with as many as 15 parts, and also enjoyed doing it. Of course if you have something of a music and band background and also some music theory background it is of course a big help. I do wish you the very best in your music endeavor, and hope that this book is at least a little helpful to you and your dreams or hobby. Ron Plachno (author)

Determined to make the time pass on a hot and humid day, Ty is inspired by a man who fills the night with music using a washboard, comb, spoons, and a pail as his instruments. It’s the hottest day of the year, and the sun is burning so bright that it dried up all the dew on the grass. Mom is doing laundry, Dad is unloading the chicken feed, and his brother and sister are busy… but Ty is set on finding something to do to make the time pass on the hot day. As he lays under the shade of the trees and watches the fish in the pond, Ty begins to hear the steadying thump-thump-thump of someone playing music. Then, out of nowhere, a man with one leg approaches the pond. As he watches in awe as the man makes music out of the strangest things, Ty begins making his own sounds using anything he can find.

Phil Pendleton grew up liking to talk and tell stories. But a competition in Junior High told Phil Pendleton he should pursue a career in broadcasting. Years later he would take up a camera and microphone and cover news in a part of Kentucky some call one of the most interesting areas in the nation, all as a "one man band." This is his story. How he got where he is, who helped him, and why doing it all has been a journey he'll never forget.

Long out-of-print classic of rock criticism. Author worked with Black Flag, Negativland, Birthday Party, Dead Kennedys, Husker Du, Meat Puppets, and others. Excerpted in the Penguin Book of Rock & Roll Writing. "It is the Moby Dick of Rock-Crit -- nothing else I've read comes close." --James Parker / The Idler (U.K.)

In One-Man Band, the third volume in his epic survey of Orson Welles life and work, Simon Callow again probes in comprehensive and penetrating detail into one of the most complex artists of the twentieth century, looking closely at the triumphs and failures of an ambitious one-man assault on one medium after another theatre, radio, film, television, even, at one point, ballet in each of which his radical and original approach opened up new directions and hitherto unglimpsed possibilities. The book begins with Welles self-exile from America, and his realisation that he could only function happily as an independent film-maker, a one-man band; by 1964, he had filmed Othello, which took three years to complete, Mr Arkadin, the biggest conundrum in his output, and his masterpiece Chimes at Midnight, as well as Touch of Evil, his sole return to Hollywood and, like all too many of his films, wrested from his grasp and re-edited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, including Moby-Dick, considered by theatre historians to be one of the seminal productions of the century. Meanwhile, his private life was as dramatic as his professional life. The book shows what it was like to be around Welles, and, with a precision rarely attempted before, what it was like to be him, in which lies the answer to the old riddle: whatever happened to Orson Welles? "

This fun-to-read, easy-to-use reference has been completely updated, expanded, and revised with reviews of over 12,000 great albums by over 2,000 artists and groups in all rock genres. 50 charts.

Thriving within a narrow niche in rock music is the recording on which one artist composes, plays, sings and often produces each track. As a showcase of individual effort and talent, the single-artist rock album has been adopted by artists such as Neil Young, Stevie Wonder, and Prince to produce unique additions to their discographies. To this type of album, Steve Hamelman has affixed the label AlphaSoloism. In All by Myself: Essays on the Single-Artist Rock Album, eleven scholars explore eleven different albums, both well-known and obscure, released between 1970 and 2011. Their essays illuminate aesthetic, technical, and theoretical elements that distinguish AlphaSolo recordings from conventional ones.In addition to providing historical background on studio, live, original, and cover recordings released between the 1970 to the present, the essays explore questions of intention, craft, performance, and reception. All by Myself marks the AlphaSolo subgenre’s moment of origin as a musical category and academic field. To date, no study exists on this unique genre of music-making, and All by Myself serves as a call for future investigations into this present and growing phenomenon in rock culture.

HGTV star real estate investor Tarek El Moussa reveals how the grounding principles that make him such a successful house flipper are also applicable to improving our personal lives. With over a decade of experience, flipping close to 1,000 properties, selling over 1,000 houses, and owning multiple apartment buildings and self-storage facilities, Tarek El Moussa is a successful entrepreneur, real estate expert, and investor. It will surprise Tarek’s fans to learn that it wasn’t an easy road to the top. A young and aimless Tarek had no clue what he wanted to do with his life. In Flip Your Life, Tarek uses his story—that of a lost man trying to find his way in the world—to take us through the steps of how we can achieve our own goals. Whether in real estate or life, Tarek reveals his proven four-step process: 1. Evaluate 2. Emulate 3. Renovate 4. Duplicate A natural coach and teacher, Tarek offers us a candid look behind the camera, making Flip Your Life a practical, easy-to-use guide to help readers everywhere learn how to turn their lives from desultory, unhappy “flops” into focused, meaningful, and hugely fulfilling success stories.

About the Book Looking for Picasso in All the Wrong Places by retired art dealer, Ivan “Googie” Parks Jr., is a memoir of how a Chicago cowboy became an art dealer! He shares his unique experiences of how his Chicagoland Cowboy upbringing prepared him to solve modern art’s oldest secret! For the first time ever, read the amazing story of a young horseman’s inadvertent discovery that paralleled the answers to Picasso’s unasked questions for the sources of the Master’s unknown mysterious models! Parks reveals Picasso’s own Communistic origins he claims to have discovered being used to compare to the murder scenes from Chicago connected events! He presents a collection of fifty-three photographs from his Cowboy life which he claims accidently helped him explain what the seemingly secret subjects Picasso selected for the unknown gifts for the 1968 “347 Suite Gravures” exhibit were developed from accrual events taken place as Picasso drew the subjects from newspaper accounts as they happened. A young Parks uses his early Chicago cowboy experiences to help illuminate the Equine characters populating the selected sequenced forty-eight serials constructed from Picasso’s artwork into Ivan’s arranged expose! He uses his uniquely devised new linking process for creating a devastating revelation in a new serialization technique which is formulated while finding out Picasso has borrowed serial events from Chicago’s historical past. His findings lead to the beginning of a better understanding of Picasso’s formerly mysterious Cubistic World as he struck a lucky deal to save his Rock n Roll Dude Ranch while selling art in the Merrill Chase Chicagoland Art Gallery chain! Ivan reveals the explicit reasons of how he helped remove the “Erotic Suite” from the “347 Series Gravures” Exhibit while discovering a surprise Chicago connection illustrating two Democratic Presidential Conventions of 1960 and 1968 silently selected by Picasso! You will marvel as he discusses the reasons explaining the heretofore unknown why Picasso gave the “Sculpture Puzzle”, the “Bizarre Etching Exhibit”, and the $100,000 “Commission Check” to the Art Institute of Chicago! Parks also divulges a curious set of parallel dimensions between the “Daley Plaza Sculpture”, the “Guernica Mural”, and a mock-up of a “St. Valentine’s Day Crime Scene Measurement Recreation” which has never been examined or explored publicly before! He also explores the timely similarities in the recreations from the April 4, 1968, murder scene used by Picasso for his own version of the day before and the day of the Memphis Motel “Balcony Crime Scene” about the murder of Dr. Martin L. King Jr. You will marvel at the intricate collection of evidence linking Picasso imagery to Capone Era Chicago Beer Wars events. He further connects other similar historical sneak attack and matching alibi models for the St. Valentine’s murders and aligns them with selected communist conflicts with fascist leaders matching Picasso Eras which Ivan implicates Picasso in stealing Chicago Connections for his seemingly unknown art subjects! You’ll decide if the evidence in Parks’s Crazy Chicago Cowboy Discovery Trail proves his findings or if Parks twisted Picasso’s imagery into his own new Secret Chicago Connections. Either way the events took place just before Picasso drew his seemingly unconnected version of the infamous imagery!