Mercer Mayer’s Little Critter wants to show you all the things he can do for himself in this classic, funny, and heartwarming book. Whether he’s tying his shoes, coloring a picture, or riding his bike, both parents and children alike will relate to this beloved story. A perfect way to teach children about independence!

Leon Penguin gets up in the middle of the night all by himself to go to the bathroom.

From the Queen of Suspense and #1 New York Times bestselling author comes a thrilling mystery aboard a luxurious but deadly cruise. Fleeing the disastrous and humiliating last-minute arrest of her fiancé on the eve of their wedding, Celia, an expert on gems and jewelry, is hoping to escape from reality on a glamorous cruise ship. But it is not to be. On board in the most luxurious suite is the elderly and world-famous Lady Emily Harworth. Immensely wealthy, Lady Em is the owner of a priceless emerald necklace that she intends to leave to the Smithsonian on her death. Three days later Lady Em is found dead—and the necklace is missing. Is it the work of her apparently devoted secretary, or her lawyer-executor, both of whom she had invited on board for the cruise? Celia, with the help of her new friends Willy and Alvirah Meehan—who are splurging on their wedding anniversary—sets out to find who the killer is, not realizing that she may have put a target on her back.

In the late 1950s, Ted Geisel took on the challenge of creating a book using only 250 unique first-grade words, something that aspiring readers would have both the ability and the desire to read. The result was an unlikely children’s classic, The Cat in the Hat. But Geisel didn’t stop there. Using The Cat in the Hat as a template, he teamed with Helen Geisel and Phyllis Cerf to create Beginner Books, a whole new category of readers that combined research-based literacy practices with the logical insanity of Dr. Seuss. The books were an enormous success, giving the world such authors and illustrators as P. D. Eastman, Roy McKie, and Stan and Jan Berenstain, and beloved bestsellers such as Are You My Mother?; Go, Dog. Go!; Put Me in the Zoo; and Green Eggs and Ham. The story of Beginner Books—and Ted Geisel’s role as “president, policymaker, and editor” of the line for thirty years—has been told briefly in various biographies of Dr. Seuss, but I Can Read It All by Myself: The Beginner Books Story presents it in full detail for the first time. Drawn from archival research and dozens of brand-new interviews, I Can Read It All by Myself explores the origins, philosophies, and operations of Beginner Books from The Cat in the Hat in 1957 to 2019’s A Skunk in My Bunk, and reveals the often-fascinating lives of the writers and illustrators who created them.

Five chicks whose mothers have left them to look for grain keep together as they worry about whether their mothers will ever come back and whether the fox will get them.

Do you like to do things all by yourself? What can you do all by yourself? Do you like someone to help you sometimes? When do you like to have some help?

An award-winning author celebrates childhood independence! Button, zip, scrub, rub, paint and write -these are just a few of the things independent children can do. Aliki′s fun rhyming text and lively illustrations celebrate the joys of mastering these skills, morning, noon, and night. Ages 3-6

When Little Critter stays over at his grandparents' farm, he helps Grandma bake a pie for the Country Fair and has a great time helping out at the farm and enjoying the pleasures of the fair. Original.

Thriving within a narrow niche in rock music is the recording on which one artist composes, plays, sings and often produces each track. As a showcase of individual effort and talent, the single-artist rock album has been adopted by artists such as Neil Young, Stevie Wonder, and Prince to produce unique additions to their discographies. To this type of album, Steve Hamelman has affixed the label AlphaSoloism. In All by Myself: Essays on the Single-Artist Rock Album, eleven scholars explore eleven different albums, both well-known and obscure, released between 1970 and 2011. Their essays illuminate aesthetic, technical, and theoretical elements that distinguish AlphaSolo recordings from conventional ones.In addition to providing historical background on studio, live, original, and cover recordings released between the 1970 to the present, the essays explore questions of intention, craft, performance, and reception. All by Myself marks the AlphaSolo subgenre’s moment of origin as a musical category and academic field. To date, no study exists on this unique genre of music-making, and All by Myself serves as a call for future investigations into this present and growing phenomenon in rock culture.